Atelier-Museu Júlio Pomar

Santa Catarina (English: Saint Catherine) is a former parish (freguesia) in the municipality of Lisbon, Portugal. At the administrative reorganization of Lisbon on 8 December 2012 it became part of the parish Misericórdia. Its area is 0.21 km2, and its population exceeds 4081 inhabitants (density 19433 inhabitants/km2).

Misericórdia (Portuguese pronunciation: [ˌmizɨɾiˈkɔɾdjɐ]) is a freguesia (civil parish) and district of Lisbon, the capital of Portugal. Located in the historic center of Lisbon, Misericórdia is to the east of Estrela, west of Santa Maria Maior, and south of Santo António. It is home to numerous famous neighborhoods, including Bairro Alto, Príncipe Real, and parts of Chiado. The population in 2011 was 13,044.

Instituto Superior Autónomo de Estudos Politécnicos (IPA) is a private polytechnic institution, located in Lisbon that offers courses in arts, technology and innovation.

The Museu das Comunicações is a technology museum in Lisbon, Portugal. Dedicated to promote the study, conservation and dissemination of the historical, scientific and technological communications heritage, The museum focuses on the History of communication, particularly in Portugal

São Bento Palace (Portuguese: Palácio de São Bento "Saint Benedict's Palace") in Lisbon is the seat of the Assembly of the Portuguese Republic, the parliament of Portugal. Originally constructed in 1598, São Bento has served as the seat of Portugal's parliament since 1834, when the former monastery of the Benedictine Order was dissolved after the Liberal Wars. During the Portuguese constitutional monarchy, the palace served as the seat of the Cortes Gerais, the traditional parliaments of Portugal, until 1910. São Bento Mansion, the official residence of the Prime Minister of Portugal, is located within the grounds of São Bento Palace.

Verride Palace, or the Palace of Santa Catarina, (Portuguese: Palácio de Verride; Palácio de Santa Catarina) is an 18th-century Portuguese palace located in Lisbon, Portugal.

The Palace of the Counts of Azambuja (Portuguese: Palácio dos Condes da Azambuja), alternately the Palace Valada-Azambuja (Portuguese: Palácio Valada-Azambuja) is a 16th-century Portuguese estate manorhouse/palace situated in the civil parish of Misericórdia, municipality of Lisbon.

The Bica Funicular (Portuguese: Ascensor da Bica), sometimes known as the Elevador da Bica (Bica Lift), is a funicular railway line in the civil parish of Misericórdia, in the municipality of Lisbon, Portugal. It connects the Rua de São Paulo with Calçada do Combro/Rua do Loreto, operated by Carris. The line conforms to the funicular principle, with two cars permanently attached to opposite ends of a haulage cable, which is looped over a pulley at the upper end of the track. Unusually, traction is provided by electric motors on the two cars, which are themselves powered through an overhead wire. The cable links the two cars together so that they ascend and descend simultaneously, each car acting as a counterweight for the other one.

The European University (Portuguese: Universidade Europeia, abbr.: UE), also known as the European University of Lisbon and the European University at Lisbon (Portuguese: Universidade Europeia em Lisboa, abbr.: UEL) is a private university in Lisbon, Portugal. The school was owned by Laureate Education, Inc., is now part of ENSILIS and has 2,300 students.

The British School of Lisbon (alternatively known as BSL) is a British international school in Lisbon, Portugal. Founded in 2019, it's among the newest in the network of international schools run since 2005 by The Schools Trust, a British non-profit organization.

Bairro Alto (Portuguese pronunciation: [ˈbajʁu ˈaɫtu]; literally: Upper District) is a central district of the city of Lisbon, the Portuguese capital. Unlike many of the civil parishes of Lisbon, this region can be commonly explained as a loose association of neighbourhoods, with no formal local political authority but social and historical significance to the urban community of Lisbon and of Portugal as a whole. The bairro or "neighbourhood" resulted from urban expansion in the 16th century, forming outside the walls of the historical city, and is characterized by an almost orthogonal tract (developing from two phases of distinct urbanization).It is a fundamental quarter of Lisbon, organized into a hierarchical scheme of roads and lanes: the roads, the structural axis, run perpendicular to the river; and the lanes, or secondary axis, cut parallel to the river. The matrix of allotments reflects the persistent use of the medieval layout; the division and multiplication of this module had its origin in the variations of the architectural typology. The space constructed is dominated by living spaces implanted in long narrow lots, three to four storeys in height, with asymmetric facades consisting of windows along the various storeys and staircases along the lateral flanks. Although less representative, the Pombaline-era buildings are common, essentially introducing modifications to the level of the façade's composition. Although there are many typological variations to the facade designs, certain elements are repeated, such as the corners, bay and sill windows, eaves and attics, securing a homogeneous urbanized front.

The Museu da Marioneta (Museum of Puppetry) has been located since November 2001 in the Convent of Bernardas in Lisbon, Portugal, establishing itself as the first museum in Portugal entirely dedicated to the interpretation and dissemination of the history of puppetry, covering the history of this art form across the world, presenting the different types of puppets and the different approaches they allow, with special emphasis on Portuguese puppets. The museum's collection has been gradually extended and diversified, illustrating the different theatrical forms that derive from ancient traditions or emerge from contemporary artistic searches, exploring new forms, new materials and new techniques. This extension was possible only with the participation of different personalities, authors, collectors and puppeteers who, with us, embraced this project, giving their invaluable contribution through the transfer of their estates, to which the Museum gratefully acknowledges. At first, it was kept tonic accent in the national universe, being able to be proud of integrating one of the most significant and comprehensive collections of Portuguese traditional puppetry. Since late 2008, the doors were opened to the world with the host, on deposit, the exceptional and vast collection of puppets and masks of Southeast Asia and Africa of the collector Francisco Capelo.