Sant'Andrea in Vincis

The Chiesa di Santa Rita da Cascia in Campitelli is a deconsecrated church in Rome (Italy), in the rione Sant'Angelo; it is located in Via Montanara, at the crossroad with Via del Teatro Marcello. The church formerly rose on the preexisting church of San Biagio de Mercato, dating at least to the 11th-century. The remains of St Blaise putatively were discovered during the dismantling of Santa Rita.

The temple of Bellona was an ancient Roman temple dedicated to the goddess Bellona and sited next to the Temple of Apollo Sosianus and the Theatre of Marcellus in Rome.

The Albertoni Spinola Palace, with entrances in Campitelli square n. 2, Capizucchi square and vicolo Capizucchi is located in the 10th District (Rione Campitelli). It was projected and executed by Giacomo Della Porta and Girolamo Rainaldi around the end of 16th century and the first years of 17th century. The building is protected by Italian Government and the distinctive feature of Palace consist in two buildings connected to each other but perfectly integrated that have generated the visual effect of the perspective on the Church of Santa Maria in Campitelli.

The Temple of Jupiter Stator ("Jupiter the Sustainer") was a temple of Ancient Rome in the southern Campus Martius. It was destroyed in 64 AD in the Great Fire of Rome.The Temple was named after the god Jupiter, in his form of Jupiter Stator (Jupiter the Sustainer). Together with the Temple of Juno Regina (Juno in the form of "Queen Juno") and the enclosing Porticus Metelli (later rebuilt as the Porticus Octaviae), it was built by Quintus Caecilius Metellus Macedonicus after his triumph, in 146 BC. It is referred to as aedes Iovis Metellina and aedes Metelli. It was inside the porticus Metelli, close to the Circus Flaminius, and its exact site is known to have been beneath the church of Santa Maria in Campitelli. The Temple of Juno Regina was just west of it, on the opposite side of the Via della Tribuna di Campitelli. It is not stated in explicitly by Velleius that Metellus built both temples, but that is the natural inference from the passage. He is also said to have been the first to build a temple in Rome entirely of marble, and which probably applies to both structures. In front of the temples Metellus placed Lysippus' equestrian statues of Alexander the Great's generals, and in them were several famous works of art. According to Vitruvius (iii.2.5), the Temple of Jupiter was the work of Hermodorus of Salamis. It was a Hexastyle peripteral building with six columns along the short sides and eleven on the long sides. The space between the columns was equal to that between the columns and the wall of the cella. As there were no inscriptions on the temples and evidently representations of a lizard and a frog among the decorations (σαύρα, βάτραχος), the legend arose that the architects were two Spartans, Saurus and Batrachus and that as the decorations in the temple of Jupiter belonged to that of Juno and vice versa, the statues of the deities had been set up in the wrong cellae by the mistake of the workmen. The idea that an Ionic capital, now in S. Lorenzo fuori le Mura, has anything to do with the temples has generally been abandoned.In 64 AD, the Great Fire of Rome ravaged much of the city, completely devastating three of and partially destroying seven of the city's fourteen districts. The Temple of Jupiter Stator was completely destroyed, along with the House of the Vestals, the Domus Transitoria (Nero's first palace), the Temple of Luna, and much of Rome.

