Casa dello scugnizzo

The Church of the Concezione a Materdei is a church in the zone of Materdei in Naples, Italy. Building was begun in 1743, and included a conservatory for children. Reconstructed in the present configuration in 1789. The conservatory fell under the leadership of a royal magistrate. The interior has an altar whose design is attributed to Domenico Antonio Vaccaro, or his studio. This Jesuits esteemed this architect and commissioned the silver statue of the Immacolata for the church of the Gesù Nuovo. Near the chapel on the right is the underground tomb of the Serra family from the Duchy of Cassano. The architect of the Spire (Guglia) of the Immaculate Conception, near the church, is attributed to Giuseppe Astarita. Before placement in its present place, it was in the courtyard of the conservatory. The church versa in a dilapidated state and closed to visitors in 2012.

Santa Maria della Verità (once called Sant'Agostino degli Scalzi or Santa Maria dell'Oliva) is a church in rione Materdei, in the quartiere of Stella of Naples, Italy. The entry is located on Via San Agostino degli Scalzi, number 6.

San Raffaele (also known as San Raffaele a Materdei or properly, Santi Raffaele e Margherita da Cortona) is a church on Via Amato di Montecassino, in the quartiere of Materdei in Naples, Italy. The church was founded in 1759 built on designs of Giuseppe Astarita, adjacent to a hospice for women called a Ritiro delle Pentite, or hospice for prostitutes. The interior has a Greek cross layout. The interior has a highly decorated polychrome altar surmounted by a baldacchino of gilded wood with angels and a crown. The frescoes were completed by Angelo Mozzillo. San Raffaele (St Raphael), the patron of fishermen, and often represented in paintings with fish. The saint of this church was often revered by infertile couples.

Materdei is a station on Line 1 of the Naples Metro and is located in Piazza Scipione Ammirato in Naples. According to the British newspaper The Daily Telegraph it was ranked in 16th place as the most beautiful metro station in Europe.

Santa Maria Maddalena de’ Pazzi, also known as the church dei Pazzi or dei Pazzi del Santissimo Sacramento, is a Roman Catholic church in central Naples, Italy; its baroque facade opens on via Salvator Rosa, near vico Nocelle.

The Accademia Pontaniana was the first academy in the modern sense, as a learned society for scholars and humanists and guided by a formal statute. Patronized by Alfonso V of Aragon, it was founded by the poet Antonio Beccadelli in Naples during the revival of classical learning and later led by Giovanni Pontano who gave it a more official character to the meetings.

Santa Teresa degli Scalzi (previously known as the church of Santa Teresa al Museo, or of Santa Teresa agli studi or della Madre di Dio) is a church in Naples, Italy, located in via Santa Teresa degli Scalzi, a wide street opened during 1806–1810, to connect the historic center of Naples to the zone of Capodimonte. The church is generally closed to the public. Church construction began in 1604 and the church was consecrated in 1612 under the Order of Discalced Carmelites thanks to the donations obtained by the Spanish Carmelite follower of St Teresa of Avila, the preacher Pietro della Madre di Dio.

Stella (Italian: "star") is a neighbourhood of Naples, southern Italy. The area includes the National Archaeological Museum, stretches north through the Sanità section of the city, up the Capodimonte hill to include the grounds and buildings of the Capodimonte art museum.

Avvocata (Italian: feminine form of "avvocato", "advocate" in reference to the Madonna as the advocate of humanity) is a quarter of Naples, southern Italy. It is just outside, to the west, of the original historic centre of the Greco-Roman city of Naples. It is the first area beyond the original city developed under the Spanish viceroyship when the Spanish moved into the Kingdom of Naples in the mid-16th century. The most prominent landmark in the area is the large square, Piazza Dante.

The Secret Museum or Secret Cabinet (Italian: Gabinetto Segreto) in Naples refers to the collection of 1st-century Roman erotic art found in Pompeii and Herculaneum, now held in separate galleries at the National Archaeological Museum in Naples, the former Museo Borbonico. The term "cabinet" is used in reference to the "cabinet of curiosities" - i.e. any well-presented collection of objects to admire and study. Re-opened, closed, re-opened again and then closed again for nearly 100 years, the secret room was briefly made accessible again at the end of the 1960s before being finally re-opened in 2000. Since 2005 the collection has been kept in a separate room in the Naples National Archaeological Museum. Although the excavation of Pompeii was initially an Enlightenment project, once artifacts were classified through a new method of taxonomy, those deemed obscene and unsuitable for the general public were termed pornography and in 1821 they were locked away in a Secret Museum. The doorway was bricked up in 1849. Throughout ancient Pompeii and Herculaneum, erotic frescoes, depictions of the god Priapus, sexually explicit symbols and inscriptions, and household items such as phallic oil lamps were found. The ancient Roman understanding of sexuality viewed explicit material very differently from most present-day cultures. Ideas about obscenity developed from the 18th century to the present day into a modern concept of pornography. At Pompeii, locked metal cabinets were constructed over erotic frescos, which could be shown, for an additional fee, to gentlemen but not to ladies. This peep show was still in operation at Pompeii in the 1960s. The cabinet was only accessible to "people of mature age and respected morals", which in practice meant only educated men. The catalogue of the secret museum was also a form of censorship, as engravings and descriptive texts played down the content of the room.

The Venus Callipyge, also known as the Aphrodite Kallipygos (Greek: Ἀφροδίτη Καλλίπυγος) or the Callipygian Venus, all literally meaning "Venus (or Aphrodite) of the beautiful buttocks", is an Ancient Roman marble statue, thought to be a copy of an older Greek original. In an example of anasyrma, it depicts a partially draped woman, raising her light peplos to uncover her hips and buttocks, and looking back and down over her shoulder, perhaps to evaluate them. The subject is conventionally identified as Venus (Aphrodite), though it may equally be a portrait of a mortal woman. The marble statue extant today dates to the late 1st century BC. The lost Greek original on which it is based is thought to have been bronze, and to have been executed around 300 BC, towards the beginning of the Hellenistic period. The provenance of the marble copy is unknown, but it was rediscovered, missing its head, in the early modern period. The head was restored, first in the 16th century and again in the 18th century (in which case the sculptor followed the earlier restoration fairly closely); the restored head was made to look over the shoulder, drawing further attention to the statue's bare buttocks, thereby contributing to its popularity. In the 17th and 18th centuries, the statue was identified as Venus and associated with a temple to Aphrodite Kallipygos at Syracuse, discussed by Athenaeus in his Deipnosophistae. The statue was copied a number of times, including by Jean-Jacques Clérion and François Barois. It is part of the Farnese Collection in the National Archaeological Museum, Naples (Inv. numb. 6020).

The National Archaeological Museum of Naples (Italian: Museo Archeologico Nazionale di Napoli, sometimes abbreviated to MANN) is an important Italian archaeological museum, particularly for ancient Roman remains. Its collection includes works from Greek, Roman and Renaissance times, and especially Roman artifacts from the nearby Pompeii, Stabiae and Herculaneum sites. From 1816 to 1861 it was known as Real Museo Borbonico ("the Royal Bourbon Museum").