Mahalia Jackson Theater of the Performing Arts

The 1891 New Orleans lynchings were the murders of 11 Italian Americans and Italian immigrants in New Orleans by a mob for their alleged role in the murder of police chief David Hennessy after some of them had been acquitted at trial. It was the largest single mass lynching in American history. Most of the lynching victims accused in the murder had been rounded up and charged due to their Italian ethnicity.The lynching took place on March 14, the day after the trial of nine of the nineteen men indicted in Hennessy's murder. Six of these defendants were acquitted, and a mistrial was declared for the remaining three because the jury failed to agree on their verdicts. There was a widespread belief in the city that Italian-American organized crime was responsible for the killing of the police chief, in a period of anti-Italian sentiment and rising crime. Italian-American voters were also known to prefer the scandal plagued city political machine to the new Reform Democrat Mayor, whose own role in inciting the violence that followed may well have been an attempt to misuse government power for the repression of his political opponents. Believing the jury had been fixed, a mob broke into the jail where the men were being held and killed eleven of the prisoners, most by shooting. The mob outside the jail numbered in the thousands and included some of the city's most prominent citizens. American press coverage of the event was largely congratulatory, and those responsible for the lynching were never charged. The incident had serious national repercussions. The Italian consul Pasquale Corte in New Orleans registered a protest and left the city in May 1891 at his government's direction. The New York Times published his lengthy statement charging city politicians with responsibility for the lynching of the Italians. Italy cut off diplomatic relations with the United States, sparking rumors of war. Increased anti-Italian sentiment led to calls for restrictions on immigration. The word "Mafia" entered the American lexicon, and the awareness of the Italian mafioso became established in the popular imagination of Americans. The lynchings were the subject of the 1999 HBO film Vendetta, starring Christopher Walken. The film is based on a 1977 history book of the same name by Richard Gambino.

New Orleans Jazz National Historical Park is a U.S. National Historical Park in the Tremé neighborhood of New Orleans, near the French Quarter. It was created in 1994 to celebrate the origins and evolution of jazz. Most of the historical park property consists of 4 acres (16,000 m2) within Louis Armstrong Park leased by the National Park Service. There is a visitor center at 916 North Peters Street and a concert venue, several blocks away in the French Quarter. The Park provides a setting for sharing the cultural history of the people and places which helped to shape the development and progression of jazz in New Orleans. National Park Service staff present information and resources associated with the origins and early development of jazz, through interpretive techniques designed to educate and entertain.

Perseverance Hall No. 4 is a historic building within the Louis Armstrong Park in New Orleans, Louisiana, United States. Originally a Masonic lodge, it was built between 1819 and 1820, making it the oldest Masonic temple in Louisiana. Its historic significance is based on its use for dances, where Louisiana Creole jazz performers and bands reportedly played for black and white audiences. Various organizations, both black and white, rented Perseverance Hall for dances, concerts, Monday night banquets, and recitals. The building was used by multiple masonic lodges, mainly Persévérance no. 4 (FR), but also l'Etoile Polaire no. 1 (FR), Germania Lodge no. 46 (AASR), Amor Fraternal no. 4 (AASR), Trinosophes no. 1 (AASR), Perfect Union no. 1 (YR). During the early 20th century, some bands, such as the Golden Rule Band, were barred from appearing at Perseverance Hall, apparently because management considered them too undignified for the place. The building also served as a terminal point for Labor Day parades involving white and black bands. During the 1920s and 1930s, well past the formative years of jazz, various jazz bands played there.Perseverance Hall was listed on the National Register of Historic Places on October 2, 1973.

The Municipal Auditorium is a 7,853-seat multi-purpose arena in New Orleans, Louisiana, and a component of the New Orleans Cultural Center, alongside the Mahalia Jackson Theater of the Performing Arts. It is located in the Tremé neighborhood in Louis Armstrong Park adjacent to Congo Square.

The 13th Ward or Thirteenth Ward is a division of the city of New Orleans, Louisiana. It is one of the 17 Wards of New Orleans. The Ward was formerly part of the old Jefferson City annexed by New Orleans in 1870.

