place

San Leone I

20th-century Roman Catholic church buildings in ItalyRoman Catholic churches completed in 1952Rome Q. VII Prenestino-LabicanoTitular churches
Chiesa SLeoneI Roma
Chiesa SLeoneI Roma

The church of San Leone is a church of Rome in Prenestino-Labicano district, in via Prenestina. It is dedicated to the fifth-century pope, Pope Leo I.

Excerpt from the Wikipedia article San Leone I (License: CC BY-SA 3.0, Authors, Images).

San Leone I
Via Prenestina, Rome Municipio Roma V

Geographical coordinates (GPS) Address External links Nearby Places
placeShow on map

Wikipedia: San Leone IContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 41.8909 ° E 12.5293 °
placeShow on map

Address

Chiesa di San Leone

Via Prenestina
00176 Rome, Municipio Roma V
Lazio, Italy
mapOpen on Google Maps

linkWikiData (Q1421231)
linkOpenStreetMap (368145417)

Chiesa SLeoneI Roma
Chiesa SLeoneI Roma
Share experience

Nearby Places

Tomb of Eurysaces the Baker
Tomb of Eurysaces the Baker

The tomb of Marcus Vergilius Eurysaces the baker is one of the largest and best-preserved freedman funerary monuments in Rome. Its sculpted frieze is a classic example of the "plebeian style" in Roman sculpture. Eurysaces built the tomb for himself and perhaps also his wife Atistia around the end of the Republic (ca. 50–20 BC). Located in a prominent position just outside today's Porta Maggiore, the tomb was transformed by its incorporation into the Aurelian Wall; a tower subsequently erected by Honorius covered the tomb, the remains of which were exposed upon its removal by Gregory XVI in 1838. What is particularly significant about this extravagant tomb is that it was built by a freedman, a former slave. Three sides of the slightly trapezoidal structure remain largely intact. All have the same form, with over a plain lower storey, now mostly below ground level but exposed, a storey consisting of pairs of engaged columns between flat slabs, all crammed together with no space in between. The effect is far from the classical orders; at the corners the slabs turn to pilasters rising at the top level to unorthodox capitals combining scrolls at the sides with plant forms in the centre. There are unusual circular openings in the topmost storey, now thought to represent kneading-basins or grain-measuring vessels. Below a cornice is the frieze, with continuous scenes in relief showing the operation of the bakery where Eurysaces made what was evidently a considerable fortune. Reconstructions imagine a gently rising roof above this, now lost.