Galerie de Montpensier

The Fontaine Molière is a fountain in the 1st arrondissement of Paris, at the junction of rue Molière and rue de Richelieu. Its site was occupied by a fountain known as the fontaine Richelieu until 1838, when it was demolished due to interfering with traffic flow. Joseph Régnier, a member of the Comédie-Française, suggested a new fountain set back slightly from the previous fountain's site as a monument to the playwright Moliere. This was France's first national public subscription for a commemorative monument dedicated to a non-military figure. Built in 1844, the fountain was designed by several sculptors, headed by the architect Louis Tullius Joachim Visconti, who also designed the fountain in place Saint-Sulpice. The main bronze sculpture, showing Moliere seated under a portico under an imposing arch, is by Bernard-Gabriel Seurre (1795–1875) and cast by the fonderie Eck et Durand. Under him is an inscription flanked by two marble female sculptures by Jean-Jacques Pradier (1792–1852), 'Serious Comedy' and 'Light Comedy' - each holds a scroll listing Moliere's works. Right at the bottom are lion masks, from which the water pours into a semi-circular basin. A commemorative medal for the fountain's inauguration was designed by François Augustin Caunois in 1844 - an example of it is in the musée Carnavalet (ND 0367).

The Théâtre du Palais-Royal (French pronunciation: ​[teɑtʁ dy palɛ ʁwajal]) is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais.

On 23 December 1983, the Le Grand Véfour restaurant in Paris was damaged in a bomb attack, in which twelve people were wounded. The attack in one of Paris's most exclusive restaurants left a large crater in its front. Five of the injured diners were Americans, and two were Japanese.Raymond Oliver, owner of Le Grand Véfour, was quoted by his daughter as saying "I am ruined. My clients trust me and this had to happen to me as I reach the end of my career."Nobody claimed responsibility for the attack. The Action Directe terror group also denied involvement, saying it did not carry any political significance. The case file was closed by police and no one has been apprehended.

Le Grand Véfour, the first grand restaurant in Paris, France, was opened in the arcades of the Palais-Royal in 1784 by Antoine Aubertot, as the Café de Chartres, and was purchased in 1820 by Jean Véfour, who was able to retire within three years, selling the restaurant to Jean Boissier. A list of regular customers over the last two centuries includes most of the heavyweights of French culture and politics, along with the tout-Paris. Sauce Mornay was one of the preparations introduced at the Grand Véfour. Closed from 1905 to 1947, a revived Grand Véfour opened with the celebrated chef Raymond Oliver in charge in the autumn of 1948. Jean Cocteau designed his menu. The restaurant, with its early nineteenth-century neoclassical décor of large mirrors in gilded frames and painted supraportes, continues its tradition of gastronomy at the same location, "a history-infused citadel of classic French cuisine."In 1983, the restaurant was destroyed in a bomb attack. It was then bought by Jean Taittinger who restored and reopened the place.When it lost one of its three Michelin stars in 2008 under the régime of Guy Martin for the Taittinger Group, it was headline news.

In France, the Tribunal des conflits is a court system charged with settling conflicts of jurisdiction between the judiciary and administrative courts of the French legal system and with preventing denials of justice born of conflicting decisions from the two branches. It was originally organized under the règlement du 28 octobre 1849 and the law of 4 February 1850, but it was abolished at the beginning of the Second Empire, then recreated by the law of 24 May 1872 reorganizing the Conseil d’État. The tribunal de conflicts may be called on to decide whether an administrative judge (administrative court, Conseil d’État, etc.) or a judiciary judge (Tribunal judiciaire, Labour Court, Tribunal de Commerce, etc.) should rule in a particular case, or sometimes to determine the solution to be applied when decisions from the two branches conflict. Decisions of the Tribunal des conflits apply to all levels of the judiciary and administrative legal system and cannot be appealed. It is said to be paritaire, that is, made up of equal numbers of conseillers d'État and of magistrates from the Cour de cassation. The Tribunal des conflits sits at the Palais-Royal and is housed in the offices of the Conseil d'État.

