Bourla Theatre

Sleeping Silenus is a bronze relief by Flemish sculptor François Duquesnoy. The original relief in marble was completed by Duquesnoy in the early 17th century. The original Sleeping Silenus is known today only through copies. A well-preserved version in bronze is currently housed at Rubenshuis in Antwerp.

The Rubenshuis (Dutch for 'Rubens House') is the former home and workshop of Peter Paul Rubens (1577–1640) in Antwerp. Purchased in 1610, Rubens had the Flemish townhouse renovated and extended on the basis of designs by Rubens himself. After the renovations, the house and its courtyard garden had the outlook of an Italian palazzo, which reflected the artistic ideals of Rubens. The ensemble is now a museum dedicated mainly to the work of Rubens and his contemporaries.

The Botanic Garden of Antwerp, which also carries the name Den Botaniek (also sometimes locally called Den Botanieken Hof or Kruidtuin), is a landscaped botanical garden created in 1825 in the inner city of Antwerp located at the Leopoldstraat, covering an area of slightly less than 1 hectare. Before that the park was, at the end of the 18th century, a plant garden for the Ecole Centrale and then the herb garden and later the vegetable garden of the Sint-Elisabethgasthuis in Antwerp. The Garden in its present form was laid out by dokter Claude-Louis Sommé and supported the lessons in external pathology at the école de médecine, an education in medicine. The gardeners home in the park dates back to 1870 and the entrance gate, designed by Pierre Bruno Bourla to 1826. Burla also designed the Orangerie of the garden which is however no longer situated within the current area of the garden. The Orangerie contains busts of Linnaeus and de Jussieu and the names of De L'Escluse, De L'Obel, Van Sterbeeck, Dodoens and Dumortier on the facade. The garden is managed by the City Council of Antwerp since 1926.Since January 1950 the herb garden is a protected landscape. The garden holds a collection of 2.000 plants, with in the Conservatory some cacti and other exotic plants. The garden is open daily, the Conservatory remains closed on Sundays. Entrance is free.

The Bust of Cornelis II Landschot is a marble portrait by Flemish sculptor Sebastiaen van den Eynde. It was executed around 1656. The subject of the sculpture is Cornelis II Landschot, a wealthy Flemish businessman and philanthropist. The sculpture, now in the Maagdenhuis Museum, used to stand above the entrance to the chapel of Falconrui, founded by Landschot.

The Maagdenhuis Museum (Maidens' House Museum) is an art museum and historical museum located in a 17th-century historic building on Lange Gasthuisstraat, Antwerp, Belgium. The building was used as an orphanage for the maegdeckens, or maidens, from the mid-16th century to the end of the 19th century. The museum presents a collection of utensils used on a daily basis by the foundlings and the orphans; a collection of antique furniture, and a series of documents relating to the orphanage and the life in it from the 16th century to 19th century.Although one of the smallest museums in Antwerp, the Maagdenhuis houses a valuable and rich collection of paintings and sculptures. The collection includes works by artists such as Peter Paul Rubens, Jacob Jordaens, Sir Anthony van Dyck, Pieter Aertsen, Otto van Veen, Simon De Vos, Maarten Pepijn, Huibrecht van den Eynde, and Walter Pompe.

Museum Mayer van den Bergh is a museum in Antwerp, Belgium, housing the collection of the art dealer and collector Fritz Mayer van den Bergh (1858-1901). The major works are from the Gothic and Renaissance period in the Netherlands and Belgium, including paintings by Pieter Brueghel the Elder.

The bourse of Antwerp was the world's first purpose-built commodity exchange. Falling into disuse in the 17th century, from 1872 until 1997 the restored building housed the Antwerp Stock Exchange. After further restoration, the building is now part of an events venue that goes by the English name Antwerp Trade Fair. The Royal Exchange, London was modelled on the Antwerp Exchange.

The Boerentoren (English: "Farmer's Tower"; officially the KBC Tower, originally the Torengebouw van Antwerpen) is a historic tall building in Antwerp, Belgium. Constructed between 1929 and 1932 and originally 87.5 m (287 ft) high, it remained the tallest building and the second tallest structure of any kind in the city (after the gothic Cathedral of Our Lady) until 2019, when the Antwerp Tower surpassed it with a height of 100.7 m (330 ft). At the time of construction it was the second tallest building in Europe by roof height (after Telefónica Building). Designed in Art-deco style, the Boerentoren is one of Europe's very first tall buildings. The Boerentoren remained the tallest in Belgium until 1960, and is currently ranked 21st tallest in the country. In 1954 the tower was extended with an antenna which reached to a total height of 112.5 m (369 ft). In 1976, the roof of the tower was raised by 8.3 m (27 ft), and the current roof height is therefore 95.8 m (314 ft). The building was designed by Jan Van Hoenacker. In 2020, the company Katoen Natie acquired the tower with the intention of turning it into a cultural institution, while The Phoebus Foundation chancellery will be responsible for organizing permanent and temporary exhibitions with works from its collection, alongside public and private collaborations.

Callewaert Vanlangendonck Gallery is a Belgian art gallery for abstract art in Antwerp. It was founded in 2012 by Yoeri Vanlangendonck and Brecht Callewaert in the Wolstraat in Antwerp. In 2013 a second space opened in the same street. In 2017, the gallery expanded with a 17th-century building in the Antwerp university area, renovated by architects Rolies + Dubois and opened by Minister of Culture Sven Gatz and university Rector Herman Van Goethem.Artists such as Guy Vandenbranden, Paul Van Hoeydonck, Pol Bury, Michel Seuphor, Jan Dries, Jan Cox, Mark Verstockt and Gilbert Swimberghe exhibited at the gallery. In addition to exhibiting the work of abstract artists from the fifties and sixties, the gallery also represents the estate of Guy Vandenbranden and manages its artists' archive. The gallery also collaborates with contemporary artists such as Koen van den Broek, Guillaume Bijl, Timothy Segers, Jef Meyer and Boy & Erik Stappaerts.

The Violieren (wallflower or gillyflower) was a chamber of rhetoric that dates back to the 15th century in Antwerp, when it was a social drama society with close links to the Guild of Saint Luke. It was one of three drama guilds in the city, the other two being the Goudbloem and the Olyftack. In 1660 the Violieren merged with former rival Olyftack, and in 1762 the society was dissolved altogether.

De Olijftak (The Olive Branch), or in full Gulde van den Heyligen Geest die men noempt den Olijftak (Confraternity of the Holy Spirit called the Olive Branch) was a chamber of rhetoric that dates back to the early 16th century in Antwerp, when it was a social drama society drawing its membership primarily from merchants and tradesmen. In 1660 it merged with its former rival the Violieren (which was more closely associated with artists and intellectuals), and in 1762 the society was dissolved altogether.

The Goudbloem (marigold) was a chamber of rhetoric, a society to promote poetry and drama, that dated back to the 15th century in Antwerp. It was one of three drama guilds in the city, the other two being the Violieren and the Olyftack. It ceased to exist around 1654. The Violieren and Olyftack merged in 1660, and survived until 1762.