Craig Newmark Graduate School of Journalism at the City University of New York

The Nederlander Theatre (formerly the National Theatre, the Billy Rose Theatre, and the Trafalgar Theatre) is a Broadway theater at 208 West 41st Street in the Theater District of Midtown Manhattan in New York City. Opened in 1921, it was designed by William Neil Smith for theatrical operator Walter C. Jordan. It has around 1,235 seats across two levels and is operated by the Nederlander Organization. Since 1980, it has been named for American theater impresario David Tobias Nederlander, father of theatrical producer James M. Nederlander. It is the southernmost Broadway theater in the Theater District. The facade is relatively plain and is made of brick, with a fire escape at the center of the second and third floors. The auditorium was originally designed in the early Renaissance style, which has since been modified several times. Unlike other theaters operated by the Shubert family, the interior contained little plaster decoration. The venue has hosted a variety of shows, including the plays Cyrano de Bergerac, Inherit the Wind, and Who's Afraid of Virginia Woolf?; live performances, including those by Lena Horne; and the musical Rent, which is the theater's longest-running production as of 2022. The modern-day Nederlander Theatre was developed as a carpenter's shop in 1920 before being converted into the National Theatre the following year. When the National opened on September 1, 1921, the Shubert family managed bookings on Jordan's behalf. The Shubert brothers bought the National in 1927 and operated it for three decades. In 1956, as part of a settlement in an antitrust lawsuit, the Shuberts sold the venue to Harry Fromkes, who died shortly thereafter. The National was acquired in 1958 by theatrical producer Billy Rose, who renovated the venue and renamed it after himself the next year. The Nederlander Organization and the Cooney-Marsh Organization acquired the theater in 1978, first renaming it the Trafalgar Theatre; the theater assumed its current name in 1980. Because there were few other Broadway theaters nearby, the Nederlander housed few productions in the late 20th century, becoming popular only after Rent opened.

Joel's Bohemia was a two-story all-night restaurant near Times Square, New York from 1902 to 1925, catering to artists, writers, revolutionaries, and other bohemians. Owned by and managed by Joel Rinaldo, it was also known as Joel's or Joel's Bohemian Refreshery. Above the restaurant, Rinaldo ran a three-story hotel. Its address was 206 West 41st Street. Joel's claimed to be the only place in New York offering Mexican food, with specialties of chile con carne and tamales. His Blue Moon cocktail was notoriously strong. Joel's was once described as a "poor man's Rector's". There was usually piano music, singing, and often an impromptu cabaret show.Among the regulars were Booth Tarkington, Horace Traubel, William Glackens, George Luks, Alan Dale, William Winter, Zoe Anderson Norris, Shaemas O'Sheel, Sadakichi Hartmann, Robert Chanler, Hippolyte Havel, "General" Jake Coxey, and O. Henry. The El Refugio café in O. Henry's 1910 short story "The Gold that Glittered" was probably based on Joel's. When he was in town, Edwin Markham would drink coffee at the restaurant and sleep at the hotel. Joel's was a "renowned" meeting place for Spanish-language exiles, especially "bohemians, painters, musicians, caricaturists, actors". A table in the corner of the dining-room had a sign on it, starting at 11 o'clock, reading "Reserved for Literature and Revolution", "where famous Hispanic-American revolutionaries used to sit". Leaders of the Mexican Carrancistas met here, and the Mexican Liberal Party's headquarters were here. When the US joined the First World War in 1917, the table was renamed the "Newspaper and Literary Table". Several artists painted scenes set in the restaurant: Max Weber's oil painting "Joel's Cafe", 1909 or 1910. George Luks, "Joel's Famous Bohemia at 41st Street and Seventh Avenue. The Tall Man is Joel", published in Vanity Fair in 1934.Joel's was famous for its celebrity wall of drawings and caricatures, some by Carlo de Fornaro, an opponent of Porfirio Díaz. Paintings by Luks, Glackens, and John Sloan hung on the walls.The closing of Joel's in 1925 was memorialized in the New Yorker: Joel's has closed; perhaps the last of the older order of restaurants, whose hosts were individuals, not corporations. It was never a gaudy, nor a gilt-edged establishment, that one on Forty-first street, with its green-tinted door; and its heydays were ten, or even fifteen years behind when it surrendered to the inevitable.

