Palazzo Thiene

Palazzo Barbaran da Porto is a palazzo in Vicenza, Italy designed in 1569 and built between 1570 and 1575 by Italian Renaissance architect Andrea Palladio. Since 1994 the palace is part of the "City of Vicenza and the Palladian Villas of the Veneto" World Heritage Site by UNESCO. In the palace is located the Palladio Museum and the Centro Internazionale di Studi di Architettura Andrea Palladio (CISA).

Piazza dei Signori is a city square in Vicenza, Italy.

The palazzo del Capitaniato, also known as loggia del Capitanio or loggia Bernarda, is a palazzo in Vicenza, northern Italy, designed by Andrea Palladio in 1565 and built in 1571 and '72. It is located on the central Piazza dei Signori, facing the Basilica Palladiana. The palazzo is currently used by the town council, inside the Sala Bernarda. It was decorated by Lorenzo Rubini and, in the interior, with frescoes by Giovanni Antonio Fasolo. Since 1994 the palace has been part of the UNESCO World Heritage Site of the "City of Vicenza and the Palladian Villas of the Veneto".

Torre Bissara is a tower in Piazza dei Signori, Vicenza, Italy.

Palazzo Pojana (also written Poiana) is a patrician palace in Vicenza, northern Italy, attributed to the Italian Renaissance architect Andrea Palladio, about 1560.

The Basilica Palladiana is a Renaissance building in the central Piazza dei Signori in Vicenza, north-eastern Italy. The most notable feature of the edifice is the loggia, which shows one of the first examples of what have come to be known as the Palladian window, designed by a young Andrea Palladio, whose work in architecture was to have a significant effect on the field during the Renaissance and later periods. Since 1994, the Basilica Palladiana, together with other Palladian buildings in and around Vicenza, has been part of the UNESCO World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto".

Palazzo Porto is a palace built by Italian Renaissance architect Andrea Palladio in Contrà Porti, Vicenza, Italy. It is one of two palaces in the city designed by Palladio for members of the Porto family (the other being Palazzo Porto in Piazza Castello). Commissioned by the noble Iseppo da Porto, just married (about 1544), this building had a rather long designing stage and a longer and troublesome realization, partially unfinished. In 1994, UNESCO included the palazzo in a World Heritage Site, the "City of Vicenza and the Palladian Villas of the Veneto".

The Biblioteca Civica Bertoliana is a main public library of the municipality of Vicenza, Italy. Inaugurated at the dawn of the 18th-century, and now the third largest library in the Veneto, after the Biblioteca Marciana of Venice and the University of Padua library. The main office is located in the Palazzo San Giacomo, Vicenza.

Santa Corona is a Gothic-style, Roman Catholic church located in Vicenza, region of Veneto, Italy. The church contains the Valmarana chapel (circa 1576), whose design is attributed to the Renaissance architect Andrea Palladio. Palladio himself was initially buried in this church.

The Palazzo Leoni Montanari is a late Baroque palace located in Contra’ San Corona number 25 in central Vicenza in the Veneto region of Italy. It now houses exhibition rooms, meeting places, and art collections owned by the bank Intesa Sanpaolo.

Palazzo Valmarana is a palace in Vicenza. It was built by Italian Renaissance architect Andrea Palladio in 1565 for the noblewoman Isabella Nogarola Valmarana. Since 1994 it is part of the UNESCO World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto".

Casa Cogollo is a small palazzo in Vicenza built in 1559 and attributed to architect Andrea Palladio. Since 1994 it has formed part of the UNESCO World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto". Though known as the “House of Palladio”, in reality this building has no connection with the residence of the Vicentine master. Rather it is its dimensions—quite contained in comparison to the monumental emphasis of other Palladian palazzi—which has led astray those seeking a trace of the architect’s residence in the city. In fact, the Maggior Consiglio (town council) forced the notary Pietro Cogollo to remodel the façade of his 15th century (Quattrocento) house as a contribution to the “decorum of the city”, making this provision (and a monetary investment in the work of not less than 250 ducats) a condition of their positive response to his request for Vicentine citizenship. In the absence of documents and autograph designs, the attribution to Palladio of this most elegant façade still divides scholars. Yet, because of the intelligence of the architectural solution proposed, as well as the design of all the details, it is difficult to refer the project to any other designer. The constraints posed by a narrow space and the impossibility of opening windows at the centre of the piano nobile (because of an existing fireplace and its flue) induced Palladio to emphasise the façade’s central axis, by realising a structure with a ground floor arch flanked by engaged columns, and on the upper storey a tabernacle frame for a fresco by Giovanni Antonio Fasolo. The ground level arch is flanked by two rectangular spaces which illuminate and provide access to the portico. Altogether they form a type of serliana, as already done at the Basilica Palladiana. The result is a composition of great monumental and expressive force, despite the simplicity of the means available.