Den Botaniek

The Bust of Cornelis II Landschot is a marble portrait by Flemish sculptor Sebastiaen van den Eynde. It was executed around 1656. The subject of the sculpture is Cornelis II Landschot, a wealthy Flemish businessman and philanthropist. The sculpture, now in the Maagdenhuis Museum, used to stand above the entrance to the chapel of Falconrui, founded by Landschot.

The Maagdenhuis Museum (Maidens' House Museum) is an art museum and historical museum located in a 17th-century historic building on Lange Gasthuisstraat, Antwerp, Belgium. The building was used as an orphanage for the maegdeckens, or maidens, from the mid-16th century to the end of the 19th century. The museum presents a collection of utensils used on a daily basis by the foundlings and the orphans; a collection of antique furniture, and a series of documents relating to the orphanage and the life in it from the 16th century to 19th century.Although one of the smallest museums in Antwerp, the Maagdenhuis houses a valuable and rich collection of paintings and sculptures. The collection includes works by artists such as Peter Paul Rubens, Jacob Jordaens, Sir Anthony van Dyck, Pieter Aertsen, Otto van Veen, Simon De Vos, Maarten Pepijn, Huibrecht van den Eynde, and Walter Pompe.

Museum Mayer van den Bergh is a museum in Antwerp, Belgium, housing the collection of the art dealer and collector Fritz Mayer van den Bergh (1858-1901). The major works are from the Gothic and Renaissance period in the Netherlands and Belgium, including paintings by Pieter Brueghel the Elder.

Bourla Theatre (also known as Bourlaschouwburg) is a theatre located in Antwerp that seats around 900. The building is designed in a neoclassical style on the site of the former Tapissierspand tapestry market. The theatre was designed on request from the city in 1827 by the city architect Pierre Bourla. Construction began in 1829, but was delayed due to the Belgian Revolution. The theatre was finally finished in 1834 and opened under the name, Grand Théâtre or Théâtre Royal Français, on account of its ownership by a French company. Presently, the Bourla houses the theatre company Het Toneelhuis, which is a merger of the companies, Koninklijke Nederlandse Schouwburg and Blauwe Maandag Compagnie.The Bourla is the last remaining municipal theatre in Europe with original stage machinery, which fill five levels above and below the stage. The building has been named a protected building since 1938, and therefore is regarded among the most important historic buildings in Belgium.

The sack of Antwerp, often known as the Spanish Fury at Antwerp, was an episode of the Eighty Years' War. It is the greatest massacre in the history of the Low Countries. On 4 November 1576, mutinying Spanish tercios of the Army of Flanders began the sack of Antwerp, leading to three days of horror among the population of the city, which was the cultural, economic and financial center of the Low Countries. The savagery of the sack led the provinces of the Low Countries to unite against the Spanish crown. The devastation also caused Antwerp's decline as the leading city in the region and paved the way for Amsterdam's rise.

Objectif Exhibitions (vzw) was a not-for-profit contemporary art center in Antwerp, Belgium.

Sleeping Silenus is a bronze relief by Flemish sculptor François Duquesnoy. The original relief in marble was completed by Duquesnoy in the early 17th century. The original Sleeping Silenus is known today only through copies. A well-preserved version in bronze is currently housed at Rubenshuis in Antwerp.

The Rubenshuis (Dutch for 'Rubens House') is the former home and workshop of Peter Paul Rubens (1577–1640) in Antwerp. Purchased in 1610, Rubens had the Flemish townhouse renovated and extended on the basis of designs by Rubens himself. After the renovations, the house and its courtyard garden had the outlook of an Italian palazzo, which reflected the artistic ideals of Rubens. The ensemble is now a museum dedicated mainly to the work of Rubens and his contemporaries.

The Boerentoren (English: "Farmer's Tower"; officially the KBC Tower, originally the Torengebouw van Antwerpen) is a historic tall building in Antwerp, Belgium. Constructed between 1929 and 1932 and originally 87.5 m (287 ft) high, it remained the tallest building and the second tallest structure of any kind in the city (after the gothic Cathedral of Our Lady) until 2019, when the Antwerp Tower surpassed it with a height of 100.7 m (330 ft). At the time of construction it was the second tallest building in Europe by roof height (after Telefónica Building). Designed in Art-deco style, the Boerentoren is one of Europe's very first tall buildings. The Boerentoren remained the tallest in Belgium until 1960, and is currently ranked 21st tallest in the country. In 1954 the tower was extended with an antenna which reached to a total height of 112.5 m (369 ft). In 1976, the roof of the tower was raised by 8.3 m (27 ft), and the current roof height is therefore 95.8 m (314 ft). The building was designed by Jan Van Hoenacker. In 2020, the company Katoen Natie acquired the tower with the intention of turning it into a cultural institution, while The Phoebus Foundation chancellery will be responsible for organizing permanent and temporary exhibitions with works from its collection, alongside public and private collaborations.

The bourse of Antwerp was the world's first purpose-built commodity exchange. Falling into disuse in the 17th century, from 1872 until 1997 the restored building housed the Antwerp Stock Exchange. After further restoration, the building is now part of an events venue that goes by the English name Antwerp Trade Fair. The Royal Exchange, London was modelled on the Antwerp Exchange.

The Diocese of Antwerp is a Latin Church ecclesiastical territory or diocese of the Catholic Church in Belgium. The diocese was restored in 1961. It is a suffragan in the ecclesiastical province of the metropolitan Archdiocese of Mechelen-Brussels. Its cathedra is found within the Cathedral of Our Lady.

The Violieren (wallflower or gillyflower) was a chamber of rhetoric that dates back to the 15th century in Antwerp, when it was a social drama society with close links to the Guild of Saint Luke. It was one of three drama guilds in the city, the other two being the Goudbloem and the Olyftack. In 1660 the Violieren merged with former rival Olyftack, and in 1762 the society was dissolved altogether.