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Beethoven Monument (Mexico City)

1921 establishments in Mexico1921 sculpturesAlameda CentralAllegorical sculpturesBronze sculptures in Mexico
Mexico sculpture stubsMonuments and memorials in Mexico CityOutdoor sculptures in Mexico CitySculptures of Ludwig van BeethovenSculptures of men in MexicoStatues in Mexico City
Monumento a Beethoven en la Alameda Central, Ciudad de México
Monumento a Beethoven en la Alameda Central, Ciudad de México

The Beethoven Monument (Spanish: Monumento a Beethoven) is installed in Alameda Central, Mexico City, Mexico. The memorial, designed by Theodor von Gosen, features two allegorical bronze sculptures, and was installed in 1921.

Excerpt from the Wikipedia article Beethoven Monument (Mexico City) (License: CC BY-SA 3.0, Authors, Images).

Beethoven Monument (Mexico City)
Alameda Central, Mexico City

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Latitude Longitude
N 19.435411111111 ° E -99.142194444444 °
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Ludwig Van Beethoven

Alameda Central
06050 Mexico City
Mexico
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Monumento a Beethoven en la Alameda Central, Ciudad de México
Monumento a Beethoven en la Alameda Central, Ciudad de México
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Palacio de Bellas Artes
Palacio de Bellas Artes

The Palacio de Bellas Artes (Palace of Fine Arts) is a prominent cultural center in Mexico City. It has hosted notable events in music, dance, theatre, opera and literature in Mexico and has held important exhibitions of painting, sculpture and photography. Consequently, the Palacio de Bellas Artes has been called the "Cathedral of Art in Mexico". The building is located on the western side of the historic center of Mexico City next to the Alameda Central park. The first National Theater of Mexico was built in the late 19th century, but it was soon decided to tear this down in favor of a more opulent building in time for Centennial of the Mexican War of Independence in 1910. The initial design and construction was undertaken by Italian architect Adamo Boari in 1904, but complications arising from the soft subsoil and the political problem both before and during the Mexican Revolution, hindered then stopped construction completely by 1913. Construction began again in 1932 under Mexican architect Federico Mariscal and was completed in 1934. It was then inaugurated on November 29, 1934 and was the first art museum in Mexico dedicated to exhibiting artistic objects for contemplation. The exterior of the building is primarily Art Nouveau and Neoclassical and the interior is primarily Art Deco. The building is best known for its murals by Diego Rivera, Siqueiros and others, as well as the many exhibitions and theatrical performances it hosts, including the Ballet Folklórico de México.

Instituto Nacional de Bellas Artes y Literatura
Instituto Nacional de Bellas Artes y Literatura

