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Tribunal des conflits

Judiciary of France
Tribunal des conflits
Tribunal des conflits

In France, the Tribunal des conflits is a court system charged with settling conflicts of jurisdiction between the judiciary and administrative courts of the French legal system and with preventing denials of justice born of conflicting decisions from the two branches. It was originally organized under the règlement du 28 octobre 1849 and the law of 4 February 1850, but it was abolished at the beginning of the Second Empire, then recreated by the law of 24 May 1872 reorganizing the Conseil d’État. The tribunal de conflicts may be called on to decide whether an administrative judge (administrative court, Conseil d’État, etc.) or a judiciary judge (Tribunal judiciaire, Labour Court, Tribunal de Commerce, etc.) should rule in a particular case, or sometimes to determine the solution to be applied when decisions from the two branches conflict. Decisions of the Tribunal des conflits apply to all levels of the judiciary and administrative legal system and cannot be appealed. It is said to be paritaire, that is, made up of equal numbers of conseillers d'État and of magistrates from the Cour de cassation. The Tribunal des conflits sits at the Palais-Royal and is housed in the offices of the Conseil d'État.

Excerpt from the Wikipedia article Tribunal des conflits (License: CC BY-SA 3.0, Authors, Images).

Tribunal des conflits
Rue de Valois, Paris 1st Arrondissement (Paris)

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Geographical coordinates (GPS)

Latitude Longitude
N 48.864444 ° E 2.3375 °
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Jardin du Palais Royal

Rue de Valois
75001 Paris, 1st Arrondissement (Paris)
Ile-de-France, France
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Les Deux Plateaux
Les Deux Plateaux

Les Deux Plateaux, more commonly known as the Colonnes de Buren, is an art installation created by the French artist Daniel Buren in 1985–1986. It is located in the inner courtyard (Cour d'Honneur) of the Palais Royal in Paris, France. As described by the architectural writer Andrew Ayers, "Buren's work takes the form of a conceptual grid imposed on the courtyard, whose intersections are marked by candy-striped black-and-white columns of different heights poking up from the courtyard's floor like sticks of seaside rock. ... In one sense the installation can be read as an exploration of the perception and intellectual projection of space."The work replaced the courtyard's former parking lot and was designed to conceal ventilation shafts for an underground extension of the culture ministry's premises. Some of the columns extend below courtyard level and are surrounded by pools of water into which passersby toss coins. The project was the brainchild of the culture minister Jack Lang and elicited considerable controversy at the time. It was attacked for its cost and unsuitability to a historic landmark. Lang paid no attention to the orders of the Commission des Monuments Historiques, which objected to the plan. In retrospect Ayers has remarked: "Given the harmlessness of the result (deliberate — Buren wanted a monument that would not dominate), the fuss seems excessive, although the columns have proved not only expensive to install, but also to maintain."