San Bernardino in Pignolo, Bergamo

The Museo Adriano Bernareggi, also called the Museo Diocesano Bernareggi is an gallery of sacred art and objects housed in a former aristocratic palace, the Palazzo Bassi-Rathgeb, located on Via Pignolo #76 in Bergamo, Italy. The museum is presently managed by the Fondazione Adriano Bernareggi in conjunction with the Università degli Studi di Bergamo, and displays eclectic works of art from the 15th-century to present, often paired, and derived mainly from the Bernareggi family, as well as the Diocese of Bergamo.

Sant'Alessandro della Croce is a Baroque style, Roman Catholic church located on Via Pignolo in Bergamo, region of Lombardy, Italy.

Santo Spirito is a Roman Catholic church located on Piazzetta Santo Spirito in Bergamo, in the region of Lombardy, Italy.

The PalaNorda is an indoor sporting arena located in Bergamo, Italy. It was open on 6 June 1965 and is mainly used as the home venue for volleyball and basketball clubs based in and around Bergamo, with other sporting events (tennis, fencing, artistic gymnastics, rhythmic gymnastics) taking place occasionally.The capacity of the arena is 2,250 people. It is the home venue of Foppapedretti Bergamo (women's volleyball), Olimpia Pallavolo (men's volleyball), Blurobica (basketball), Excelsior (basketball), Bergamasca Scherma Creberg (fencing), Orobica Ginnastica (gymnastics).It hosts the annual tennis ATP challenger event, Trofeo Faip–Perrel.

The Accademia Carrara, (Italian pronunciation: [karˈraːra]), officially Accademia Carrara di Belle Arti di Bergamo, is an art gallery and an academy of fine arts in Bergamo, in Lombardy in northern Italy. The art gallery was established in about 1780 by Giacomo Carrara, a Bergamasco collector or conoscitore of the arts. The academy of fine arts was added to it in 1794.: 293  The school was recognised by the Ministero dell'Istruzione, dell'Università e della Ricerca, the Italian ministry of education, in 1988: 293  and in 2023 merged with the Conservatorio Gaetano Donizetti to form the Politecnico delle Arti di Bergamo.

Santi Bartolomeo e Stefano is a Baroque-style, Roman Catholic church located at number 1 Largo Belotti in Bergamo in the Lombardy region of Italy. The church is associated with a Dominican convent and stands about a block away from the Teatro Donizetti.

The Monument to Donizetti is located in a public garden in Piazza Cavour, adjacent to the Teatro Donizetti in Bergamo. It commemorates the opera composer Gaetano Donizetti, a native of Bergamo. It was inaugurated in 1897 to mark the centenary of the composer's birth. The monument was designed by Francesco Jerace as a result of a competition. The statuary group is atop a plain plinth engraved only with the composers name. The monument is surrounded by a Basin. Atop, Donizetti sits, realistically depicted, and bound to present world, in the corner of a curved bench. A short distance away stands the lyrical muse, Melpomene, strumming her lyre. The artist, with eyes closed, listens to his inspiration. The statue mixes both realism and the allegory to classical mythology; also expressing the sense that the artists communicates with a superior realm. Donizetti's funereal monument in Bergamo, erected in 1856, also features a mournful lyrical muse.

The Republic of Bergamo (Italian: Repubblica Bergamasca) was an ephemeral revolutionary client republic, created on 13 March 1797 by the French army to rule the local administration of Bergamo and its province, during the dissolution of the Republic of Venice. With the Preliminary of Leoben, France and Austria agreed the end of the multi-centennial Venetian rule over the territory between Adda River and Oglio River, together with the Austrian occupation of Istria and Dalmatia. Defined as "mother-municipality", the administration of the city of Bergamo had to help the creation of "dependent-municipalities" in all the surrounding county. The Republic so became one of the constituent countries of the Cisalpine Republic, established on 29 June 1797.

San Michele al Pozzo Bianco is a church in the upper town of Bergamo, on a small piazza of the same name, near Porta Sant'Agostino, on Via Porta Dipinta. The church is now in a corner next to the frescoed house of the vicar, entered by a large rounded arch. The vicar's house has an external fresco attributed to Giacomo Scanardi.

The Teatro Donizetti is an opera house in Bergamo, Italy. Built in the 1780s using a design by architect Giovanni Francesco Lucchini, the theatre was originally referred to as either the Teatro Nuovo or Teatro di Fiera. The first opera to be mounted at the theatre, Giuseppe Sarti's Medonte, re di Epiro, was in 1784 while the opera house was still under construction. The official opening of the house, under the name the Teatro Riccardi, did not occur until 24 August 1791 with a production of Pietro Metastasio's Didone abbandonata set to music by multiple composers, including Ferdinando Bertoni, Giacomo Rampini, Johann Gottlieb Naumann, Giuseppe Gazzaniga, and Giovanni Paisiello. In 1797 the original theatre was destroyed by a fire, possibly by arson. Lucchini was contracted again to design a new structure to replace the old one and the new house opened on 30 June 1800. The structure uses a horseshoe shape with three tiers of boxes and two galleries. In 1897 the name of the theatre was changed to the Teatro Gaetano Donizetti (now shortened to Teatro Donizetti) on the occasion of the centenary of the composer's birth. Donizetti was born in Bergamo's Borgo Canale quarter and his first opera, Il Pigmalione (composed 1816), was given its world premiere at the theatre on 13 October 1960. Adjacent to the theater is a park with the Monument to Donizetti.

The Matris Domini Monastery is an enclosed female monastery which hosts the museum of the same name, situated in the lower part of the Italian city of Bergamo. It houses a museum containing several medieval frescoes with religious themes.

The Museo Matris Domini is housed in the oldest section of the Dominican convent of the same name, situated in the city centre of Bergamo, Italy. It is administered by the nuns of the foundation. The museum preserves a series of 13th and 14th Century frescoes which were uncovered in a 1973 restoration of what was thought to have been the old refectory and a small church within the monastery. The reappearance of these paintings was highly significant as they are amongst the earliest surviving examples of wall painting in the province of Bergamo and indeed in Lombardy as a whole. Outstanding for their pictorial and emotion qualities are fragments from what must have been a depiction of the Last Judgment: the Just, the Blessed, two Angels with trumpets (which are of particular beauty), Saint Peter Enthroned, and Hell, all attributed to the Master of the Tree of Life. There is another series of frescoes of great emotive and narrative quality, representing Jesus among the Doctors, the Baptism, the Virgin and Child Enthroned, Saint Catherine of Alexandria upon the Wheel, Saint Martin and the Pauper, Jesus entering Jerusalem, and the Miracle of the reanimation of Napoleone Orsini by Saint Dominic, showing the young man falling from his horse. These works, together with the Visitation, have been attributed to the so-called First Master of Abbey of Chiaravalle, an anonymous artist active in Lombardy circa 1320-30, and known only through these works, as well as frescoes in San Marco, Milan and in the eponymous Abbey of Chiaravalle. The Visitation is a particularly striking image because of its freshness and for the expressiveness of the faces of the Virgin and Saint Elizabeth, painted by the Master with great intelligence and sensitivity. A 16th-century fresco depicting Saint Dominic (the patron of the monastery) with other saints is also featured in the museum.