Teatro Berga

The Oratory of San Nicola da Tolentino (in Italian, Oratorio di San Nicola da Tolentino) is a small chapel-like structure located in Vicenza, Veneto, Italy. It is renowned for its superb collection of 16th and 17th-century paintings.

Palazzo Civena is a Renaissance palace in Vicenza, Italy, dating to 1540. It was the first palace designed by Andrea Palladio for Giovanni Civena.

The Basilica Palladiana is a Renaissance building in the central Piazza dei Signori in Vicenza, north-eastern Italy. The most notable feature of the edifice is the loggia, which shows one of the first examples of what have come to be known as the Palladian window, designed by a young Andrea Palladio, whose work in architecture was to have a significant effect on the field during the Renaissance and later periods. Since 1994, the Basilica Palladiana, together with other Palladian buildings in and around Vicenza, has been part of the UNESCO World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto".

Torre Bissara is a tower in Piazza dei Signori, Vicenza, Italy.

Piazza dei Signori is a city square in Vicenza, Italy.

The palazzo del Capitaniato, also known as loggia del Capitanio or loggia Bernarda, is a palazzo in Vicenza, northern Italy, designed by Andrea Palladio in 1565 and built in 1571 and '72. It is located on the central Piazza dei Signori, facing the Basilica Palladiana. The palazzo is currently used by the town council, inside the Sala Bernarda. It was decorated by Lorenzo Rubini and, in the interior, with frescoes by Giovanni Antonio Fasolo. Since 1994 the palace has been part of the UNESCO World Heritage Site of the "City of Vicenza and the Palladian Villas of the Veneto".

Palazzo Pojana (also written Poiana) is a patrician palace in Vicenza, northern Italy, attributed to the Italian Renaissance architect Andrea Palladio, about 1560.

Palazzo Thiene is a 15th-16th-century palace in Vicenza, northern Italy, designed for Marcantonio and Adriano Thiene, probably by Giulio Romano, in 1542, and revised during construction from 1544 by Andrea Palladio. In 1994, the palace was included in the "Vicenza, city of Palladio" World Heritage Site by UNESCO. In 1996, the World Heritage Site was renamed "City of Vicenza and the Palladian Villas of the Veneto", and it was expanded to include outlying villas (one of which is the Thiene brothers' country home, the Villa Thiene). The palace is used as the historic headquarters of a bank and it also hosts some exhibitions and culture events. The palazzo was the headquarters of Banca Popolare di Vicenza.

Vicenza Cathedral (Italian: Cattedrale di Santa Maria Annunziata, Duomo di Vicenza) is a Roman Catholic cathedral in Vicenza, Veneto, northern Italy. It is the seat of the Bishop of Vicenza, and is dedicated to the Annunciation of the Virgin Mary.

Palazzo Barbaran da Porto is a palazzo in Vicenza, Italy designed in 1569 and built between 1570 and 1575 by Italian Renaissance architect Andrea Palladio. Since 1994 the palace is part of the "City of Vicenza and the Palladian Villas of the Veneto" World Heritage Site by UNESCO. In the palace is located the Palladio Museum and the Centro Internazionale di Studi di Architettura Andrea Palladio (CISA).

Santa Corona is a Gothic-style, Roman Catholic church located in Vicenza, region of Veneto, Italy. The church contains the Valmarana chapel (circa 1576), whose design is attributed to the Renaissance architect Andrea Palladio. Palladio himself was initially buried in this church.

Casa Cogollo is a small palazzo in Vicenza built in 1559 and attributed to architect Andrea Palladio. Since 1994 it has formed part of the UNESCO World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto". Though known as the “House of Palladio”, in reality this building has no connection with the residence of the Vicentine master. Rather it is its dimensions—quite contained in comparison to the monumental emphasis of other Palladian palazzi—which has led astray those seeking a trace of the architect’s residence in the city. In fact, the Maggior Consiglio (town council) forced the notary Pietro Cogollo to remodel the façade of his 15th century (Quattrocento) house as a contribution to the “decorum of the city”, making this provision (and a monetary investment in the work of not less than 250 ducats) a condition of their positive response to his request for Vicentine citizenship. In the absence of documents and autograph designs, the attribution to Palladio of this most elegant façade still divides scholars. Yet, because of the intelligence of the architectural solution proposed, as well as the design of all the details, it is difficult to refer the project to any other designer. The constraints posed by a narrow space and the impossibility of opening windows at the centre of the piano nobile (because of an existing fireplace and its flue) induced Palladio to emphasise the façade’s central axis, by realising a structure with a ground floor arch flanked by engaged columns, and on the upper storey a tabernacle frame for a fresco by Giovanni Antonio Fasolo. The ground level arch is flanked by two rectangular spaces which illuminate and provide access to the portico. Altogether they form a type of serliana, as already done at the Basilica Palladiana. The result is a composition of great monumental and expressive force, despite the simplicity of the means available.