Louis Armstrong Park is a 32-acre (130,000 m2) park located in the Tremé neighborhood of New Orleans, Louisiana, just across Rampart Street from the French Quarter. In the 1960s a controversial urban renewal project leveled a substantial portion of the Tremé neighborhood adjacent to Congo Square. After a decade of debate, the City created the present-day park from that land. This park was designed by New Orleans architect Robin Riley and was named after New Orleans-born Jazz legend Louis Armstrong. The footprint of the present-day park contains the New Orleans Municipal Auditorium, the Mahalia Jackson Theater for the Performing Arts and several buildings owned by the New Orleans Jazz National Historical Park. The portion of the park immediately in front of the New Orleans Municipal Auditorium is the site of Congo Square, formerly known as Beauregard Square, famous for its role in the history of African American music and spiritual practice.Some elements of the park's design have been subject to critique throughout the years. Residents of the adjacent Tremé and French Quarter neighborhoods have called for the removal of the large fence that separates the park from surrounding areas and for incorporating the large concrete parking lots in the rear of the park into the park's greenspace The presence of these parking lots are often attributed to high rates of subsidence and flooding along N. Villere Street. Louis Armstrong Park was home to the first New Orleans Jazz & Heritage Festival in 1970. While that festival has moved to the larger space of New Orleans Fairgrounds, Armstrong Park has more recently been the home of many other events, including the "Jazz in the Park" free concert series, the Treme Creole Gumbo Fest, and the Louisiana Cajun & Zydeco Festival. Monuments include a 12-foot statue of Louis Armstrong. by Elizabeth Catlett, a bust of Sidney Bechet, and a depiction of Buddy Bolden.

Congo Square (French: Place Congo) is an open space, now within Louis Armstrong Park, which is located in the Tremé neighborhood of New Orleans, Louisiana, just across Rampart Street north of the French Quarter. The square is famous for its influence on the history of African American music, especially jazz.

MaMou is a French restaurant in New Orleans, Louisiana. Established in November 2022, the business was included in The New York Times's 2023 list of the 50 best restaurants in the United States.

The Backstreet Cultural Museum is a museum in New Orleans, Louisiana's Tremé neighborhood, founded by Sylvester Francis.

The New Orleans African American Museum (NOAAM) is a museum in New Orleans, Louisiana's visiting Tremé neighborhood, the oldest-surviving black community in the United States. The NOAAM of Art, Culture and History seeks to educate and to preserve, interpret, and promote the contributions that people of African descent have made to the development of New Orleans and Louisiana culture, as slaves and as free people of color throughout the history of American slavery as well as during emancipation, Reconstruction, and contemporary times.

The Southern Railway Freight Office now more commonly known as Basin Street Station, in New Orleans, Louisiana, was constructed in 1904 by the Southern Railway at the corner of Basin Street and Saint Louis Street. The site was located just outside the original city in an area that was considered useless swampy land. The station was also used by the New Orleans Terminal Company. The railroad vacated the building in 1975 and it sat empty for many years. The Valentino Family purchased the building and began renovation in 2004. The front of the building retained station's 1904 classic architecture. The building now houses a visitor center, small museum, event venue, offices for their hotel business as well as several other tenants.

The Hotel St. Pierre is a collection of Creole cottages, many dating from the early 1780s, in the French Quarter of New Orleans, Louisiana, U.S.A. Its business address is 911 Burgundy Street. The hotel property includes the Gabriel Peyroux House, erected in 1780 for Gabriel Peyroux de la Roche, a native of France. The house was constructed utilizing the French Colonial briquette-entre-poteaux (small-bricks-between-posts) architecture and is one of the few extant such examples in the city. This cottage originally stood on the Peyroux plantation on nearby Bayou Road, but it was moved "to town" by the family. Gabriel Peyroux lived here with his wife, Maria Susana Caue. Maria’s father once owned the entire then-empty square which now includes the Hotel St. Pierre. The house and much of the square (city block) remained in the Peyroux family until 1850. In 1961, the New Orleans Jazz Museum, the first jazz museum in the world, opened on this site at 1017 Dumaine Street. The collection included many musical instruments used by New Orleans jazz greats, including Louis Armstrong's first cornet. The Jazz Collection later relocated — in 1981, to a permanent home in the Louisiana State Museum's Old Mint Building.