Santi Simone e Giuda, Mantua

Santa Maria della Vittoria was a medieval chapel or small church in Mantua located on Piazzetta di San Simone. It was built by Marchese Francesco Gonzaga in 1496 in memory of the French army of Charles VIII in the battle of Fornovo. The site had previously been the house of a Jewish moneylender, Daniele da Norsa. Apparently he had overpainted a fresco representation of the Virgin on the façade with his own coat of arms. The ruler at the time, Sigismondo Gonzaga, demanded that the iconic painting be restored, or Daniele would face execution. Despite having accepted the unrefusable offer, a mob razed the house at the site. When Francesco returned, he pardoned the Jew, if he were to fund construction of the chapel . The architect Bernardino Ghisolfi designed the two story edifice. It once housed a famous altarpiece, the Madonna della Vittoria, painted by Mantegna; the painting was looted in 1797, is now at the Louvre.

The Church of the Madonna del Terremoto (Madonna of the Earthquake) is a small Baroque style, Roman Catholic church in central Mantua, region of Lombardy, Italy. The small votive church was built in 1754 in gratitude to the Virgin for her perceived protection after the 1693 Sicily earthquake. The Baroque church contained, at one time, two altarpieces by Giuseppe Bazzani, the Adoration by the Shepherds and a Pietà. They are now in the Diocesan museum in Mantua.

The Palazzo D'Arco is a Neoclassical-style palace located on Piazza Carlo D'Arco #4 in Mantua, region of Lombardy, Italy. The palace houses the Museo di Palazzo d'Arco, which displays the furnishings and artwork collected by the Duke D'Arco.

Palazzo Cavriani is an aristocratic palace with gardens located in Mantua, Italy. The palace is also sometimes referred to as the Palazzo Gonzaga-Spolverini, but the palace belonging to those families was either razed or subsumed into the present neoclassical structure and garden.

The Basilica of Sant'Andrea is a Roman Catholic co-cathedral and minor basilica in Mantua, Lombardy (Italy). It is one of the major works of 15th-century Renaissance architecture in Northern Italy. Commissioned by Ludovico III Gonzaga, the church was begun in 1472 according to designs by Leon Battista Alberti on a site occupied by a Benedictine monastery, of which the bell tower (1414) remains. The building, however, was only finished 328 years later. Though later changes and expansions altered Alberti's design, the church is still considered to be one of Alberti's most complete works. It looms over the Piazza Mantegna.

The Mantegna funerary chapel (Italian – cappella funeraria di Andrea Mantegna) is one of the chapels of the Basilica of Sant'Andrea, Mantua. It houses the tomb of the painter Mantegna and his last two paintings – Baptism of Christ (1506, on the high altar and probably completed by his son Francesco) and Holy Family with St John the Baptist, St Elizabeth and St Zacharias (1504–1506). Its frescoes from 1507 were painted by his sons Ludovico and Francesco and by a young Correggio. The tomb bears a bronze figure of Mantegna by Gianmarco Cavalli.

The Chiesa di San Francesco ( Italian, "Church of St. Francis" ) is a Roman Catholic church located in the historic center of Mantua, Italy, at Piazza San Francesco d'Assisi 5. The church was founded by the Franciscan Order in 1304 but it was not consecrated until 1459, when Pope Pius II performed the ceremony. Suppressed in 1782, it was sacked in 1797, during the Napoleonic Wars, and turned into an arsenal in 1811. Still in military use when World War II began, it was devastated by bombardment during the war. The Cappella Gonzaga, with its frescoes depicting the life of St. Louis of Toulouse ( Italian: San Ludovico d'Angiò ), was saved and recently restored. These frescoes were supposed to have been painted by Serafino de' Serafini, an artist who was active in Modena during the 14th Century. The church was reconstructed in Romanesque and Gothic styles. Now visible are some of the original frescoes depicting St. Francis Receives the Stigmata by Stefano da Verona. Andrea Mantegna's work St. Bernardino of Siena between Two Angels was originally here but it is now at the Pinacoteca di Brera in Milan, Italy. In the Cappella Gonzaga, built between 1369 and 1484, were buried: Guido Gonzaga, 2nd capitano del popolo of Mantua. Ludovico II Gonzaga, 3rd capitano del popolo of Mantua. Francesco I Gonzaga, 4th capitano del popolo of Mantua. Margherita Malatesta, second wife of Francesco I Gonzaga. Gianfrancesco Gonzaga, 5th capitano del popolo of Mantua. Rodolfo Gonzaga, son of Ludovico III, 2nd Marquis of Mantua. Francesco Cardinal Gonzaga, son of Ludovico III, 2nd Marquis of Mantua.Also at the church were buried other notables: Giovanni dalle Bande Nere, the condottiero, buried in full armor in 1526. Blessed Alberto Gonzaga in 1321. Guido Torelli, the founder of the noble family of Torelli, in 1449. Cristoforo I Torelli, son of Guido, in 1460. Francesco Secco, the condottiero who owned the family chapel, in 1496.

