Pont-de-Crau

The Alyscamps is a large Roman necropolis, which is a short distance outside the walls of the old town of Arles, France. It was one of the most famous necropolises of the ancient world. The name comes from the Provençal Occitan word Aliscamps, which comes from the Latin Elisii Campi (that is, in French, Champs-Élysées; in English Elysian Fields). They were famous in the Middle Ages and are referred to by Ariosto in Orlando Furioso and by Dante in the Inferno.Roman cities traditionally forbade burials within the city limits. It was therefore common for the roads immediately outside a city to be lined with tombs and mausoleums; the Appian Way outside Rome provides a good example. The Alyscamps was Arles' main burial ground for nearly 1,500 years. It was the final segment of the Aurelian Way leading up to the city gates and was used as a burial ground for well-off citizens, whose memorials ranged from simple sarcophagi to elaborate monuments. In 1981, the Alyscamps was classified a UNESCO World Heritage Site, as part of the Arles, Roman and Romanesque Monuments group.

Luma Arles is an arts center in Arles, France, featuring a 15,000 square meter tower building designed by the Canadian-American architect Frank Gehry for the LUMA Foundation. For the building Gehry took some of his inspiration from the post-impressionist painter Vincent van Gogh hoping to catch the light Dutch artist sought in the South of France, specifically as in Starry Night which was painted in Arles in 1889. The skin of the building features 11,000 angled reflective stainless steel panels.The center is the brainchild of the Swiss art collector, art patron, documentary producer, impresario, and businesswoman Maja Hoffmann who heads the foundation and collaborated with Gehrys on the tower's genesis. The building includes exhibition spaces, workshops, a library, an auditorium with 150 seats, and a café.The magazine Artnet reported that the total cost of the project is understood to be 150 million euros, but Maja Hoffmann has refused to comment on the figure.

The Kingdom of Burgundy, known from the 12th century: 140  as the Kingdom of Arles, also referred to in various context as Arelat, the Kingdom of Arles and Vienne, or Kingdom of Burgundy-Provence, was a realm established in 933 by the merger of the kingdoms of Upper and Lower Burgundy under King Rudolf II. It was incorporated into the Holy Roman Empire in 1033 and from then on was one of the empire's three constituent realms, together with the Kingdom of Germany and the Kingdom of Italy. By the mid-13th century at the latest, however, it had lost its concrete political relevance.: 35 Its territory stretched from the Mediterranean Sea to the High Rhine River in the north, roughly corresponding to the present-day French regions of Provence-Alpes-Côte d'Azur, Rhône-Alpes and Franche-Comté, as well as western Switzerland. Until 1032 it was ruled by independent kings of the Elder House of Welf.

The Communauté d'agglomération Arles-Crau-Camargue-Montagnette (CCAM) is the communauté d'agglomération, an intercommunal structure, centred on the city of Arles. It is located in the Bouches-du-Rhône department, in the Provence-Alpes-Côte d'Azur region, southeastern France. It was created in December 2003. Its area is 1445.8 km2. Its population was 83,669 in 2018, of which 51,031 in Arles proper.

Saint-Césaire Convent, at first called Saint-Jean monastery, was a nunnery in the city of Arles in the south-eastern corner of the rampart. It was founded in 512 AD. Its name was later changed to Abbaye Saint-Césaire in honor of its first abbess, Caesaria of Arles, and it remained until the French Revolution. Later what remained of the buildings were used as a hospice.

The Arles Amphitheatre (French: Arènes d'Arles) is a Roman amphitheatre in Arles, southern France. Two-tiered, it is probably the most prominent tourist attraction in the city which thrived in Ancient Rome. The towers jutting out from the top are medieval add-ons. Built in 90 AD, the amphitheatre held over 20,000 spectators of chariot races and bloody hand-to-hand battles. Nowadays, it draws smaller crowds for bullfighting during the Feria d'Arles, as well as plays and concerts in summer. In 1981, Arles Amphitheatre was listed as a UNESCO World Heritage Site, together with other Roman and medieval buildings of the city, as part of the Arles, Roman and Romanesque Monuments group.

