Santi Gervasio e Protasio, Mantua

Palazzo Cavriani is an aristocratic palace with gardens located in Mantua, Italy. The palace is also sometimes referred to as the Palazzo Gonzaga-Spolverini, but the palace belonging to those families was either razed or subsumed into the present neoclassical structure and garden.

The Palazzo D'Arco is a Neoclassical-style palace located on Piazza Carlo D'Arco #4 in Mantua, region of Lombardy, Italy. The palace houses the Museo di Palazzo d'Arco, which displays the furnishings and artwork collected by the Duke D'Arco.

Santi Simone e Giuda is a Renaissance architecture, Roman Catholic church located in Mantua, region of Lombardy, Italy. The church rises near the Palazzo d'Arco and the Church of the Fillipines in Mantua.

Santa Maria della Vittoria was a medieval chapel or small church in Mantua located on Piazzetta di San Simone. It was built by Marchese Francesco Gonzaga in 1496 in memory of the French army of Charles VIII in the battle of Fornovo. The site had previously been the house of a Jewish moneylender, Daniele da Norsa. Apparently he had overpainted a fresco representation of the Virgin on the façade with his own coat of arms. The ruler at the time, Sigismondo Gonzaga, demanded that the iconic painting be restored, or Daniele would face execution. Despite having accepted the unrefusable offer, a mob razed the house at the site. When Francesco returned, he pardoned the Jew, if he were to fund construction of the chapel . The architect Bernardino Ghisolfi designed the two story edifice. It once housed a famous altarpiece, the Madonna della Vittoria, painted by Mantegna; the painting was looted in 1797, is now at the Louvre.

The Chiesa di San Francesco ( Italian, "Church of St. Francis" ) is a Roman Catholic church located in the historic center of Mantua, Italy, at Piazza San Francesco d'Assisi 5. The church was founded by the Franciscan Order in 1304 but it was not consecrated until 1459, when Pope Pius II performed the ceremony. Suppressed in 1782, it was sacked in 1797, during the Napoleonic Wars, and turned into an arsenal in 1811. Still in military use when World War II began, it was devastated by bombardment during the war. The Cappella Gonzaga, with its frescoes depicting the life of St. Louis of Toulouse ( Italian: San Ludovico d'Angiò ), was saved and recently restored. These frescoes were supposed to have been painted by Serafino de' Serafini, an artist who was active in Modena during the 14th Century. The church was reconstructed in Romanesque and Gothic styles. Now visible are some of the original frescoes depicting St. Francis Receives the Stigmata by Stefano da Verona. Andrea Mantegna's work St. Bernardino of Siena between Two Angels was originally here but it is now at the Pinacoteca di Brera in Milan, Italy. In the Cappella Gonzaga, built between 1369 and 1484, were buried: Guido Gonzaga, 2nd capitano del popolo of Mantua. Ludovico II Gonzaga, 3rd capitano del popolo of Mantua. Francesco I Gonzaga, 4th capitano del popolo of Mantua. Margherita Malatesta, second wife of Francesco I Gonzaga. Gianfrancesco Gonzaga, 5th capitano del popolo of Mantua. Rodolfo Gonzaga, son of Ludovico III, 2nd Marquis of Mantua. Francesco Cardinal Gonzaga, son of Ludovico III, 2nd Marquis of Mantua.Also at the church were buried other notables: Giovanni dalle Bande Nere, the condottiero, buried in full armor in 1526. Blessed Alberto Gonzaga in 1321. Guido Torelli, the founder of the noble family of Torelli, in 1449. Cristoforo I Torelli, son of Guido, in 1460. Francesco Secco, the condottiero who owned the family chapel, in 1496.

The Church of the Madonna del Terremoto (Madonna of the Earthquake) is a small Baroque style, Roman Catholic church in central Mantua, region of Lombardy, Italy. The small votive church was built in 1754 in gratitude to the Virgin for her perceived protection after the 1693 Sicily earthquake. The Baroque church contained, at one time, two altarpieces by Giuseppe Bazzani, the Adoration by the Shepherds and a Pietà. They are now in the Diocesan museum in Mantua.