The Rotonda di San Lorenzo is a religious building in Mantua, Lombardy (northern Italy). It is the most ancient church in the city. It is now sunk below the level of the Piazza della Erbe. It probably stands on the site of a Roman temple that was dedicated to the goddess Venus. It was built during the reign of the Canossa family in the late 11th century. Inspired by the Holy Sepulchre church in Jerusalem and dedicated to the martyr St. Lawrence, it has a central plan and has maintained ancient features like the matronaeum (loggia for female faithful) and frescoes of the Byzantine school from the 11th-12th century. Another fresco fragment in the apse, portraying the Martyrdom of St. Lawrence, dates to the 15th century. The construction, according to the Lombard tradition, is in bricks, but has two columns and other details in marble, coming from ancient edifices. Deconsecrated, it was used for dwellings, shops and stores, and at the beginning of the 20th century it was covered by other edifices. Later, it was restored and the external additions removed.

Santi Gervasio e Protasio is a Roman Catholic church located in Mantua, region of Lombardy, Italy.

The Torre dell'Orologio is a 15th-century renaissance tower on the Piazza delle Erbe in Mantua, Italy. It is attached to the Palazzo della Ragione, and next to the Rotonda di San Lorenzo. It houses an astronomical clock.

Mantua ( MAN-tew-ə; Italian: Mantova [ˈmantova] ; Lombard and Latin: Mantua) is a comune (municipality) in the Italian region of Lombardy, and capital of the province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the European Capital of Gastronomy, included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia, and Cremona). In 2008, Mantua's centro storico (old town) and Sabbioneta were declared by UNESCO to be a World Heritage Site. Mantua's historic power and influence under the Gonzaga family has made it one of the main artistic, cultural, and especially musical hubs of Northern Italy and the country as a whole. Having one of the most splendid courts of Europe of the fifteenth, sixteenth, and early seventeenth centuries. Mantua is noted for its significant role in the history of opera; the city is also known for its architectural treasures and artifacts, elegant palaces, and the medieval and Renaissance cityscape. It is the city where the composer Monteverdi premiered his opera L'Orfeo and to where Romeo was banished in Shakespeare's play Romeo and Juliet. It is the nearest town to the birthplace of the Roman poet Virgil, who is commemorated by a statue at the lakeside park "Piazza Virgiliana". Mantua is surrounded on three sides by artificial lakes, created during the 12th century as the city's defence system. These lakes receive water from the River Mincio, a tributary of the River Po which descends from Lake Garda. The three lakes are called Lago Superiore, Lago di Mezzo, and Lago Inferiore ("Upper", "Middle", and "Lower" Lakes, respectively). A fourth lake, Lake Pajolo, which once served as a defensive water ring around the city, dried up at the end of the 18th century. The area and its environs are important not only in naturalistic terms, but also anthropologically and historically; research has highlighted a number of human settlements scattered between Barche di Solferino and Bande di Cavriana, Castellaro and Isolone del Mincio. These dated, without interruption, from Neolithic times (5th–4th millennium BC) to the Bronze Age (2nd–1st millennium BC) and the Gallic phases (2nd–1st centuries BC), and ended with Roman residential settlements, which could be traced to the 3rd century AD. In 2017, Legambiente ranked Mantua as the best Italian city for the quality of the life and environment.

The Palazzo del Podestà, or Palazzo del Broletto, is a 13th-century palace, located between Piazza delle Erbe and Piazza Broletto, in the center of Mantua, region of Lombardy, Italy. The building for many years serving as the offices of the Municipality. The main facade faces Piazza Broletto.