Temple of Ops

The Temple of Jupiter Custos (Jupiter the Guardian) was a minor temple in Rome, probably on the Capitoline Hill. It was built by Domitian in memory of his narrow escape from the Capitol during Vitellius' siege. Its site is uncertain – some scholars place it on the rectangular podium in opus caementicium with basalt chips discovered in the 19th century during the construction of via del Tempio di Giove (this podium is now cut in two by the street). However, that rectangular plan does not seem compatible with a temple, which a relief in the Palazzo dei Conservatori places to the right of the Temple of Jupiter Optimus Maximus.

The Temple of Fides (Latin: aedes Fidei) was a minor temple on the Capitoline Hill in Rome. It was dedicated to Fides, the goddess of good faith, who was patron of diplomatic relations. The temple was founded between 254 BC or 250 BC. It was on the southern part of the Area Capitolina, slightly to the south of the Temple of Ops, in a vast piazza in front of the Temple of Jupiter Optimus Maximus. If still in use by the 4th-century, it would have been closed during the persecution of pagans in the late Roman Empire. Remains found near the church of Sant'Omobono (including fragments of columns, part of a cement podium and a large female marble head, probably from a temple's acroterion) were previously identified as fragments of the Temple of Ops, but are now thought to be linked to the Temple of Faith, due to the nearby discovery of bilingual inscriptions in Greek and Latin and fragments of treaties between Asia Minor and the Roman Senate.

The Temple of Jupiter Optimus Maximus, also known as the Temple of Jupiter Capitolinus (Latin: Aedes Iovis Optimi Maximi Capitolini; Italian: Tempio di Giove Ottimo Massimo; lit. 'Temple of Jupiter, the Best and Greatest') was the most important temple in Ancient Rome, located on the Capitoline Hill. It was surrounded by the Area Capitolina, a precinct where numerous shrines, altars, statues and victory trophies were displayed. The first building was the oldest large temple in Rome, and, like many temples in central Italy, shared features with Etruscan architecture. It was traditionally dedicated in 509 BC, and in 83 BC was destroyed by fire, and a replacement in Greek style completed in 69 BC (there were to be two more fires and new buildings). For the first temple sources report Etruscan specialists being brought in for various aspects of the building, including making and painting the extensive terracotta elements of the Temple of Zeus or upper parts, such as antefixes. But for the second building they were summoned from Greece, and the building was presumably essentially Greek in style, though like other Roman temples it retained many elements of Etruscan form. The two further buildings were evidently of contemporary Roman style, although of exceptional size. The first version is the largest Etruscan-style temple recorded, and much larger than other Roman temples for centuries after. However, its size remains heavily disputed by specialists; based on an ancient visitor it has been claimed to have been almost 60 m × 60 m (200 ft × 200 ft), not far short of the largest Greek temples. Whatever its size, its influence on other early Roman temples was significant and long-lasting. Reconstructions usually show very wide eaves, and a wide colonnade stretching down the sides, though not round the back wall as it would have done in a typical Greek temple. A crude image on a coin of 78 BC shows only four columns, and a very busy roofline.With two further fires, the third temple only lasted five years, to 80 AD, but the fourth survived until the fall of the empire. Remains of the last temple survived to be pillaged for spolia in the Middle Ages and Renaissance, but now only elements of the foundations and podium or base survive; as the subsequent temples apparently reused these, they may partly date to the first building. Much about the various buildings remains uncertain.

The Tarpeian Rock (; Latin: Rupes Tarpeia or Saxum Tarpeium; Italian: Rupe Tarpea) is a steep cliff on the south side of the Capitoline Hill, which was used in Ancient Rome as a site of execution. Murderers, traitors, perjurors, and larcenous slaves, if convicted by the quaestores parricidii, were flung from the cliff to their deaths. The cliff was about 25 meters (80 ft) high.

The Sant'Omobono Area (Italian: Area di Sant'Omobono) is an archaeological site in Rome next to the church of Sant'Omobono, at the junction of via L. Petroselli and il Vico Jugario at the foot of the Campidoglio. It was discovered in 1937 and contains much important evidence for archaic and republican Rome. It contains altars and the sites of the temple of Fortuna and the temple of Mater Matuta. The temples and their sanctuaries lie between the Forum Holitorium and the Forum Boarium. As of 2012, the archaeological site is under re-investigation by a joint team from the Sovraintendenza ai Beni Culturali of the Comune di Roma, the Università della Calabria, and the University of Michigan.The site of Sant'Omobono is crucial for understanding the related processes of monumentalization, urbanization, and state formation in Rome in the late Archaic period. The Sant'Omobono temple site dates to 7th–6th century BCE, making this pair the oldest known temple remains in Rome.

