Sant'Antonio Taumaturgo, Trieste

Saint Spyridon Church (Italian: Chiesa di San Spiridione; Serbian: Црква светог Спиридона / Crkva svetog Spiridona) is a Serbian Orthodox church in Trieste, Italy.

The Jewish Museum “Carlo and Vera Wagner", is located in via del Monte 5/7, Trieste, Italy. It was inaugurated in 1993, by the initiative of Mario Stock together with the generous support of the Wagner-de Polo family.

The Trieste National Hall or Slovene Cultural Centre (Slovene: Narodni dom), also known as the Hotel Balkan, in Trieste was a multimodal building that served as a centre for the Slovene minority in the city. It included the Slovene theatre in Trieste, a hotel and numerous cultural associations. It is notable for having been burned in 1920 by Italian Fascists, which made it a symbol of the Italian repression of the Slovene minority in Italy. The building was restored from 1988 to 1990.

The Canal grande (English: "Grand Canal") is a navigable canal located in the heart of the Borgo Teresiano, in the very center of the city of Trieste, approximately halfway between the railway station and Piazza Unità d'Italia.

Trieste ( tree-EST, Italian: [triˈɛste] (listen); Slovene: Trst [tə̀ɾst, tə́ɾst]; German: Triest [tʁiˈɛst] (listen)) is a city and seaport in northeastern Italy. It is the capital city, and largest city, of the autonomous region of Friuli Venezia Giulia, one of two autonomous regions which are not subdivided into provinces. Trieste is located at the head of the Gulf of Trieste, on a narrow strip of Italian territory lying between the Adriatic Sea and Slovenia; Slovenia lies approximately 8 km (5 mi) east and 10–15 km (6–9 mi) southeast of the city, while Croatia is about 30 km (19 mi) to the south of the city. The city has a long coastline and is surrounded by grassland, forest, and karstic areas. The city has a subtropical climate, unusual in relation to its relatively high latitude, due to marine breezes. In 2022, it had a population of about 204,302. Trieste is the capital of the autonomous region of Friuli Venezia Giulia and was previously capital of the Province of Trieste, until its abolition on 1 October 2017.Trieste belonged to the Habsburg monarchy from 1382 until 1918. In the 19th century the monarchy was one of the Great Powers of Europe and Trieste was its most important seaport. As a prosperous trading hub in the Mediterranean region, Trieste became the fourth largest city of the Austro-Hungarian Empire (after Vienna, Budapest, and Prague). In the fin de siècle period it emerged as an important hub for literature and music. Trieste underwent an economic revival during the 1930s, and the Free Territory of Trieste became a major site of the struggle between the Eastern and Western blocs after the Second World War. Trieste, a deep-water port, is a maritime gateway for northern Italy, Germany, Austria and Central Europe. It is considered the end point of the maritime Silk Road, with its connections to the Suez Canal and Turkey. Since the 1960s, Trieste has emerged as a prominent research location in Europe because of its many international organisations and institutions. The city lies at the intersection of Latin, Slavic and Germanic cultures where Central Europe meets the Mediterranean Sea, and is home to diverse ethnic groups and religious communities. Trieste has the highest percentage of researchers in Europe in relation to population. "Città della Barcolana", "Città della bora", "Città del vento", "Vienna by the sea" and "City of coffee" are also idioms used to describe Trieste.

Kleines Berlin (lit. 'Little Berlin' in German) is the complex of underground air-raid tunnels dating to World War II, which still exists in Trieste, Italy.

The Trieste Commodity Exchange (Italian: Borsa merci di Trieste) was founded in 1755 by Empress Maria Theresa. It is one of the oldest commodity exchanges in the world.

The Synagogue of Trieste (Italian: Tempio Israelitico di Trieste) is a Jewish house of worship located in the city of Trieste, northern Italy.

Trieste Cathedral (Italian: Basilica cattedrale di San Giusto Martire), dedicated to Saint Justus, is a Roman Catholic cathedral and the main church of Trieste, in northern Italy. It is the seat of the Bishop of Trieste. In 1899, Pope Leo XIII granted it the status of a basilica minor.

The Italian Roman Catholic Diocese of Trieste (Latin: Dioecesis Tergestina) in the Triveneto, has existed since no later than 524, and in its current form since 1977. The bishop's seat is in Trieste Cathedral. It is a suffragan of the Archdiocese of Gorizia.

Caffè San Marco is a historic café in Trieste, Italy founded in 1914 that became famous as a rendezvous for intellectuals and writers including Italo Svevo, James Joyce and Umberto Saba, a tradition that continues to date with Claudio Magris. It is located in via Battisti 18. A meeting point for Trieste's irredentists, the café was destroyed by Austro-Hungarian troops during the first World War but was reopened when hostilities ended. The interiors reflect the Vienna Secession style popular when the café was founded. Part of the frescos are attributed to Vito Timmel. The café is owned by Italy's largest insurance company (also based in Trieste), Assicurazioni Generali. Italians campaigned to save the historic café in 2013 and it has now been restored, incorporating a bookshop.

The Teatro Lirico Giuseppe Verdi is an opera house located in Trieste, Italy and named after the composer Giuseppe Verdi. Privately constructed, it was inaugurated as the Teatro Nuovo to replace the smaller 800-seat "Cesareo Regio Teatro di San Pietro" on 21 April 1801 with a performance of Johann Simon Mayr's Ginevra di Scozia. Initially, the Nuovo had 1,400 seats. In 1821, it became known as the Teatro Grande. By the end of the 18th century, the need for a new theatre in Trieste became evident. Its main theatre, the Teatro di San Pietro, had become increasingly inadequate and closed in 1800. A proposal to the Austrian Chancery from Giovanni Matteo Tommasini to build a private theatre had existed since 1795 and, in June 1798, a contract was drawn up whereby annual funding would come from the municipality and Tommasini would hold the rights to several boxes and the rights to sell others. Gian Antonio Selva, the architect of the La Fenice in Venice, was engaged, and he designed a classic horseshoe-shaped auditorium. However, his exterior designs were considered to be too plain for the Austrians who then engaged another architect, Matteo Pertsch, to solve the problem, which was accomplished by incorporating elements of Milan's La Scala opera house. The "Nuovo" became a mixture of La Fenice on the inside and La Scala on the exterior.