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The Accademia Carrara, (Italian pronunciation: [karˈraːra]), officially Accademia Carrara di Belle Arti di Bergamo, is an art gallery and an academy of fine arts in Bergamo, in Lombardy in northern Italy. The art gallery was established in about 1780 by Giacomo Carrara, a Bergamasco collector or conoscitore of the arts. The academy of fine arts was added to it in 1794.: 293  The school was recognised by the Ministero dell'Istruzione, dell'Università e della Ricerca, the Italian ministry of education, in 1988: 293  and in 2023 merged with the Conservatorio Gaetano Donizetti to form the Politecnico delle Arti di Bergamo.

The Republic of Bergamo (Italian: Repubblica Bergamasca) was an ephemeral revolutionary client republic, created on 13 March 1797 by the French army to rule the local administration of Bergamo and its province, during the dissolution of the Republic of Venice. With the Preliminary of Leoben, France and Austria agreed the end of the multi-centennial Venetian rule over the territory between Adda River and Oglio River, together with the Austrian occupation of Istria and Dalmatia. Defined as "mother-municipality", the administration of the city of Bergamo had to help the creation of "dependent-municipalities" in all the surrounding county. The Republic so became one of the constituent countries of the Cisalpine Republic, established on 29 June 1797.

San Bernardino in Pignolo is a Roman Catholic church located on Via Pignolo #59, in Bergamo, region of Lombardy, Italy.

Santo Spirito is a Roman Catholic church located on Piazzetta Santo Spirito in Bergamo, in the region of Lombardy, Italy.

The Museo Adriano Bernareggi, also called the Museo Diocesano Bernareggi is an gallery of sacred art and objects housed in a former aristocratic palace, the Palazzo Bassi-Rathgeb, located on Via Pignolo #76 in Bergamo, Italy. The museum is presently managed by the Fondazione Adriano Bernareggi in conjunction with the Università degli Studi di Bergamo, and displays eclectic works of art from the 15th-century to present, often paired, and derived mainly from the Bernareggi family, as well as the Diocese of Bergamo.

Sant'Alessandro della Croce is a Baroque style, Roman Catholic church located on Via Pignolo in Bergamo, region of Lombardy, Italy.

Stadio Atleti Azzurri d'Italia, known for sponsorship reasons as the Gewiss Stadium since July 2019 and as Stadio di Bergamo in UEFA competitions, is a stadium in Bergamo, Italy. It is the home of Serie A club Atalanta and has a capacity of 21,000 seats. The field is 120 m (130 yd) long and 70 m (77 yd) wide. Atalanta has owned the stadium since 2017, having purchased it from the comune. Atalanta's youth team also sometimes plays competitive matches at the Gewiss Stadium, most recently the Supercoppa Primavera in 2021. The stadium in Bergamo has also been used as a home ground by local club AlbinoLeffe from 2003 to 2019 (when it moved to Gorgonzola)—a period during which AlbinoLeffe spent nine years in Serie B and met Atalanta on several occasions—and for various matches of the Italy national team.

San Michele al Pozzo Bianco is a church in the upper town of Bergamo, on a small piazza of the same name, near Porta Sant'Agostino, on Via Porta Dipinta. The church is now in a corner next to the frescoed house of the vicar, entered by a large rounded arch. The vicar's house has an external fresco attributed to Giacomo Scanardi.

Santi Bartolomeo e Stefano is a Baroque-style, Roman Catholic church located at number 1 Largo Belotti in Bergamo in the Lombardy region of Italy. The church is associated with a Dominican convent and stands about a block away from the Teatro Donizetti.

The Monument to Donizetti is located in a public garden in Piazza Cavour, adjacent to the Teatro Donizetti in Bergamo. It commemorates the opera composer Gaetano Donizetti, a native of Bergamo. It was inaugurated in 1897 to mark the centenary of the composer's birth. The monument was designed by Francesco Jerace as a result of a competition. The statuary group is atop a plain plinth engraved only with the composers name. The monument is surrounded by a Basin. Atop, Donizetti sits, realistically depicted, and bound to present world, in the corner of a curved bench. A short distance away stands the lyrical muse, Melpomene, strumming her lyre. The artist, with eyes closed, listens to his inspiration. The statue mixes both realism and the allegory to classical mythology; also expressing the sense that the artists communicates with a superior realm. Donizetti's funereal monument in Bergamo, erected in 1856, also features a mournful lyrical muse.

The Teatro Donizetti is an opera house in Bergamo, Italy. Built in the 1780s using a design by architect Giovanni Francesco Lucchini, the theatre was originally referred to as either the Teatro Nuovo or Teatro di Fiera. The first opera to be mounted at the theatre, Giuseppe Sarti's Medonte, re di Epiro, was in 1784 while the opera house was still under construction. The official opening of the house, under the name the Teatro Riccardi, did not occur until 24 August 1791 with a production of Pietro Metastasio's Didone abbandonata set to music by multiple composers, including Ferdinando Bertoni, Giacomo Rampini, Johann Gottlieb Naumann, Giuseppe Gazzaniga, and Giovanni Paisiello. In 1797 the original theatre was destroyed by a fire, possibly by arson. Lucchini was contracted again to design a new structure to replace the old one and the new house opened on 30 June 1800. The structure uses a horseshoe shape with three tiers of boxes and two galleries. In 1897 the name of the theatre was changed to the Teatro Gaetano Donizetti (now shortened to Teatro Donizetti) on the occasion of the centenary of the composer's birth. Donizetti was born in Bergamo's Borgo Canale quarter and his first opera, Il Pigmalione (composed 1816), was given its world premiere at the theatre on 13 October 1960. Adjacent to the theater is a park with the Monument to Donizetti.

Sant'Andrea is a Neoclassic church in Bergamo, rebuilt by Ferdinando Crivelli in 1837. On the main altar, is Enthroned Madonna with child and Saints Eusebius, Andrew, Domno, and Domneone, painted in 1536-7 by Il Moretto and a Nativity by Giovanni Paolo Cavagna. Other paintings here are by Palma il Giovane, Enea Salmeggia, Giovanni Giacomo Barbelli, Padovanino, a ‘’Deposition’’ by Andrea Previtali, and others.