The Porta Carmentalis was a double gate in the Servian Walls of ancient Rome. It was named for a nearby shrine to the goddess or nymph Carmenta, whose importance in early Roman religion is also indicated by the assignment of one of the fifteen flamines to her cult, and by the archaic festival in her honor, the Carmentalia. The shrine was to the right as one exited the gate. The gate's two arches seem to have been set at angles, and were known by separate names. It was unlucky to leave the city through the arch called Porta Scelerata ("Accursed Gate"), which was supposed to have been named for the military disaster at Cremera in 479 or 478 BC, since the 306 Fabii who died had departed through it. The Servian Walls, however, did not exist at that time. The accursed nature of the gate probably derives from the transport of corpses out of the city proper to funeral pyres on the Campus Martius. The family tomb of the Claudii was located outside the Porta Carmentalis.The other gate was the Porta Triumphalis. A governor returning from his province could not enter through this gate unless he had been awarded a triumph. It therefore must have been routine to use the Porta Scelerata for entering, and the Triumphalis for exiting. Funeral processions reversed the normal direction of traffic flow for the Scelerata, as the triumphal procession did for the Triumphalis. Augustus was accorded the special honor of having his funeral procession exit by the Triumphalis.The temples of Mater Matuta and Fortuna were nearby. The Carmentalis was rebuilt by Domitian, and topped with a sculpture group of a triumphal chariot drawn by elephants. The gate is depicted in relief sculpture dating to the reign of Marcus Aurelius.The Vicus Iugarius forked just before reaching the Porta Carmentalis, with one branch passing through the Forum Holitorium by making a right curve around the foot of the Capitoline Hill, and the other passing through the Forum Boarium to the mouth of the Cloaca Maxima on the Tiber. The precise location of the Porta Carmentalis itself remains unclear, despite excavations in the area from the late 1930s onward. Livy names the Porta Carmentalis as the point of entry for a ritual procession undertaken in 207 BC as part of an expiatory sacrifice for Juno. Two white cows were led from the Temple of Apollo through the Carmentalis and along the Vicus Iugarius to the Forum.

Sant'Omobono is a church in Rome at the foot of the Capitoline Hill in rione Ripa. It was built in the 15th century and called San Salvatore in Portico. When the church was given to the "Università dei Sarti" (the association of tailors) in 1575, the church was dedicated to their patron saint, Saint Homobonus. Next to it is the Sant'Omobono Area, containing the remains of two Roman temples.

Sant’Andrea in Vincis was a small Roman Catholic church located near the Franciscan convent of Tor de' Specchi, on the western slopes of the Campidoglio, in the rione Campitelli of Rome, Italy. The church was torn down in the late 1920s to make space for the Via del Teatro de Marcello. Melchiorri describes this as the church of the Confraternity of the Scalpellini (marble workers), and mentions it was called either Sant'Andrea in Mentuccia or in Vinchis. The Scalpellini obtained this church under Pope Innocent VII, and refurbished the church under Carlo de Marchis. The ceiling of the church was frescoed by Antonio Nessi, a pupil of Sebastiano Conca.

Santa Maria della Consolazione is a Roman Catholic church in Rome, Italy at the foot of the Palatine Hill, in rione Campitelli.

The Temple of Janus at the Forum Holitorium is the second known temple dedicated to Janus, besides the temple of the same name located in the Roman Forum. It is known that it stood "close to the Theatre of Marcellus" (ad theatrum Marcelli or iuxta theatrum Marcelli) and "outside Porta Carmentalis" (extra portam Carmentalem) and that feasts took place there in August and October. It is highly likely that it is one of the three contiguous temples from the Republican era in the area of the ancient Forum Holitorium – where now stands the church of S. Nicola in Carcere – and more specifically the northernmost one, to the right than the facade of the church. The remains of the temple are seven columns in tuff - a material typical of the original age of construction and of the Roman tradition - incorporated with their architrave in the right side of the church and two columns rising on the basement just near the Theatre of Marcellus.

The Capitoline Museums (Italian: Musei Capitolini) is a single museum containing a group of art and archaeological museums in Piazza del Campidoglio, on top of the Capitoline Hill in Rome, Italy. The historic seats of the museums are Palazzo dei Conservatori and Palazzo Nuovo, facing on the central trapezoidal piazza in a plan conceived by Michelangelo in 1536 and executed over a period of more than 400 years. The history of the museum can be traced to 1471, when Pope Sixtus IV donated a collection of important ancient bronzes to the people of Rome and located them on the Capitoline Hill. Since then, the museums' collection has grown to include many ancient Roman statues, inscriptions, and other artifacts; a collection of medieval and Renaissance art; and collections of jewels, coins, and other items. The museums are owned and operated by the municipality of Rome. The statue of a mounted rider in the centre of the piazza is of Emperor Marcus Aurelius. It is a copy, the original being housed on-site in the Capitoline museum. Opened to the public in 1734 under Clement XII, the Capitoline Museums are considered the first museum in the world, understood as a place where art could be enjoyed by all and not only by the owners.

San Nicola in Carcere (Italian, "St Nicholas in prison") is a titular church in Rome near the Forum Boarium in rione Sant'Angelo. It is one of the traditional stational churches of Lent.