Rubenshuis

Sleeping Silenus is a bronze relief by Flemish sculptor François Duquesnoy. The original relief in marble was completed by Duquesnoy in the early 17th century. The original Sleeping Silenus is known today only through copies. A well-preserved version in bronze is currently housed at Rubenshuis in Antwerp.

Bourla Theatre (also known as Bourlaschouwburg) is a theatre located in Antwerp that seats around 900. The building is designed in a neoclassical style on the site of the former Tapissierspand tapestry market. The theatre was designed on request from the city in 1827 by the city architect Pierre Bourla. Construction began in 1829, but was delayed due to the Belgian Revolution. The theatre was finally finished in 1834 and opened under the name, Grand Théâtre or Théâtre Royal Français, on account of its ownership by a French company. Presently, the Bourla houses the theatre company Het Toneelhuis, which is a merger of the companies, Koninklijke Nederlandse Schouwburg and Blauwe Maandag Compagnie.The Bourla is the last remaining municipal theatre in Europe with original stage machinery, which fill five levels above and below the stage. The building has been named a protected building since 1938, and therefore is regarded among the most important historic buildings in Belgium.

Callewaert Vanlangendonck Gallery is a Belgian art gallery for abstract art in Antwerp. It was founded in 2012 by Yoeri Vanlangendonck and Brecht Callewaert in the Wolstraat in Antwerp. In 2013 a second space opened in the same street. In 2017, the gallery expanded with a 17th-century building in the Antwerp university area, renovated by architects Rolies + Dubois and opened by Minister of Culture Sven Gatz and university Rector Herman Van Goethem.Artists such as Guy Vandenbranden, Paul Van Hoeydonck, Pol Bury, Michel Seuphor, Jan Dries, Jan Cox, Mark Verstockt and Gilbert Swimberghe exhibited at the gallery. In addition to exhibiting the work of abstract artists from the fifties and sixties, the gallery also represents the estate of Guy Vandenbranden and manages its artists' archive. The gallery also collaborates with contemporary artists such as Koen van den Broek, Guillaume Bijl, Timothy Segers, Jef Meyer and Boy & Erik Stappaerts.

St. James' Church (Dutch: Sint-Jacobskerk) is a former Collegiate church in Antwerp, Belgium. The church is built on the site of a hostel for pilgrims to Santiago de Compostela. The present building is the work of the Waghemakere family and Rombout Keldermans, in Brabantine Gothic style. The church contains the grave of Peter Paul Rubens in the eastern chapel.

The bourse of Antwerp was the world's first purpose-built commodity exchange. Falling into disuse in the 17th century, from 1872 until 1997 the restored building housed the Antwerp Stock Exchange. After further restoration, the building is now part of an events venue that goes by the English name Antwerp Trade Fair. The Royal Exchange, London was modelled on the Antwerp Exchange.

The Antwerp Management School (Dutch: Antwerp Management School) is the University of Antwerp's autonomous business school. It is located in the historical center of the city of Antwerp. The school offers eight full-time master programs and more than sixty short or long-term executive programs on a variety of subjects. The majority of students at Antwerp Management School come from abroad, which reflects the global perspective of the school. Additionally, the school has strong ties with many Chinese institutions.

The Botanic Garden of Antwerp, which also carries the name Den Botaniek (also sometimes locally called Den Botanieken Hof or Kruidtuin), is a landscaped botanical garden created in 1825 in the inner city of Antwerp located at the Leopoldstraat, covering an area of slightly less than 1 hectare. Before that the park was, at the end of the 18th century, a plant garden for the Ecole Centrale and then the herb garden and later the vegetable garden of the Sint-Elisabethgasthuis in Antwerp. The Garden in its present form was laid out by dokter Claude-Louis Sommé and supported the lessons in external pathology at the école de médecine, an education in medicine. The gardeners home in the park dates back to 1870 and the entrance gate, designed by Pierre Bruno Bourla to 1826. Burla also designed the Orangerie of the garden which is however no longer situated within the current area of the garden. The Orangerie contains busts of Linnaeus and de Jussieu and the names of De L'Escluse, De L'Obel, Van Sterbeeck, Dodoens and Dumortier on the facade. The garden is managed by the City Council of Antwerp since 1926.Since January 1950 the herb garden is a protected landscape. The garden holds a collection of 2.000 plants, with in the Conservatory some cacti and other exotic plants. The garden is open daily, the Conservatory remains closed on Sundays. Entrance is free.

The Bust of Cornelis II Landschot is a marble portrait by Flemish sculptor Sebastiaen van den Eynde. It was executed around 1656. The subject of the sculpture is Cornelis II Landschot, a wealthy Flemish businessman and philanthropist. The sculpture, now in the Maagdenhuis Museum, used to stand above the entrance to the chapel of Falconrui, founded by Landschot.

The Maagdenhuis Museum (Maidens' House Museum) is an art museum and historical museum located in a 17th-century historic building on Lange Gasthuisstraat, Antwerp, Belgium. The building was used as an orphanage for the maegdeckens, or maidens, from the mid-16th century to the end of the 19th century. The museum presents a collection of utensils used on a daily basis by the foundlings and the orphans; a collection of antique furniture, and a series of documents relating to the orphanage and the life in it from the 16th century to 19th century.Although one of the smallest museums in Antwerp, the Maagdenhuis houses a valuable and rich collection of paintings and sculptures. The collection includes works by artists such as Peter Paul Rubens, Jacob Jordaens, Sir Anthony van Dyck, Pieter Aertsen, Otto van Veen, Simon De Vos, Maarten Pepijn, Huibrecht van den Eynde, and Walter Pompe.

The Violieren (wallflower or gillyflower) was a chamber of rhetoric that dates back to the 15th century in Antwerp, when it was a social drama society with close links to the Guild of Saint Luke. It was one of three drama guilds in the city, the other two being the Goudbloem and the Olyftack. In 1660 the Violieren merged with former rival Olyftack, and in 1762 the society was dissolved altogether.

De Olijftak (The Olive Branch), or in full Gulde van den Heyligen Geest die men noempt den Olijftak (Confraternity of the Holy Spirit called the Olive Branch) was a chamber of rhetoric that dates back to the early 16th century in Antwerp, when it was a social drama society drawing its membership primarily from merchants and tradesmen. In 1660 it merged with its former rival the Violieren (which was more closely associated with artists and intellectuals), and in 1762 the society was dissolved altogether.

The Goudbloem (marigold) was a chamber of rhetoric, a society to promote poetry and drama, that dated back to the 15th century in Antwerp. It was one of three drama guilds in the city, the other two being the Violieren and the Olyftack. It ceased to exist around 1654. The Violieren and Olyftack merged in 1660, and survived until 1762.