The Instituto Nacional de Bellas Artes y Literatura (INBAL, English: National Institute of Fine Arts and Literature), located in the Palacio de Bellas Artes in Mexico City, is the Mexican institution in charge of coordinating artistic and cultural activities (both at the political and the educational level) in the country. On November 23, 1946, president Miguel Alemán Valdés proposed the creation of the INBA, and it was formally opened on 1 January 1947, as a branch of the Secretaría de Educación Pública (SEP). The first head of the INBA was Carlos Chávez, who created a new orchestra for the Conservatory, the current Orquesta Sinfónica Nacional.The institute includes many departments, artistic ensembles, three national centers for storage of the literary stock, 29 schools and further institutions. The school of design and handicrafts was founded by José Chávez Morado in 1962.One of the important services the institute provides for the nation is to protect, along with the Instituto Nacional de Antropología e Historia, monuments and buildings deemed cultural patrimony. INAH is entrusted with 'archaeological' (pre-Hispanic and paleontological) and 'historical' (post-Conquest 16th to 19th centuries) structures, zones and remnants, while INBAL is entrusted with 'artistic' buildings and monuments (properties that are of significant aesthetic value). The valuation of aesthetic value is left to the Comisión Nacional de Zonas y Monumentos Artísticos (National Commission of Artistic Zones and Monuments). This commission is composed of the Director of INBAL, a representative of the Secretaría de Desarrollo Urbano y Ecología, a representative of UNAM, and three individuals affiliated with the arts picked by the Director. Edifices deemed worthy by the commission are catalogued in the Registro Público de Monumentos y Zonas Artísticos (Public Register of Artistic Monuments and Zones).The institute provides education from elementary school through to postgraduate level; one of the educational institutions that INBAL manages is CEDARTS (centros de educación artística or artistic education centers, in English) which is focused on artistic education. There are 12 CEDARTS in Mexico, three in Mexico City and the rest in some other states. CEDART "Alfonso Reyes" Monterrey, Nuevo León CEDART "David Alfaro Siqueiros" Chihuahua, Chihuahua CEDART "Diego Rivera" Ciudad de México, CDMX CEDART "Emilio Abreu Gómez" Mérida, Yucatán CEDART "Frida Kahlo" Ciudad de México, CDMX CEDART "Ignacio Mariano de las Casas" Querétaro, Querétaro CEDART "José Clemente Orozco" Guadalajara, Jalisco CEDART "José Eduardo Pierson" Hermosillo, Sonora CEDART "Juan Rulfo" Colima, Colima CEDART "Luis Spota Saavedra" Ciudad de México, CDMX CEDART "Miguel Bernal Jiménez" Morelia, Michoacán CEDART "Miguel Cabrera" Oaxaca, OaxacaIn addition to the educational offerings, there are museums, galleries and buildings under the INBAL management, that the institute often uses to present different types of artistic entertainment to the general public, such as "tempestad" or a season of flamenco dance.

Museo Nacional de la Estampa
Museo Nacional de la Estampa

The Museo de la Estampa (Museum of Graphic Arts) is a museum in Mexico City, dedicated to the history, preservation and promotion of Mexican graphic arts. The word “estampa” means “engraving” or “printing” refers to works which have the quality of being reproducible and include seals, woodcuts, lithography and others. The museum was created in 1986 and located in a 19th-century Neoclassical building located in the Plaza de Santa Veracruz in the historic center of the city. This building was remodeled both to house the museum and to conserve its original look. The building houses both a permanent and multiple temporary exhibits. The permanent collection includes pre-Hispanic clay seals used for printing designs on fabrics, ceramics and other surfaces, printed material from the colonial period and more recent creations. More recent works are divided into periods such as the “age of the San Carlos Academy” (18th -19th century) and the “resurgence of the graphics arts” which covered the decades from the 1920s to the 1960s. The best-known works here are those of José Guadalupe Posada, the creator of “La Catrina” and numerous satirical comics. It also includes video programs on graphic techniques such as wood cuts, etchings and more.The museum works in collaboration with Museo Nacional de Arte, which holds Mexico’s largest collection of graphic arts including those done by Mexican artists José Guadalupe Posada, José Clemente Orozco and David Alfaro Siqueiros, as well as foreign artists such as Mario Benedetti and Ilya Kabakov. This collection is called the National Collection of Graphic Works (Colección Nacional de Estampas).Much of the museum’s space is dedicated to temporary exhibits such as the 2003 exhibit of works from the Centro de Formación y Producción Gráfica del Antiguo Colegio Jesuita located in Pátzcuaro, Michoacán. This show had works from fifty artists including Francisco Castro Leñero, Mario Rangel Faz, Roberto Turnbull and Mónica Sotos. These temporary exhibits are part of the museum’s mission to preserve and promote the printed arts in Mexico. Temporary exhibits include works by both national and international artists from diverse periods from the 16th to the 21st century. The museum hosted ten temporary exhibitions in 2009 and registered 34,578 visitors. These expositions include the collection of Alejandro Alvarado and an exposition called “Tauromaquia, Mano a Mano” (Bullfighting, hand to hand). The latter exhibition featured works from Francisco de Goya y Lucientes, Salvador Dalí, one work by Pablo Picasso and filmmaker Jean Cocteau.The museum also supports activities related to research, but most of the space is designed to accommodate the highest number of visitors possible.