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Perseverance Hall

Buildings and structures in New OrleansClubhouses on the National Register of Historic Places in LouisianaGreek Revival architecture in LouisianaLouisiana Registered Historic Place stubsMasonic buildings completed in 1820
Masonic buildings in LouisianaNational Register of Historic Places in New OrleansUse American English from November 2019Use mdy dates from November 2019
Perseverance Hall No 4
Perseverance Hall No 4

Perseverance Hall No. 4 is a historic building within the Louis Armstrong Park in New Orleans, Louisiana, United States. Originally a Masonic lodge, it was built between 1819 and 1820, making it the oldest Masonic temple in Louisiana. Its historic significance is based on its use for dances, where Louisiana Creole jazz performers and bands reportedly played for black and white audiences. Various organizations, both black and white, rented Perseverance Hall for dances, concerts, Monday night banquets, and recitals. The building was used by multiple masonic lodges, mainly Persévérance no. 4 (FR), but also l'Etoile Polaire no. 1 (FR), Germania Lodge no. 46 (AASR), Amor Fraternal no. 4 (AASR), Trinosophes no. 1 (AASR), Perfect Union no. 1 (YR). During the early 20th century, some bands, such as the Golden Rule Band, were barred from appearing at Perseverance Hall, apparently because management considered them too undignified for the place. The building also served as a terminal point for Labor Day parades involving white and black bands. During the 1920s and 1930s, well past the formative years of jazz, various jazz bands played there.Perseverance Hall was listed on the National Register of Historic Places on October 2, 1973.

Excerpt from the Wikipedia article Perseverance Hall (License: CC BY-SA 3.0, Authors, Images).

Perseverance Hall
North Rampart Street, New Orleans French Quarter

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N 29.962777777778 ° E -90.067777777778 °
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North Rampart Street
70116 New Orleans, French Quarter
Louisiana, United States
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Perseverance Hall No 4
Perseverance Hall No 4
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Louis Armstrong Park (New Orleans)
Louis Armstrong Park (New Orleans)

Louis Armstrong Park is a 32-acre (130,000 m2) park located in the Tremé neighborhood of New Orleans, Louisiana, just across Rampart Street from the French Quarter. In the 1960s a controversial urban renewal project leveled a substantial portion of the Tremé neighborhood adjacent to Congo Square. After a decade of debate, the City created the present-day park from that land. This park was designed by New Orleans architect Robin Riley and was named after New Orleans-born Jazz legend Louis Armstrong. The footprint of the present-day park contains the New Orleans Municipal Auditorium, the Mahalia Jackson Theater for the Performing Arts and several buildings owned by the New Orleans Jazz National Historical Park. The portion of the park immediately in front of the New Orleans Municipal Auditorium is the site of Congo Square, formerly known as Beauregard Square, famous for its role in the history of African American music and spiritual practice.Some elements of the park's design have been subject to critique throughout the years. Residents of the adjacent Tremé and French Quarter neighborhoods have called for the removal of the large fence that separates the park from surrounding areas and for incorporating the large concrete parking lots in the rear of the park into the park's greenspace The presence of these parking lots are often attributed to high rates of subsidence and flooding along N. Villere Street. Louis Armstrong Park was home to the first New Orleans Jazz & Heritage Festival in 1970. While that festival has moved to the larger space of New Orleans Fairgrounds, Armstrong Park has more recently been the home of many other events, including the "Jazz in the Park" free concert series, the Treme Creole Gumbo Fest, and the Louisiana Cajun & Zydeco Festival. Monuments include a 12-foot statue of Louis Armstrong. by Elizabeth Catlett, a bust of Sidney Bechet, and a depiction of Buddy Bolden.

1891 New Orleans lynchings
1891 New Orleans lynchings

The 1891 New Orleans lynchings were the murders of 11 Italian Americans and Italian immigrants in New Orleans by a mob for their alleged role in the murder of police chief David Hennessy after some of them had been acquitted at trial. It was the largest single mass lynching in American history. Most of the lynching victims accused in the murder had been rounded up and charged due to their Italian ethnicity.The lynching took place on March 14, the day after the trial of nine of the nineteen men indicted in Hennessy's murder. Six of these defendants were acquitted, and a mistrial was declared for the remaining three because the jury failed to agree on their verdicts. There was a widespread belief in the city that Italian-American organized crime was responsible for the killing of the police chief, in a period of anti-Italian sentiment and rising crime. Italian-American voters were also known to prefer the scandal plagued city political machine to the new Reform Democrat Mayor, whose own role in inciting the violence that followed may well have been an attempt to misuse government power for the repression of his political opponents. Believing the jury had been fixed, a mob broke into the jail where the men were being held and killed eleven of the prisoners, most by shooting. The mob outside the jail numbered in the thousands and included some of the city's most prominent citizens. American press coverage of the event was largely congratulatory, and those responsible for the lynching were never charged. The incident had serious national repercussions. The Italian consul Pasquale Corte in New Orleans registered a protest and left the city in May 1891 at his government's direction. The New York Times published his lengthy statement charging city politicians with responsibility for the lynching of the Italians. Italy cut off diplomatic relations with the United States, sparking rumors of war. Increased anti-Italian sentiment led to calls for restrictions on immigration. The word "Mafia" entered the American lexicon, and the awareness of the Italian mafioso became established in the popular imagination of Americans. The lynchings were the subject of the 1999 HBO film Vendetta, starring Christopher Walken. The film is based on a 1977 history book of the same name by Richard Gambino.