Exhibition Road Courtyard

The Victoria and Albert Museum Spiral (or V&A Spiral, or The Spiral) was a proposed extension to the 19th-century London building which houses the Victoria and Albert Museum, the world's largest museum of decorative arts. It was designed by Daniel Libeskind and the designer, artist, and writer, Cecil Balmond. The museum chose the design over seven others in competition in 1996 but, after much controversy and failing three times to attract the necessary funding, the project was abandoned in 2004.     When the design was chosen in 1996, Libeskind was relatively unknown, but in 1999 he won international acclaim for the Jewish Museum in Berlin, and his master plan for the World Trade Center site in New York has made him a household name there. 

The National Art Library (NAL) is a major reference library, situated in the Victoria and Albert Museum (V&A), a museum of decorative arts in London. The NAL holds the UK's most comprehensive collection of both books as art and books about art, which includes many genres and time periods. The NAL is open to the public, and as a closed reference library, items must be requested through the staff and cannot be removed from the reading room. The collections cover a wide range of art and design topics, including books about artists and art techniques, and consists of many different collections materials, including archival materials, artist's books, and children's literature. The library also serves as the museum's curatorial department for book arts. As a reference library, the NAL also serves as a training library for students, curators and museum staff, and the public.The current mission of the NAL includes making information about art history and practice widely available, and aims to serve both national and international communities.

The V&A Village Fete is an annual event held at the Victoria and Albert Museum in London.The fete aims to put an alternative spin on the traditional English village fete and features stalls from established names and newcomers in the UK's creative industries, in particular from the fields of Graphic Design and Fashion. According to an article in industry title Design Week, "the aim of the line-up is to provide a current snapshot of contemporary design, looking at both practices and individuals".

Museum Lane runs between two of London's leading museums in South Kensington, namely the Science Museum to the north and the Natural History Museum (formerly the Geological Museum) to the south. It runs to the west off Exhibition Road through a gateway connecting the two museums and connects with Queen's Gate. Opposite on Exhibition Road is the Henry Cole Wing of the Victoria and Albert Museum. The Dana Centre is just to the north at the Queen's Gate end. The lane provided access to the "Exhibition of Science" at the Science Museum in 1951, part of the Festival of Britain. This included exhibits such as Ferranti's Nimrod, an early computer custom-built to play a computer game. Museum Lane provides disabled access to the Natural History Museum. During the Exhibition Road Music Day there has been a Museum Lane stage as part of the festivities.The postcode is London SW7 and the lane is within the Royal Borough of Kensington and Chelsea. The nearest London Underground station is South Kensington tube station to the south along Exhibition Road.

Media Space is a 642-square-metre (6,910 sq ft) exhibition space at the London Science Museum, developed in association with the National Media Museum. Opened in September 2013, the space comprises an extensive gallery surrounded by cultural spaces for display and participation, for mixing across the arts, sciences and creative industries. It also intended to be a showcase for the National Media Museum collections in photography, as well as cinematography and broadcast technology, and an arena where audiences will engage with how new technologies have impacted on today’s creative industries. It is intended for adult audiences.

The Embassy of Venezuela in London is the diplomatic mission of Venezuela in the United Kingdom. Venezuela also maintains a building on Grafton Way, Fitzrovia housing the Consular and Cultural Secttions as well as the Defence Attaché's Office.

The bust of Thomas Baker is a 1638 marble portrait sculpture created by the Italian artist Gian Lorenzo Bernini, with much of the bust undertaken by a pupil of Bernini, probably Andrea Bolgi. It is currently held in the Victoria and Albert Museum, London, who purchased the bust in 1921 for 1480 English guineas.

The Destruction of the Country House 1875–1975 was an exhibition held at the Victoria and Albert Museum (V&A) in 1974, commissioned by V&A Director Roy Strong and curated by John Harris, Marcus Binney and Peter Thornton (then working, respectively, at the Royal Institute of British Architects (RIBA), Country Life magazine and the V&A Department of Furniture and Woodwork). The exhibition included a "Hall of Destruction", decorated with falling columns and illustrations of some of the thousand country houses demolished since 1875, brought down by falling estate incomes, rising costs, death duties, and damage caused by government requisitioning during the Second World War. Described as a "landmark" exhibition, the graphic illustration of the scale of destruction of Britain's built heritage changed public opinion and encouraged moves to protect the country houses that remained. The success of the exhibition inspired the formation of the campaigning group, Save Britain's Heritage, in 1975 – a year that was designated as European Architectural Heritage Year by the Council of Europe - but the changed public mood could not prevent the sale of the extraordinary collection of art and furniture at Mentmore Towers in 1975, and of the empty building itself in 1977, to pay taxes following the death of Harry Primrose, 6th Earl of Rosebery in 1973. The exhibition was followed in 1977 and 1979 by two further exhibitions at the V&A on British architectural heritage: Change and Decay: The Future of our Churches (curated by Strong, Binney and Peter Burman), and then The Garden: A Celebration of a Thousand Years of British Gardening (organised by Harris).

Britain Can Make It was an exhibition of industrial and product design held at the Victoria and Albert Museum in London in 1946. It was organised by the Council of Industrial Design, later to become the Design Council.

The Cast Courts (originally called the Architectural Courts) of the Victoria and Albert Museum in London, England, comprise two large halls. Unusually for a museum, the Cast Courts house a collection not of originals, but copies. Here are to be found reproductions of some of the most famous sculptures in the world. Most of the copies were made in the 19th century and in many cases they have better resisted the ravages of time, 20th-century pollution and over-zealous conservation than the originals. In a few cases, such as the late 15th century Lübeck relief of Christ washing the Apostles' feet, the original has been destroyed and the cast is a unique record of a lost work.

The Rosalinde and Arthur Gilbert Collection is a collection of objets d'art formed by the English-born businessman Sir Arthur Gilbert, who made most of his fortune in the property business in California. After initially becoming interested in silver, he assembled a large collection of decorative arts, which he gave the British nation in 1996. It now has a permanent home in the Victoria and Albert Museum in London.

Neptune and Triton is an early sculpture by the Italian artist Gian Lorenzo Bernini. It is housed in the Victoria and Albert Museum of London and was executed c. 1622–1623. Carved from marble, it stands 182.2 cm (71.7 in) in height.