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Gilbert Collection

2008 disestablishments in EnglandCollections of the Victoria and Albert MuseumDecorative arts museums in EnglandDefunct museums in LondonFormer private collections in the United Kingdom
Former private collections in the United StatesHardstone carvingLos Angeles County Museum of ArtUse British English from August 2015

The Rosalinde and Arthur Gilbert Collection is a collection of objets d'art formed by the English-born businessman Sir Arthur Gilbert, who made most of his fortune in the property business in California. After initially becoming interested in silver, he assembled a large collection of decorative arts, which he gave the British nation in 1996. It now has a permanent home in the Victoria and Albert Museum in London.

Excerpt from the Wikipedia article Gilbert Collection (License: CC BY-SA 3.0, Authors).

Gilbert Collection
Cromwell Road, London Brompton (Royal Borough of Kensington and Chelsea)

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N 51.496666666667 ° E -0.17194444444444 °
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Victoria and Albert Museum (V&A)

Cromwell Road
SW7 2RL London, Brompton (Royal Borough of Kensington and Chelsea)
England, United Kingdom
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call+44(0)2079422000

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vam.ac.uk

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Victoria and Albert Museum
Victoria and Albert Museum

The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts, and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Royal Borough of Kensington and Chelsea, in an area known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum, the Royal Albert Hall and Imperial College London. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. As with other national British museums, entrance is free. The V&A covers 12.5 acres (5.1 ha) and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. However, the art of antiquity in most areas is not collected. The holdings of ceramics, glass, textiles, costumes, silver, ironwork, jewellery, furniture, medieval objects, sculpture, prints and printmaking, drawings and photographs are among the largest and most comprehensive in the world. The museum owns the world's largest collection of post-classical sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea and the Islamic world. The East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world. Since 2001, the museum has embarked on a major £150m renovation programme. New 17th- and 18th-century European galleries were opened on 9 December 2015. These restored the original Aston Webb interiors and host the European collections 1600–1815. The Young V&A in east London is a branch of the museum, and a new branch in London – V&A East – is being planned. The first V&A museum outside London, V&A Dundee opened on 15 September 2018.

Destruction of the Country House exhibition
Destruction of the Country House exhibition

The Destruction of the Country House 1875–1975 was an exhibition held at the Victoria and Albert Museum (V&A) in 1974, commissioned by V&A Director Roy Strong and curated by John Harris, Marcus Binney and Peter Thornton (then working, respectively, at the Royal Institute of British Architects (RIBA), Country Life magazine and the V&A Department of Furniture and Woodwork). The exhibition included a "Hall of Destruction", decorated with falling columns and illustrations of some of the thousand country houses demolished since 1875, brought down by falling estate incomes, rising costs, death duties, and damage caused by government requisitioning during the Second World War. Described as a "landmark" exhibition, the graphic illustration of the scale of destruction of Britain's built heritage changed public opinion and encouraged moves to protect the country houses that remained. The success of the exhibition inspired the formation of the campaigning group, Save Britain's Heritage, in 1975 – a year that was designated as European Architectural Heritage Year by the Council of Europe - but the changed public mood could not prevent the sale of the extraordinary collection of art and furniture at Mentmore Towers in 1975, and of the empty building itself in 1977, to pay taxes following the death of Harry Primrose, 6th Earl of Rosebery in 1973. The exhibition was followed in 1977 and 1979 by two further exhibitions at the V&A on British architectural heritage: Change and Decay: The Future of our Churches (curated by Strong, Binney and Peter Burman), and then The Garden: A Celebration of a Thousand Years of British Gardening (organised by Harris).