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The Garment Worker

Outdoor sculptures in New York CitySculptures of men in the United States
Street statue of a garment worker on Seventh Avenue in Manhattan in the heart of New York City's Garment District LCCN2011632581
Street statue of a garment worker on Seventh Avenue in Manhattan in the heart of New York City's Garment District LCCN2011632581

The Garment Worker, created by Judith Weller, is a realistic rendering of a garment worker, wearing a yarmulke and bend over a hand-operated sewing machine. The sculpture is based on Weller's father, who was a machine operator in the garment industry in New York. The sculpture was made as a tribute to the Jewish garment workers who, at the turn of the 20th century, were the foundation of Jewish life in New York. It stands as a symbol of their hard work, perseverance, and the vital role they played in shaping the city’s garment sector and its immigrant community. The sculpture measures approximately 6 1/2 feet in height, 4 feet in width, and 4 feet in depth. The base of the sculpture adds an additional height of 1 foot.

Excerpt from the Wikipedia article The Garment Worker (License: CC BY-SA 3.0, Authors, Images).

The Garment Worker
7th Avenue, New York Manhattan

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N 40.75425 ° E -73.988055555556 °
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The Garment Worker

7th Avenue
10019 New York, Manhattan
New York, United States
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Street statue of a garment worker on Seventh Avenue in Manhattan in the heart of New York City's Garment District LCCN2011632581
Street statue of a garment worker on Seventh Avenue in Manhattan in the heart of New York City's Garment District LCCN2011632581
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Craig Newmark Graduate School of Journalism at the City University of New York

The Craig Newmark Graduate School of Journalism at the City University of New York is a public graduate journalism school located in New York City, New York, United States. One of the 25 institutions comprising the City University of New York, or CUNY, the school opened in 2006. It is the only public graduate school of journalism in the northeastern United States.The Newmark Graduate School of Journalism grants two Master of Arts degrees, the Master of Arts in Journalism, including a version with a unique bilingual subject concentration in English and Spanish, and the nation's first Master of Arts in Engagement Journalism. The school, which requires its MA students to complete a summer internship at a news organization in order to graduate, places a heavy emphasis on practical skills and hands-on experience. Its faculty is drawn from current and former journalists at The New York Times, BusinessWeek, The Economist, The Nation, NBC Nightly News, and PBS, among others.Graciela Mochkofsky is the third Dean of the Newmark Graduate School of Journalism. She succeeded Sarah Bartlett, who served as Dean from January 2014 to June 2022, and founding Dean Stephen B. Shepard, who headed the school from 2005 to 2014. In June 2018, the school announced it would change its name from the City University of New York's CUNY Graduate School of Journalism to the Craig Newmark Graduate School of Journalism at the City University of New York, after the Craigslist founder donated $20 million to the school's foundation.

Nederlander Theatre
Nederlander Theatre

The Nederlander Theatre (formerly the National Theatre, the Billy Rose Theatre, and the Trafalgar Theatre) is a Broadway theater at 208 West 41st Street in the Theater District of Midtown Manhattan in New York City. Opened in 1921, it was designed by William Neil Smith for theatrical operator Walter C. Jordan. It has around 1,235 seats across two levels and is operated by the Nederlander Organization. Since 1980, it has been named for American theater impresario David Tobias Nederlander, father of theatrical producer James M. Nederlander. It is the southernmost Broadway theater in the Theater District. The facade is relatively plain and is made of brick, with a fire escape at the center of the second and third floors. The auditorium was originally designed in the early Renaissance style, which has since been modified several times. Unlike other theaters operated by the Shubert family, the interior contained little plaster decoration. The venue has hosted a variety of shows, including the plays Cyrano de Bergerac, Inherit the Wind, and Who's Afraid of Virginia Woolf?; live performances, including those by Lena Horne; and the musical Rent, which is the theater's longest-running production as of 2022. The modern-day Nederlander Theatre was developed as a carpenter's shop in 1920 before being converted into the National Theatre the following year. When the National opened on September 1, 1921, the Shubert family managed bookings on Jordan's behalf. The Shubert brothers bought the National in 1927 and operated it for three decades. In 1956, as part of a settlement in an antitrust lawsuit, the Shuberts sold the venue to Harry Fromkes, who died shortly thereafter. The National was acquired in 1958 by theatrical producer Billy Rose, who renovated the venue and renamed it after himself the next year. The Nederlander Organization and the Cooney-Marsh Organization acquired the theater in 1978, first renaming it the Trafalgar Theatre; the theater assumed its current name in 1980. Because there were few other Broadway theaters nearby, the Nederlander housed few productions in the late 20th century, becoming popular only after Rent opened.

Joel's Bohemia
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Joel's Bohemia was a two-story all-night restaurant near Times Square, New York from 1902 to 1925, catering to artists, writers, revolutionaries, and other bohemians. Owned by and managed by Joel Rinaldo, it was also known as Joel's or Joel's Bohemian Refreshery. Above the restaurant, Rinaldo ran a three-story hotel. Its address was 206 West 41st Street. Joel's claimed to be the only place in New York offering Mexican food, with specialties of chile con carne and tamales. His Blue Moon cocktail was notoriously strong. Joel's was once described as a "poor man's Rector's". There was usually piano music, singing, and often an impromptu cabaret show.Among the regulars were Booth Tarkington, Horace Traubel, William Glackens, George Luks, Alan Dale, William Winter, Zoe Anderson Norris, Shaemas O'Sheel, Sadakichi Hartmann, Robert Chanler, Hippolyte Havel, "General" Jake Coxey, and O. Henry. The El Refugio café in O. Henry's 1910 short story "The Gold that Glittered" was probably based on Joel's. When he was in town, Edwin Markham would drink coffee at the restaurant and sleep at the hotel. Joel's was a "renowned" meeting place for Spanish-language exiles, especially "bohemians, painters, musicians, caricaturists, actors". A table in the corner of the dining-room had a sign on it, starting at 11 o'clock, reading "Reserved for Literature and Revolution", "where famous Hispanic-American revolutionaries used to sit". Leaders of the Mexican Carrancistas met here, and the Mexican Liberal Party's headquarters were here. When the US joined the First World War in 1917, the table was renamed the "Newspaper and Literary Table". Several artists painted scenes set in the restaurant: Max Weber's oil painting "Joel's Cafe", 1909 or 1910. George Luks, "Joel's Famous Bohemia at 41st Street and Seventh Avenue. The Tall Man is Joel", published in Vanity Fair in 1934.Joel's was famous for its celebrity wall of drawings and caricatures, some by Carlo de Fornaro, an opponent of Porfirio Díaz. Paintings by Luks, Glackens, and John Sloan hung on the walls.The closing of Joel's in 1925 was memorialized in the New Yorker: Joel's has closed; perhaps the last of the older order of restaurants, whose hosts were individuals, not corporations. It was never a gaudy, nor a gilt-edged establishment, that one on Forty-first street, with its green-tinted door; and its heydays were ten, or even fifteen years behind when it surrendered to the inevitable.