Accademia Carrara

The Republic of Bergamo (Italian: Repubblica Bergamasca) was an ephemeral revolutionary client republic, created on 13 March 1797 by the French army to rule the local administration of Bergamo and its province, during the dissolution of the Republic of Venice. With the Preliminary of Leoben, France and Austria agreed the end of the multi-centennial Venetian rule over the territory between Adda River and Oglio River, together with the Austrian occupation of Istria and Dalmatia. Defined as "mother-municipality", the administration of the city of Bergamo had to help the creation of "dependent-municipalities" in all the surrounding county. The Republic so became one of the constituent countries of the Cisalpine Republic, established on 29 June 1797.

The PalaNorda is an indoor sporting arena located in Bergamo, Italy. It was open on 6 June 1965 and is mainly used as the home venue for volleyball and basketball clubs based in and around Bergamo, with other sporting events (tennis, fencing, artistic gymnastics, rhythmic gymnastics) taking place occasionally.The capacity of the arena is 2,250 people. It is the home venue of Foppapedretti Bergamo (women's volleyball), Olimpia Pallavolo (men's volleyball), Blurobica (basketball), Excelsior (basketball), Bergamasca Scherma Creberg (fencing), Orobica Ginnastica (gymnastics).It hosts the annual tennis ATP challenger event, Trofeo Faip–Perrel.

Sant'Alessandro della Croce is a Baroque style, Roman Catholic church located on Via Pignolo in Bergamo, region of Lombardy, Italy.

The Museo Adriano Bernareggi, also called the Museo Diocesano Bernareggi is an gallery of sacred art and objects housed in a former aristocratic palace, the Palazzo Bassi-Rathgeb, located on Via Pignolo #76 in Bergamo, Italy. The museum is presently managed by the Fondazione Adriano Bernareggi in conjunction with the Università degli Studi di Bergamo, and displays eclectic works of art from the 15th-century to present, often paired, and derived mainly from the Bernareggi family, as well as the Diocese of Bergamo.

San Bernardino in Pignolo is a Roman Catholic church located on Via Pignolo #59, in Bergamo, region of Lombardy, Italy.

Santo Spirito is a Roman Catholic church located on Piazzetta Santo Spirito in Bergamo, in the region of Lombardy, Italy.

San Michele al Pozzo Bianco is a church in the upper town of Bergamo, on a small piazza of the same name, near Porta Sant'Agostino, on Via Porta Dipinta. The church is now in a corner next to the frescoed house of the vicar, entered by a large rounded arch. The vicar's house has an external fresco attributed to Giacomo Scanardi.

Stadio Atleti Azzurri d'Italia, known for sponsorship reasons as the Gewiss Stadium since July 2019 and as Stadio di Bergamo in UEFA competitions, is a stadium in Bergamo, Italy. It is the home of Serie A club Atalanta and has a capacity of 21,000 seats. The field is 120 m (130 yd) long and 70 m (77 yd) wide. Atalanta has owned the stadium since 2017, having purchased it from the comune. Atalanta's youth team also sometimes plays competitive matches at the Gewiss Stadium, most recently the Supercoppa Primavera in 2021. The stadium in Bergamo has also been used as a home ground by local club AlbinoLeffe from 2003 to 2019 (when it moved to Gorgonzola)—a period during which AlbinoLeffe spent nine years in Serie B and met Atalanta on several occasions—and for various matches of the Italy national team.

Sant'Andrea is a Neoclassic church in Bergamo, rebuilt by Ferdinando Crivelli in 1837. On the main altar, is Enthroned Madonna with child and Saints Eusebius, Andrew, Domno, and Domneone, painted in 1536-7 by Il Moretto and a Nativity by Giovanni Paolo Cavagna. Other paintings here are by Palma il Giovane, Enea Salmeggia, Giovanni Giacomo Barbelli, Padovanino, a ‘’Deposition’’ by Andrea Previtali, and others.

The Palazzo Moroni is a palace located on Via Porta #12 in the historic center of the upper town of Bergamo, Italy. The palace is a civic art museum, as well as used for cultural functions. The building, noted for its Baroque interior decorations, is presently managed by the Fondazione di Palazzo Moroni in conjunction with the city after a donation by Count Antonio Moroni. The exterior is plain and faces a narrow steep street. Construction of the palace was commissioned by Francesco Moroni. The Moroni family had bought a homes at this site in the second half of the 16th century. After his marriage to Lucrezia Roncalli in 1631, he began construction of the Palace on the ground of Porta Penta. Construction went on until 1666. In 1649 Francesco contracted Giovanni Giacomo Barbelli to fresco the rooms of the interiors. Over the next century, further decorations were added including ceilings depicting The Age of Gold, The Fall of the Giants, and Hercules on a Chariot. The main ball room depicts stories from Torquato Tasso’s Gerusalemme Liberata. The entrance stairway was frescoed by Paolo Vincenzo Bonomini. Among the works displayed in the palace are works by Giovanni Battista Moroni, Bernardino Luini, Giovanni Giacomo Barbelli, Giuseppe Roncelli, and Cesare Tallone. The interior opens up to an inner garden with terraces.

The Matris Domini Monastery is an enclosed female monastery which hosts the museum of the same name, situated in the lower part of the Italian city of Bergamo. It houses a museum containing several medieval frescoes with religious themes.

The Museo Matris Domini is housed in the oldest section of the Dominican convent of the same name, situated in the city centre of Bergamo, Italy. It is administered by the nuns of the foundation. The museum preserves a series of 13th and 14th Century frescoes which were uncovered in a 1973 restoration of what was thought to have been the old refectory and a small church within the monastery. The reappearance of these paintings was highly significant as they are amongst the earliest surviving examples of wall painting in the province of Bergamo and indeed in Lombardy as a whole. Outstanding for their pictorial and emotion qualities are fragments from what must have been a depiction of the Last Judgment: the Just, the Blessed, two Angels with trumpets (which are of particular beauty), Saint Peter Enthroned, and Hell, all attributed to the Master of the Tree of Life. There is another series of frescoes of great emotive and narrative quality, representing Jesus among the Doctors, the Baptism, the Virgin and Child Enthroned, Saint Catherine of Alexandria upon the Wheel, Saint Martin and the Pauper, Jesus entering Jerusalem, and the Miracle of the reanimation of Napoleone Orsini by Saint Dominic, showing the young man falling from his horse. These works, together with the Visitation, have been attributed to the so-called First Master of Abbey of Chiaravalle, an anonymous artist active in Lombardy circa 1320-30, and known only through these works, as well as frescoes in San Marco, Milan and in the eponymous Abbey of Chiaravalle. The Visitation is a particularly striking image because of its freshness and for the expressiveness of the faces of the Virgin and Saint Elizabeth, painted by the Master with great intelligence and sensitivity. A 16th-century fresco depicting Saint Dominic (the patron of the monastery) with other saints is also featured in the museum.