The New Victory Theater is an off-Broadway theater located at 209 West 42nd Street, between 7th and 8th Avenues, in Midtown Manhattan. The New Victory presents work for children and family audiences year-round, programming a full season of theater, dance, puppetry, circus, opera, physical theater and other types of performance art from around the world. In 2012, The New Victory Theater received a special Drama Desk Award for “providing enchanting, sophisticated theater that appeals to the child in all of us, and for nurturing a love of theater in young people.”

DKNY is a New York City–based fashion house for men and women, founded in 1984 by Donna Karan. The company specializes in a wide range of fashion products, including clothing, footwear, and accessories.

The Candler Building is a historic skyscraper on 220 West 42nd Street in Times Square, Manhattan, New York City. It is listed on the National Register of Historic Places.

The New Amsterdam Theatre is a Broadway theater on 214 West 42nd Street, at the southern end of Times Square, in the Theater District of Manhattan in New York City. One of the oldest surviving Broadway venues, the New Amsterdam was built from 1902 to 1903 to designs by Herts & Tallant. The theater is operated by Disney Theatrical Productions and has 1,702 seats across three levels. Both the Beaux-Arts exterior and the Art Nouveau interior of the building are New York City landmarks, and the building is on the National Register of Historic Places. The New Amsterdam consists of an auditorium facing 41st Street and a narrow 10-story office wing facing 42nd Street. The facade on 42nd Street is made of gray limestone and was originally ornamented with sculptural detail; the rest of the facade is made of brick. The lobby from 42nd Street leads to a set of ornamental foyers, a reception room, and men's and women's lounges. The elliptical auditorium contains two balconies cantilevered above a parterre-level orchestra. Above the main auditorium was the Roof Garden, which opened in 1904 and served variously as its own theater and as a studio. The theater has a steel frame and was designed with advanced mechanical systems for its time. The New Amsterdam Theatre was named for the Dutch settlement of New Amsterdam, the precursor to New York City. The venue operated by Klaw and Erlanger for more than three decades after its opening on October 26, 1903. From 1913 to 1927, the New Amsterdam was the home of the Ziegfeld Follies, whose producer, Florenz Ziegfeld Jr., maintained an office in the building and operated another theater on the roof garden. The New Amsterdam was converted into a movie theater in 1937, a capacity in which it served until 1983. The Nederlander Organization tried to redevelop the theater for ten years as part of the 42nd Street Development Project. It was then leased by The Walt Disney Company and renovated by Hardy Holzman Pfeiffer from 1995 to 1997. Under Disney's ownership, the theater has hosted the musicals The Lion King, Mary Poppins, and Aladdin.

Needle Threading A Button is a public sculpture in the Garment District neighborhood of Manhattan, New York, located on 191 W 39th St. It is owned buy the Garment District Alliance. It is the district's first permanent art installation, being made out of stainless steel and aluminum.

The Sam H. Harris Theatre was a Broadway theatre within the Candler Building, at 226 West 42nd Street, in the Theater District of Manhattan in New York City. It was built in 1914 and stopped producing plays in 1933. It remained in operation as a movie house for decades and was demolished in 1996.