Arles, Roman and Romanesque Monuments (French: Arles, monuments romains et romans) is an area containing a collection of monuments in the city centre of Arles, France, that has been listed as a UNESCO World Heritage Site since 1981. The official brief description for this as a World Heritage Site is: Arles is a good example of the adaptation of an ancient city to medieval European civilization. It has some impressive Roman monuments, of which the earliest—the arena, the Roman theatre and the cryptoporticus (subterranean galleries)—date back to the 1st century B.C. During the 4th century Arles experienced a second golden age, as attested by the baths of Constantine and the necropolis of Alyscamps. In the 11th and 12th centuries, Arles once again became one of the most attractive cities in the Mediterranean. Within the city walls, Saint-Trophime, with its cloister, is one of Provence's major Romanesque monuments. The protected area covers 65 hectares (160 acres). The following buildings are located within this area: Arles Amphitheatre The Roman theater Cryptoporticus and Roman forum: Located underneath the Chapel of the Jesuit College and the City Hall, this cryptoporticus was likely built by the Greeks in the 1st century BCE. It may have been used as a slave barracks. The Thermes of Constantine: A public bath, which was built during the 4th century CE. Ramparts of the Roman castrum The Alyscamps The Church of St. Trophime and its cloister Roman exedra (courtyard of Museon Arlaten)

The Roman Theatre of Arles is a 1st-century Roman theatre, built during the reign of Caesar Augustus. It is located next to the Arles Amphitheatre in the city of Arles, Provence, France. Along with the other Roman and medieval buildings in Arles, the theatre was listed on the UNESCO World Heritage List as part of the Arles, Roman and Romanesque Monuments site for their testimony to the ancient history of the city.In Roman times, the theatre had 33 rows of steps and could seat 8000 people. It is as large as the Roman Theatre of Orange, although much less well-preserved.During the Middle Ages, the theatre was used as a quarry, with the stone pillaged to build the city wall and other buildings. Today, only the stage area, orchestra section, seating rows, and two columns survive.The Venus of Arles, a famous Roman statue made of marble, was found in pieces at the Roman theatre in 1651.

The Church of St. Trophime (French: Cathédrale Saint-Trophime d'Arles) (Trophimus) is a Roman Catholic church and former cathedral located in the city of Arles, in the Bouches-du-Rhône Department of southern France. It was built between the 12th century and the 15th century, and is in the Romanesque architectural tradition. The sculptures over the church's portal, particularly the Last Judgement, and the columns in the adjacent cloister, are considered some of the finest examples of Romanesque sculpture. The church was built upon the site of the 5th-century basilica of Arles, named for St. Stephen. In the 15th century a Gothic choir was added to the Romanesque nave. Along with other medieval and Roman buildings in Arles, in 1981 the church was designated a UNESCO World Heritage Site as part of the Arles, Roman and Romanesque Monuments group.

The Battle of Arles was fought between the Visigoths and a Roman-Hunnic alliance in 425. The Visigoths and the Romans had previously been in peace, but in 425 the Visigothic king Theodoric I broke the peace treaty and invaded Gaul, laying siege to Arles. He was defeated and driven away by the Romans, under the leadership of Flavius Aetius, and their Hunnic allies. Theodoric thereafter made peace again, instead turning his sights on the Vandals in Hispania.

The Battle of Arles was fought between the Visigoths and the Western Roman Empire in 435. The Visigoths and the Romans had previously been in peace after having fought each other at Arles in 425, but in 435 the Visigothic king Theodoric I again broke the peace treaty and invaded Gaul, laying siege to Arles once more. He was however defeated and driven away by the Romans under the leadership of Flavius Aetius and his largely Hunnic army. Two years later, Theodoric was defeated at a decisive battle at Narbonne.

The Battle of Arelate was fought in 458 near Arelate (Arles) between Western Roman Emperor Majorian and Visigothic king Theodoric II. After the assassination of Flavius Aetius in 454, the Visigoths began to expand their kingdom at the expense of the crumbling Roman administration in Gaul and Hispania. When Majorian became emperor in 457, the Visigoths under king Theodoric II had just recently defeated the Suebic Kingdom in north-west Hispania and were consolidating their hold on the rest of the peninsula.Majorian, a young, capable general in his late thirties, inherited a collapsing empire consisting of only Italy, Dalmatia, and some fractured territories in northern Gaul. He decided the first step towards consolidating the empire would be to confront the Visigoths in Septimania. Traveling with his generals Aegidius and Nepotianus, Majorian encountered the Visigothic king and his army at Arelate, at the mouth of the Rhodanus River (Rhone). The ensuing battle was an overwhelming Gothic defeat. Theodoric II was forced to flee Arelate, abandon Septimania, and conclude a hasty peace treaty. The treaty returned all Visigothic territory in Hispania to the Romans, and the Visigoths were reduced to federate status.The battle allowed Majorian to campaign deeper in Gaul against the Burgundian Kingdom, and later in Hispania against the Suebic Kingdom.