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Rue Molière

Paris road stubsStreets in the 1st arrondissement of Paris
Fontaine Molière Paris 1er 001
Fontaine Molière Paris 1er 001

The rue Molière is a short road in central Paris, in the 1st arrondissement. It begins at avenue de l'Opéra, near the Comédie-Française, and ends at the rue de Richelieu with the Fontaine Molière. It has borne several names, including rue de la Fontaine-Molière, rue Traversière-Saint-Honoré before 1843, earlier the rue Traversine or Traversante, and in 1625 rue de la Brasserie or rue du Bâton-Royal. It is notable for collège Jean-Baptiste-Poquelin, named after the playwright Jean-Baptiste-Poquelin, the real name of Molière.

Excerpt from the Wikipedia article Rue Molière (License: CC BY-SA 3.0, Authors, Images).

Rue Molière
Rue Molière, Paris 1st Arrondissement (Paris)

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Geographical coordinates (GPS)

Latitude Longitude
N 48.865277777778 ° E 2.3363888888889 °
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Address

Rue Molière 22
75001 Paris, 1st Arrondissement (Paris)
Ile-de-France, France
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Fontaine Molière Paris 1er 001
Fontaine Molière Paris 1er 001
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Les Deux Plateaux
Les Deux Plateaux

Les Deux Plateaux, more commonly known as the Colonnes de Buren, is an art installation created by the French artist Daniel Buren in 1985–1986. It is located in the inner courtyard (Cour d'Honneur) of the Palais Royal in Paris, France. As described by the architectural writer Andrew Ayers, "Buren's work takes the form of a conceptual grid imposed on the courtyard, whose intersections are marked by candy-striped black-and-white columns of different heights poking up from the courtyard's floor like sticks of seaside rock. ... In one sense the installation can be read as an exploration of the perception and intellectual projection of space."The work replaced the courtyard's former parking lot and was designed to conceal ventilation shafts for an underground extension of the culture ministry's premises. Some of the columns extend below courtyard level and are surrounded by pools of water into which passersby toss coins. The project was the brainchild of the culture minister Jack Lang and elicited considerable controversy at the time. It was attacked for its cost and unsuitability to a historic landmark. Lang paid no attention to the orders of the Commission des Monuments Historiques, which objected to the plan. In retrospect Ayers has remarked: "Given the harmlessness of the result (deliberate — Buren wanted a monument that would not dominate), the fuss seems excessive, although the columns have proved not only expensive to install, but also to maintain."