The Piazza Virgiliana is an oblong shaped park in the center of Mantua, region of Lombardy Italy. It spans from a circumvailling Piazza Virgilliana street, fed from Piazza dei Filipinni by Via Virgilio, and stretching northwest towards Lago di Mezzo (part of Mincio River), from which it is separated by a wall and a span of the busy SS62 highway. The park has a number of tree-lined trails, and commemorative statues, most prominent of which is a monument to Virgil with flanking fountains.

The Church of Sant'Orsola (St Ursula) in Mantua, Italy, was designed and built in 1608 by Antonio Maria Viani, the architect of the ducal court of the House of Gonzaga. The church was commissioned by Margherita Gonzaga d'Este, the widow of Alfonso II d'Este. Margherita, while not a nun herself, as a widow came to live in an apartment in the Clarissan monastery that was once adjacent (destroyed in 1930). The octagonal church was decorated by major regional artists including Domenico Fetti and his sister (and nun at the convent) Lucrina, Lodovico Carracci, Carlo Bonomi, and Antonio Maria Viani. After suppression of the convent in the 1780s, the convent had become a hospital.

The Basilica of Sant'Andrea is a Roman Catholic co-cathedral and minor basilica in Mantua, Lombardy (Italy). It is one of the major works of 15th-century Renaissance architecture in Northern Italy. Commissioned by Ludovico III Gonzaga, the church was begun in 1472 according to designs by Leon Battista Alberti on a site occupied by a Benedictine monastery, of which the bell tower (1414) remains. The building, however, was only finished 328 years later. Though later changes and expansions altered Alberti's design, the church is still considered to be one of Alberti's most complete works. It looms over the Piazza Mantegna.

The Mantegna funerary chapel (Italian – cappella funeraria di Andrea Mantegna) is one of the chapels of the Basilica of Sant'Andrea, Mantua. It houses the tomb of the painter Mantegna and his last two paintings – Baptism of Christ (1506, on the high altar and probably completed by his son Francesco) and Holy Family with St John the Baptist, St Elizabeth and St Zacharias (1504–1506). Its frescoes from 1507 were painted by his sons Ludovico and Francesco and by a young Correggio. The tomb bears a bronze figure of Mantegna by Gianmarco Cavalli.

Mantua Railway Station (Italian: Ferrovie Stazione di Mantova) is the main station of Comune of Mantua in the Region of Lombardy, northern Italy. The station, situated at Piazza Don Leone and northwest of the city centre, was opened in 1873. It is a junction of three railway lines: Verona-Modena Railway, Milan-Mantua Railway and Mantua-Monselice Railway (which connects to Padua). There was a fourth railway line, the now defunct Mincio Valley Line (to Peschiera del Garda), which terminated at Mantua until 1967. The station is currently managed by Rete Ferroviaria Italiana (RFI). The commercial area of the passenger building, however, is managed by Centostazioni. Train services are operated by Trenitalia and Trenord, Lombardy's regional transport agency. All of the above companies, except Trenord, are wholly owned subsidiaries of Ferrovie dello Stato (FS), Italy's state-owned rail company. FS holds 50% ownership of Trenord through Trenitalia; Trenord's other 50% shares are held by former Milan's railway agency, LeNord.

The Rotonda di San Lorenzo is a religious building in Mantua, Lombardy (northern Italy). It is the most ancient church in the city. It is now sunk below the level of the Piazza della Erbe. It probably stands on the site of a Roman temple that was dedicated to the goddess Venus. It was built during the reign of the Canossa family in the late 11th century. Inspired by the Holy Sepulchre church in Jerusalem and dedicated to the martyr St. Lawrence, it has a central plan and has maintained ancient features like the matronaeum (loggia for female faithful) and frescoes of the Byzantine school from the 11th-12th century. Another fresco fragment in the apse, portraying the Martyrdom of St. Lawrence, dates to the 15th century. The construction, according to the Lombard tradition, is in bricks, but has two columns and other details in marble, coming from ancient edifices. Deconsecrated, it was used for dwellings, shops and stores, and at the beginning of the 20th century it was covered by other edifices. Later, it was restored and the external additions removed.