The rue Molière is a short road in central Paris, in the 1st arrondissement. It begins at avenue de l'Opéra, near the Comédie-Française, and ends at the rue de Richelieu with the Fontaine Molière. It has borne several names, including rue de la Fontaine-Molière, rue Traversière-Saint-Honoré before 1843, earlier the rue Traversine or Traversante, and in 1625 rue de la Brasserie or rue du Bâton-Royal. It is notable for collège Jean-Baptiste-Poquelin, named after the playwright Jean-Baptiste-Poquelin, the real name of Molière.

Rue Beaujolais is a street in the 1st arrondissement of Paris, France.

Rue de Valois is a street in the Palais-Royal quarter in the 1st arrondissement of Paris, France.

The Hôtel de Ratabon was a Parisian hôtel particulier, constructed in 1664 to the designs of the architect Pierre Le Muet for the French government official Antoine de Ratabon. It was located on a site, which at the time was between the western border of the garden of the Palais-Royal and the rue de Richelieu and is now at 10 rue de Richelieu in the 1st arrondissement of Paris. Antoine de Ratabon died in his house in 1670. It was destroyed in 1873.

The Hôtel Tubeuf or Hôtel Duret-de-Chevry is a hôtel particulier located at 8 Rue des Petits Champs in the 2nd arrondissement of Paris. It was built in 1635 to the designs of the French architect Jean Thiriot for Charles Duret de Chevry, president of the Chambre des Comptes. It was unfinished, when in 1641 it was purchased by the financier Jacques Tubeuf, who sold it to Cardinal Mazarin in 1649. The latter expanded it and combined it with adjacent hôtels, creating the Palais Mazarin, which in 1721 became the Bibliothèque du Roi (King's Library). The Hôtel Tubeuf is now part of the complex of buildings forming the Richelieu site of the Bibliothèque nationale de France and was declared a monument historique in 1983.The Hôtel Tubeuf is a typical hôtel particulier with a central corps de logis set between an entrance courtyard and a garden. The entrance courtyard is on the south side and was formerly enclosed on all sides. The street entrance seen today was constructed in the 18th century. The street facade as it existed in the 17th century can be seen in an engraving by Jean Marot. The Hôtel Tubeuf is one of the last and most splendid examples in Paris of brick-and-stone architecture (popular in France in the early 17th century). Brick-and-stone had already gone out of style at the time this hôtel was built, but was used at the request of Duret. The building reflects the architect's fondness for elaborate rustication, stone chaines and quoins, and uncommonly shaped pediments decorated in low-relief.A garden gallery, designed by François Mansart ca. 1644–45, was later added to the Hôtel Tubeuf. Of Mansart's designs only the exterior, and not the interior, of the garden gallery survives in somewhat altered form, with crossed quivers and garlands typical of Mansart visible above the upper windows.The Louisiana Purchase Treaty was signed at the Hôtel Tubeuf on 30 April 1803.The Hôtel Tubeuf now hosts the departments of prints and photographs (Département des estampes et de la photographie) and of maps and plans (Département des cartes et plans) of the French National Library.

Les Deux Plateaux, more commonly known as the Colonnes de Buren, is an art installation created by the French artist Daniel Buren in 1985–1986. It is located in the inner courtyard (Cour d'Honneur) of the Palais Royal in Paris, France. As described by the architectural writer Andrew Ayers, "Buren's work takes the form of a conceptual grid imposed on the courtyard, whose intersections are marked by candy-striped black-and-white columns of different heights poking up from the courtyard's floor like sticks of seaside rock. ... In one sense the installation can be read as an exploration of the perception and intellectual projection of space."The work replaced the courtyard's former parking lot and was designed to conceal ventilation shafts for an underground extension of the culture ministry's premises. Some of the columns extend below courtyard level and are surrounded by pools of water into which passersby toss coins. The project was the brainchild of the culture minister Jack Lang and elicited considerable controversy at the time. It was attacked for its cost and unsuitability to a historic landmark. Lang paid no attention to the orders of the Commission des Monuments Historiques, which objected to the plan. In retrospect Ayers has remarked: "Given the harmlessness of the result (deliberate — Buren wanted a monument that would not dominate), the fuss seems excessive, although the columns have proved not only expensive to install, but also to maintain."

The Rue Radziwill is a street in the 1st arrondissement of Paris. It starts at 1 rue des Petits-Champs and ends in a dead end. It was named after Polish Prince, politician and one of the wealthiest men in Europe Karol Stanisław Radziwiłł.