Millennium Iconoclast Museum of Art

La Fonderie, Brussels Museum of Industry and Labour (French: La Fonderie, Musée bruxellois des industries et du travail, Dutch: La Fonderie, Brussels museum van de industrie en de arbeid) is a museum of industrial history in Brussels, Belgium. It collects objects, documents and oral history on the city’s industrial past and visualises the working history of Brussels. The museum is located at 27, rue Ransfort/Ransfortstraat in Molenbeek-Saint-Jean, on the site of the former foundry of La Compagnie des Bronzes de Bruxelles (1854–1979), close to the Brussels–Charleroi Canal. It is managed as a nonprofit organisation focusing on analysing and exhibiting the economic and social history of the Brussels region. It publishes a magazine, organises guided tours and provides educational activities. La Fonderie also houses a documentation centre open to the public.

The Brussels Shot Tower is a shot tower located in Brussels, Belgium. It was built in 1898 at the site of a former gunpowder factory that dated back to 1832. The shot tower was used until 1962, making the last one to remain in use in Belgium. It was classified as a National Heritage Site (number 2043-0092/0) in 1984.The round brick structure is 46 metres (151 ft) high. At its base, it is 4.7 metres (15 ft) in diameter, narrowing to 3.1 metres (10 ft) at the top. It originally had a lantern at the top, and a dome with a weathervane on it.

The Flanders Gate (French: Porte de Flandre; Dutch: Vlaamsepoort) was one of the medieval city gates of the second walls of Brussels, Belgium.

Comte de Flandre (French) or Graaf van Vlaanderen (Dutch) is a Brussels metro station located in the municipality of Molenbeek-Saint-Jean, in the western part of Brussels (Belgium). It opened on 8 May 1981 as part of the Sainte-Catherine/Sint-Katelijne–Beekkant extension of former line 1. Following the reorganisation of the Brussels metro on 4 April 2009, it is served by lines 1 and 5, which cross Brussels from east to west. It takes its name from the nearby Rue du Comte de Flandre/Graaf van Vlaanderenstraat.

The Municipal Hall (French: Hôtel communal, Dutch: Gemeentehuis) of Molenbeek-Saint-Jean is the municipal hall building and the seat of that municipality of Brussels, Belgium. Designed by the architect Jean-Baptiste Janssens and completed in 1886, it is located at 20, rue du Comte de Flandre/Graaf van Vlaanderenstraat. This site is served by Comte de Flandre/Graaf van Vlaanderen metro station on line 5 of the Brussels Metro.

The Brussels Canal (French: Canal de Bruxelles, Dutch: Kanaal van Brussel) is a section of waterway in Brussels, Belgium. It generally refers to the northernmost portion of the Brussels–Charleroi Canal (from the Ninove Gate to the Sainctelette area) and the southernmost section of the Brussels–Scheldt Maritime Canal or Willebroek Canal (between Sainctelette and the Vergote Dock).The Brussels Canal divides the City of Brussels from the municipality of Molenbeek-Saint-Jean, forming the border between them. Previously (before the 19th century, when the canal was dug), there used to be a Willebroek Canal through which a series of locks eventually reached the Brussels harbour inside the city. There used to also be a small canal connecting the Willebroek Canal along the western portion of the city's old defensive walls to the two arms of the river Senne, which were later was covered over and the entire river redirected underground for its entire course within inner Brussels. In the 20th century, even the underground course of the river was altered and the city centre river bedding was dried, the water redirected away from the centre and moved along the western side of the Small Ring (inner ring road), thus also along the Brussels Canal. The Brussels Canal features several turning basins in its urban course. As part of multiple public works projects, including the covering of the Senne, excess water from the underground flowing river is drained into the canal.

