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Palais-Royal

Ancien Régime French architectureBaroque buildings in FranceBuildings and structures in ParisBuildings and structures in the 1st arrondissement of ParisChâteaux in Paris
Châteaux with formal gardens in FranceGardens in ParisMonuments of the Centre des monuments nationauxNational supreme court buildingsPalaces in FranceParks and open spaces in ParisRoyal residences in FranceTourist attractions in Paris
Conseil d'Etat Paris WA
Conseil d'Etat Paris WA

The Palais-Royal (French pronunciation: ​[pa.lɛ ʁwa.jal]) is a former royal palace located in the 1st arrondissement of Paris, France. The screened entrance court faces the Place du Palais-Royal, opposite the Louvre. Originally called the Palais-Cardinal, it was built for Cardinal Richelieu from about 1633 to 1639 by the architect Jacques Lemercier. Richelieu bequeathed it to Louis XIII, and Louis XIV gave it to his younger brother, the Duke of Orléans. As the succeeding dukes of Orléans made such extensive alterations over the years, almost nothing remains of Lemercier's original design. The Palais-Royal now serves as the seat of the Ministry of Culture, the Conseil d'État and the Constitutional Council. The central Palais-Royal Garden (Jardin du Palais-Royal) serves as a public park, and the arcade houses shops.

Excerpt from the Wikipedia article Palais-Royal (License: CC BY-SA 3.0, Authors, Images).

Palais-Royal
Place de Valois, Paris 1st Arrondissement (Paris)

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N 48.863333333333 ° E 2.3369444444444 °
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Palais Royal

Place de Valois
75001 Paris, 1st Arrondissement (Paris)
Ile-de-France, France
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Conseil d'Etat Paris WA
Conseil d'Etat Paris WA
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Les Deux Plateaux
Les Deux Plateaux

Les Deux Plateaux, more commonly known as the Colonnes de Buren, is an art installation created by the French artist Daniel Buren in 1985–1986. It is located in the inner courtyard (Cour d'Honneur) of the Palais Royal in Paris, France. As described by the architectural writer Andrew Ayers, "Buren's work takes the form of a conceptual grid imposed on the courtyard, whose intersections are marked by candy-striped black-and-white columns of different heights poking up from the courtyard's floor like sticks of seaside rock. ... In one sense the installation can be read as an exploration of the perception and intellectual projection of space."The work replaced the courtyard's former parking lot and was designed to conceal ventilation shafts for an underground extension of the culture ministry's premises. Some of the columns extend below courtyard level and are surrounded by pools of water into which passersby toss coins. The project was the brainchild of the culture minister Jack Lang and elicited considerable controversy at the time. It was attacked for its cost and unsuitability to a historic landmark. Lang paid no attention to the orders of the Commission des Monuments Historiques, which objected to the plan. In retrospect Ayers has remarked: "Given the harmlessness of the result (deliberate — Buren wanted a monument that would not dominate), the fuss seems excessive, although the columns have proved not only expensive to install, but also to maintain."