San Gennaro dei Poveri

The Church of the Immacolata e San Vincenzo and its adjacent convent, are religious buildings in piazzetta San Vincenzo of the Rione Sanità of Naples, Italy. It was founded in the 8th century by father Gregorio Maria Rocco of Chiaia. It was erected at the site of an earlier church, titled ‘’Santa Maria di Nazareth’’. In 1758, the church along with houses on left side were reconstructed in a Baroque style using designs by Bartolomeo Vecchione. In the catacombs are buried corpses from the plague of 1656. The interior has a canvas by Pietro Bardellino, depicting St Vincenzo recommends orphans to the Virgin Vergine, (1754). The presbytery is stuccoed in the 18th century, and holds the tomb of Sabato Manso (1747), who was the patron for the latter reconstruction. It was closed for worship in 1861 and was reopened in 1975. It was deconsecrated in 1984. Since 2013 the church hosts a theatre, the "Nuovo Teatro Sanità".

Santa Maria del Soccorso a Capodimonte is a Neoclassic-style Roman Catholic church in the Capodimonte Neighborhood of Naples, Italy. The interior is centralized and has a cupola frescos with a starry sky. On the lateral apse are frescos depicting the Death of St Joseph and the Agony of Christ in the Garden of Gesthemane. In the apse ceiling is a fresco of the Trinity by Vincenzo Galloppi. The main altarpiece depicting the Virgin of Succor (1879) was painted by Giuseppe Mancinelli. There is a second church dedicated to Santa Maria del Soccorso, called Maria del Soccorso all’Arenalle.

San Gennaro extra Moenia ("San Gennaro Beyond the Walls") is a church in Naples, Italy. It is located in the Rione Sanita on the large road that leads up to the Capodimonte museum and is an example of so-called paleo-Christian architecture in the city. The foundation of the church is connected with the Catacombs of San Gennaro, the largest Christian catacomb complex in southern Italy. The first structure was probably the result of the fusion of two ancient burial sites, one from the 2nd century CE that contained the remains of Saint Agrippinus of Naples, the first patron saint of Naples, and the site from the 4th century CE that contained the remains of San Gennaro, the now traditional patron saint of the city. This ancient basilica was then reformed in the fourth century AD and expanded between the 11th and 15th centuries. The church became a hospital in 1648. The church is still contained within the complex of the larger hospital structure. The premises provide access to the extensive catacombs themselves.

The Catacombs of San Gennaro are underground paleo-Christian burial and worship sites in Naples, Italy, carved out of tuff, a porous stone. They are situated in the northern part of the city, on the slope leading up to Capodimonte, consisting of two levels, San Gennaro Superiore, and San Gennaro Inferiore. The catacombs lie under the Rione Sanità neighborhood of Naples, sometimes called the "Valley of the Dead". The site is now easily identified by the large church of Madre del Buon Consiglio.

The Madre del Buon Consiglio (or Basilica dell'Incoronata Madre del Buon Consiglio or Maria del Buon Consiglio) (Italian: Crowned Mother of Good Counsel) is a Roman Catholic church in Naples, southern Italy. It is located on the hillside leading up to the Capodimonte palace and art museum and is visible from many quarters of the city.

The Basilica of Santa Maria della Sanità is a basilica church located over the Catacombs of San Gaudioso, on a Piazza near where Via Sanità meets Via Teresa degli Scalzi, in the Rione of the Sanità, in Naples, Italy. The church is also called San Vincenzo or San Vincenzo della Sanità, due to the cult of an icon of San Vincenzo Ferrer, also called locally O' Monacone (the big monk).

The Catacombs of Saint Gaudiosus are underground paleo-Christian burial sites (4th-5th century AD), located in the northern area of the city of Naples (now Stella district).

Rione Sanità (literally "Health Neighbourhood" in Italian) is a neighbourhood in Naples, part of the Stella quarter. It is located north of Naples' historical centre, adjacent to the Capodimonte hill.

The Fontanelle cemetery in Naples is a charnel house, an ossuary, located in a cave in the tuff hillside in the Materdei section of the city. It is associated with a chapter in the folklore of the city. By the time the Spanish moved into the city in the early 16th century, there was already concern over where to locate cemeteries, and moves had been taken to locate graves outside of the city walls. Many Neapolitans, however, insisted on being interred in their local churches. To make space in the churches for the newly interred, undertakers started removing earlier remains outside the city to the cave, the future Fontanelle cemetery. The remains were interred shallowly and then joined in 1656 by thousands of anonymous corpses, victims of the great plague of that year. Sometime in the late 17th century—according to Andrea De Jorio, a Neapolitan scholar from the 19th century, great floods washed the remains out and into the streets, presenting a grisly spectacle. The anonymous remains were returned to the cave, at which point the cave became the unofficial final resting place for the indigent of the city in the succeeding years—a vast paupers' cemetery. It was codified officially as such in the early 19th century under the French rule of Naples. The last great "deposit" of the indigent dead seems to have been in the wake of the cholera epidemic of 1837. Then, in 1872, Father Gaetano Barbati had the chaotically buried skeletal remains disinterred and catalogued. They remained on the surface, stored in makeshift crypts, in boxes and on wooden racks. A spontaneous cult of devotion to the remains of these unnamed dead developed in Naples. Defenders of the cult pointed out that they were paying respect to those who had had none in life, who had been too poor even to have a proper burial. Devotees paid visits to the skulls, cleaned them—"adopted" them, in a way, even giving the skulls back their "living" names (revealed to their caretakers in dreams). An entire cult sprang up, devoted to caring for the skulls, talking to them, asking for favors, bringing them flowers, etc. A small church, Maria Santissima del Carmine, was built at the entrance. The cult of devotion to the skulls of the Fontanelle cemetery lasted into the mid-20th century. In 1969, Cardinal Ursi of Naples decided that such devotion had degenerated into fetishism and ordered the cemetery to be closed. It has recently undergone restoration as a historical site and may be visited.

Stella (Italian: "star") is a neighbourhood of Naples, southern Italy. The area includes the National Archaeological Museum, stretches north through the Sanità section of the city, up the Capodimonte hill to include the grounds and buildings of the Capodimonte art museum.

Santa Maria della Verità (once called Sant'Agostino degli Scalzi or Santa Maria dell'Oliva) is a church in rione Materdei, in the quartiere of Stella of Naples, Italy. The entry is located on Via San Agostino degli Scalzi, number 6.

The San Felice or Sanfelice Palace (Italian: Palazzo San Felice) is a Rococo or late-Baroque-style palace at Via Sanità 167 in Rione Sanità in central Naples. It is best known for its elaborate staircase.