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Notre-Dame-des-Victoires, Paris

17th-century Roman Catholic church buildings in FranceAugustinian churches in FranceBasilica churches in ParisRoman Catholic churches in the 2nd arrondissement of ParisVotive churches
P1000564 Paris II Basique Notre Dame des Victoires Façade reductwk
P1000564 Paris II Basique Notre Dame des Victoires Façade reductwk

Located at 6, rue Notre-Dame-des-Victoires, in the 2nd arrondissement of Paris, Notre-Dame-des-Victoires is one of ten minor basilicas located in the Île-de-France region of France. The closest Metro station is 'Bourse'.

Excerpt from the Wikipedia article Notre-Dame-des-Victoires, Paris (License: CC BY-SA 3.0, Authors, Images).

Notre-Dame-des-Victoires, Paris
Place des Petits Pères, Paris 2nd Arrondissement (Paris)

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Geographical coordinates (GPS)

Latitude Longitude
N 48.866666666667 ° E 2.3408333333333 °
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Address

Basilique Notre-Dame-des-Victoires

Place des Petits Pères
75002 Paris, 2nd Arrondissement (Paris)
Ile-de-France, France
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Phone number

call+33142609047

Website
notredamedesvictoires.com

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linkWikiData (Q782969)
linkOpenStreetMap (54661742)

P1000564 Paris II Basique Notre Dame des Victoires Façade reductwk
P1000564 Paris II Basique Notre Dame des Victoires Façade reductwk
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Nearby Places

Salle Érard
Salle Érard

The salle Érard is a music venue located in Paris, 13 rue du Mail in the 2nd arrondissement of Paris. It is part of the hôtel particulier which belonged, from the 18th century, to the Érard family of piano, harp and harpsichord manufacturers. Small in size, but well isolated from the noises of the city, enjoying good acoustics, it is more particularly adapted to chamber music.During the 19th and the beginning of the 20th, it was the place of premières and debuts noted for both compositions and for interpreters, among which: Érik Satie (orchestrations of his Gymnopédies by Claude Debussy), Jacques Ibert, les histoires (ten pieces for piano) (1923), Nellie Melba, Ricardo Viñes, Maurice Ravel, Miroirs (1906) , Menuet antique (1892), Histoires naturelles with Jane Bathori (1907), Sonate pour violon et piano (1927), Trois poèmes de Mallarmé (1914), Camille Saint-Saens (1860).,Ignacy Jan Paderewski (1888), Claude Debussy, Triptyque Estampes (1904), Le Promenoir des deux amants (1911), Alexander Scriabin (1896), Joseph Jongen, André Caplet , Conte fantastique with Micheline Kahn as the harpist, (1923) Vladimir de Pachmann (1882), Charles Valentin Alkan (1837) and (1880), Francis Poulenc, Reynaldo Hahn, pianist Édouard Risler (1908), Ernest Chausson, Viviane (1883), César Franck, Le Chasseur maudit (1883), Arthur Honegger, Le Cahier romand (1924), Olivier Messiaen, Huit préludes (1930), Maurice Delage, Sept haï-kaïs (1925), Quatre poèmes hindous (1914), Francis Planté,Stéphan Elmas ou Youra Guller. Beethoven Sonata No. 29 in Bb Major "Hammerklavier" with Franz Liszt at the piano. Before the construction of the Maison de la Radio (1963), the hall served as a recording studio for the Radiodiffusion française. Nowadays, only the salon sees the organization of concerts, the volumes of the proper room having been reconverted (the volume of spaces is suggested by the organization of the roofs as well as the old entrance facade at No. 11 rue Paul Lelong - Paris 02). Nevertheless, it remains prized for its acoustics and its past charged with both musical and artistic history.

Hôtel Tubeuf
Hôtel Tubeuf

The Hôtel Tubeuf or Hôtel Duret-de-Chevry is a hôtel particulier located at 8 Rue des Petits Champs in the 2nd arrondissement of Paris. It was built in 1635 to the designs of the French architect Jean Thiriot for Charles Duret de Chevry, president of the Chambre des Comptes. It was unfinished, when in 1641 it was purchased by the financier Jacques Tubeuf, who sold it to Cardinal Mazarin in 1649. The latter expanded it and combined it with adjacent hôtels, creating the Palais Mazarin, which in 1721 became the Bibliothèque du Roi (King's Library). The Hôtel Tubeuf is now part of the complex of buildings forming the Richelieu site of the Bibliothèque nationale de France and was declared a monument historique in 1983.The Hôtel Tubeuf is a typical hôtel particulier with a central corps de logis set between an entrance courtyard and a garden. The entrance courtyard is on the south side and was formerly enclosed on all sides. The street entrance seen today was constructed in the 18th century. The street facade as it existed in the 17th century can be seen in an engraving by Jean Marot. The Hôtel Tubeuf is one of the last and most splendid examples in Paris of brick-and-stone architecture (popular in France in the early 17th century). Brick-and-stone had already gone out of style at the time this hôtel was built, but was used at the request of Duret. The building reflects the architect's fondness for elaborate rustication, stone chaines and quoins, and uncommonly shaped pediments decorated in low-relief.A garden gallery, designed by François Mansart ca. 1644–45, was later added to the Hôtel Tubeuf. Of Mansart's designs only the exterior, and not the interior, of the garden gallery survives in somewhat altered form, with crossed quivers and garlands typical of Mansart visible above the upper windows.The Louisiana Purchase Treaty was signed at the Hôtel Tubeuf on 30 April 1803.The Hôtel Tubeuf now hosts the departments of prints and photographs (Département des estampes et de la photographie) and of maps and plans (Département des cartes et plans) of the French National Library.