Office Baroque is a Belgian contemporary art gallery situated in Antwerp. The gallery was originally incorporated in 2007 in an apartment on Harmoniestraat in Antwerp by Marie Denkens and Wim Peeters. The gallery has occupied a location on Lange Kievitstraat in Antwerp from 2008 till 2013. It opened its first gallery in Brussels on 7 November 2013 with an exhibition by French/American artist Michel Auder in a 1909 cast-iron building by the Brussels architect Paul Hamesse who was part of the Art Nouveau generation. In September 2015, Office Baroque opened a second gallery space in the vicinity of the Centre for Fine Arts, Brussels. In September 2020 the gallery relocated to its original space on Harmoniestraat in Antwerp. The gallery is named after one of Gordon Matta-Clark’s public interventions, untimely demolished after extensive protests in Antwerp in 1980. The gallery represents American, Asian and European artists and has produced exhibitions and publications. Office Baroque presents exhibitions at international art fairs such as Frieze Art Fair, London; FIAC, Paris; Art Basel, Miami Beach; Independent, New York.

The Anderlecht Gate (French: Porte d'Anderlecht; Dutch: Anderlechtsepoort) was one of the medieval city gates of the second walls of Brussels, Belgium.

The Church of St. John the Baptist (French: Église Saint-Jean-Baptiste, Dutch: Sint-Jan-de-Doperkerk) is a Roman Catholic parish church located in the centre of Molenbeek-Saint-Jean, a municipality of Brussels, Belgium. It is dedicated to Saint John the Baptist, the patron saint of Molenbeek. Designed by the architect Joseph Diongre and built between 1930 and 1932 in Art Deco style, it is one of three major churches in Brussels made of reinforced concrete (the other two are the Basilica of the Sacred Heart in Koekelberg and the Church of St. Augustine in Forest). Belonging to the Metropolitan Archdiocese of Mechelen–Brussels, the church and the Catholic parish it belongs to gave their name to the municipality. The building received protected status on 29 February 1984.The church is located on the northern side of the Parvis Saint Jean-Baptiste/Sint-Jan-Baptistvoorplein, not far from the Place Communale/Gemeenteplaats (the municipal square of Molenbeek). This site is served by Comte de Flandre/Graaf van Vlaanderen metro station on line 5 of the Brussels Metro.

Het Zinneke (Brusselian dialect for "the mutt"), sometimes called Zinneke Pis by analogy with Manneken Pis, is a bronze sculpture in central Brussels, Belgium, erected in 1998. Created by Tom Frantzen, it represents a urinating dog, along the same lines as Manneken Pis (a boy) and its derivative Jeanneke Pis (a girl). It is an example of folk humour (zwanze) popular in Brussels.Het Zinneke is located at the junction of the Rue des Chartreux/Kartuizersstraat and the Rue du Vieux-Marché-aux-Grains/Oude Graanmarkt in the City of Brussels, not far from the Halles Saint-Géry/Sint-Gorikshallen, a former covered market, and one of the trendiest districts of the capital. In August 2015, Het Zinneke was struck by a car, and was restored by the sculptor.

Étangs Noirs (French) or Zwarte Vijvers (Dutch) is a Brussels metro station. It is located at the border between Brussels' Koekelberg and Molenbeek-Saint-Jean municipalities, in the western part of Brussels (Belgium). It opened on 8 May 1981 as part of the Sainte-Catherine/Sint-Katelijne–Beekkant extension of former line 1. Following the reorganisation of the Brussels metro on 4 April 2009, it is served by lines 1 and 5, which cross Brussels from east to west. Its name translates into English as the "Black Ponds".

The MigratieMuseumMigration (MMM) is a Belgian migration museum at Rue des Ateliers/Werkhuizenstraat 17 in Molenbeek, in the Brussels-Capital Region, which opened in October 2019. It is one of the 235 (as of 2024) museums to which access is provided by the Belgian national "Museum Pass" and one of the 49 (as of 2024) museums included in the "Brussels Card".The museum was founded in 2019 by the Foyer de Molenbeek-Saint Jean, which had been established in 1969.People from about 180 countries live in the capital region of Brussels, and the museum presents the history of the first guest workers, the homeless, the war refugees and also the European internal migrants. The museum "pays tribute to the many migrants who have helped shape the city".