5 Times Square is a 38-story office skyscraper at the southern end of Times Square in the Midtown Manhattan neighborhood of New York City. Located on the western sidewalk of Seventh Avenue between 41st and 42nd Street, the building measures 575 feet (175 m) tall. The building was designed by Kohn Pedersen Fox Associates (KPF) and developed by Boston Properties for Ernst & Young (EY). The site is owned by the New York City Economic Development Corporation, though David Werner and RXR Realty have a long-term leasehold on the building. KPF planned the facade as a glass curtain wall, with large billboards on lower stories as part of the 42nd Street Development Project. The foundation consists of shallow footings under most of the site, though parts of the plot abut New York City Subway tunnels and are supported by caissons. The steel superstructure includes a wind-resisting lattice steel beams, as well as a mechanical core. The building contains 1.1 million square feet (100,000 m2) of floor space, much of which is devoted to offices. The lowest three stories contain retail space and an entrance to the Times Square subway station. During the 1980s and early 1990s, Park Tower Realty and the Prudential Insurance Company of America had planned to develop a tower for the site as part of a wide-ranging redevelopment of West 42nd Street. After the successful development of the nearby 3 and 4 Times Square, Boston Properties developed both 5 Times Square and Times Square Tower. Work started in 1999 after EY was signed as the anchor tenant, leasing the entire building for 20 years. The building opened in 2002. Boston Properties sold the long-term leasehold for 5 Times Square in 2006 to AVR Realty, which resold it in 2014 to a group led by David Werner. RXR Realty purchased a 50 percent ownership stake in the leasehold in 2016 and began to renovate it in 2020.

The Liberty Theatre was a Broadway theater from 1904 to 1933, located at 236 West 42nd Street in New York City. It was built by the partnership of Klaw and Erlanger.From 1933 until the late 1980s the Liberty operated continuously as a movie theatre. In 1992 the then vacant theatre was purchased by the City of New York along with many other properties as part of the New 42nd Street renovation project. In 1996 it was used for a staged reading of T. S. Eliot's poem The Waste Land, with actress Fiona Shaw, directed by Deborah Warner. The New York Times review described the theater as "derelict". The facade of the Liberty theater was later absorbed into Ripley's Odditorium, which is part of the Forest City Enterprises entertainment complex.In 2011, renovations were completed and the former Liberty Theatre auditorium was converted for use as a Famous Dave's restaurant. The main auditorium space later became a rental event space, with the restaurant portion along 42nd Street operating as the Liberty Diner.From March 2015 to November 2015, Cynthia von Buhler's Speakeasy Dollhouse: Ziegfeld's Midnight Frolic was staged as an immersive play in the theater. The story investigates the death of silent film star and Ziegfeld Girl Olive Thomas. Barring this performance, the space has sat vacant, the Liberty Diner (and thus access to the auditorium space) having been closed since 2015 when the operators lost the lease.

The New York Times Building is a 52-story skyscraper at 620 Eighth Avenue, between 40th and 41st Streets near Times Square, on the west side of Midtown Manhattan in New York City. Its chief tenant is the New York Times Company, publisher of The New York Times. The building is 1,046 ft (318.8 m) tall to its pinnacle, with a roof height of 748 ft (228 m). Designed by Renzo Piano and Fox & Fowle, the building was developed by the New York Times Company, Forest City Ratner, and ING Real Estate. The interiors are divided into separate ownership units, with the Times Company operating the lower office floors and Brookfield Properties operating the upper floors. As of 2023, the New York Times Building is tied with the Chrysler Building as the twelfth-tallest building in the city. The building is cruciform in plan and has a steel-framed superstructure with a braced mechanical core. It consists of the office tower on the west side of the land lot as well as four-story podium on the east side. Its facade is largely composed of a glass curtain wall, in front of which are ceramic rods that deflect heat and glare. The steel framing and bracing is exposed at the four corner "notches" of the building. The New York Times Building is designed as a green building. The lower stories have a lobby, retail space, and the Times newsroom surrounding an enclosed garden. The other stories are used as office space. During the 1980s and 1990s, the city and state governments of New York proposed a merchandise mart for the site as part of a wide-ranging redevelopment of Times Square. In 1999, the New York Times Company offered to develop its new headquarters on the mart's site. Piano and Fox & Fowle were selected following an architectural design competition, and the land was acquired in 2003 following disputes with existing landowners. The building was completed in 2007 for over $1 billion. The Times Company's space was operated by W. P. Carey from 2009 to 2019; meanwhile, Forest City bought out ING's interest and was then acquired by Brookfield Properties in 2018.

The Empire Theatre is the former Eltinge Broadway theatre located on West 42nd Street in Manhattan, New York City. It serves as the entrance to a multiplex movie theater.