The Temple of Jupiter Optimus Maximus, also known as the Temple of Jupiter Capitolinus (Latin: Aedes Iovis Optimi Maximi Capitolini; Italian: Tempio di Giove Ottimo Massimo; lit. 'Temple of Jupiter, the Best and Greatest') was the most important temple in Ancient Rome, located on the Capitoline Hill. It was surrounded by the Area Capitolina, a precinct where numerous shrines, altars, statues and victory trophies were displayed. The first building was the oldest large temple in Rome, and, like many temples in central Italy, shared features with Etruscan architecture. It was traditionally dedicated in 509 BC, and in 83 BC was destroyed by fire, and a replacement in Greek style completed in 69 BC (there were to be two more fires and new buildings). For the first temple sources report Etruscan specialists being brought in for various aspects of the building, including making and painting the extensive terracotta elements of the Temple of Zeus or upper parts, such as antefixes. But for the second building they were summoned from Greece, and the building was presumably essentially Greek in style, though like other Roman temples it retained many elements of Etruscan form. The two further buildings were evidently of contemporary Roman style, although of exceptional size. The first version is the largest Etruscan-style temple recorded, and much larger than other Roman temples for centuries after. However, its size remains heavily disputed by specialists; based on an ancient visitor it has been claimed to have been almost 60 m × 60 m (200 ft × 200 ft), not far short of the largest Greek temples. Whatever its size, its influence on other early Roman temples was significant and long-lasting. Reconstructions usually show very wide eaves, and a wide colonnade stretching down the sides, though not round the back wall as it would have done in a typical Greek temple. A crude image on a coin of 78 BC shows only four columns, and a very busy roofline.With two further fires, the third temple only lasted five years, to 80 AD, but the fourth survived until the fall of the empire. Remains of the last temple survived to be pillaged for spolia in the Middle Ages and Renaissance, but now only elements of the foundations and podium or base survive; as the subsequent temples apparently reused these, they may partly date to the first building. Much about the various buildings remains uncertain.

Santa Maria in Campitelli or Santa Maria in Portico is a church dedicated to the Virgin Mary on the narrow Piazza di Campitelli in Rione Sant'Angelo, Rome, Italy.

The Porta Carmentalis was a double gate in the Servian Walls of ancient Rome. It was named for a nearby shrine to the goddess or nymph Carmenta, whose importance in early Roman religion is also indicated by the assignment of one of the fifteen flamines to her cult, and by the archaic festival in her honor, the Carmentalia. The shrine was to the right as one exited the gate. The gate's two arches seem to have been set at angles, and were known by separate names. It was unlucky to leave the city through the arch called Porta Scelerata ("Accursed Gate"), which was supposed to have been named for the military disaster at Cremera in 479 or 478 BC, since the 306 Fabii who died had departed through it. The Servian Walls, however, did not exist at that time. The accursed nature of the gate probably derives from the transport of corpses out of the city proper to funeral pyres on the Campus Martius. The family tomb of the Claudii was located outside the Porta Carmentalis.The other gate was the Porta Triumphalis. A governor returning from his province could not enter through this gate unless he had been awarded a triumph. It therefore must have been routine to use the Porta Scelerata for entering, and the Triumphalis for exiting. Funeral processions reversed the normal direction of traffic flow for the Scelerata, as the triumphal procession did for the Triumphalis. Augustus was accorded the special honor of having his funeral procession exit by the Triumphalis.The temples of Mater Matuta and Fortuna were nearby. The Carmentalis was rebuilt by Domitian, and topped with a sculpture group of a triumphal chariot drawn by elephants. The gate is depicted in relief sculpture dating to the reign of Marcus Aurelius.The Vicus Iugarius forked just before reaching the Porta Carmentalis, with one branch passing through the Forum Holitorium by making a right curve around the foot of the Capitoline Hill, and the other passing through the Forum Boarium to the mouth of the Cloaca Maxima on the Tiber. The precise location of the Porta Carmentalis itself remains unclear, despite excavations in the area from the late 1930s onward. Livy names the Porta Carmentalis as the point of entry for a ritual procession undertaken in 207 BC as part of an expiatory sacrifice for Juno. Two white cows were led from the Temple of Apollo through the Carmentalis and along the Vicus Iugarius to the Forum.

The Temple of Ops was a minor temple on the Capitoline Hill in Rome. It was dedicated to Ops (later known as Abundantia), the deity of abundance. The temple is first mentioned in 186 BC. It was on the southern part of the Area Capitolina, slightly to the north of the Temple of Faith, in a vast piazza in front of the Temple of Jupiter Optimus Maximus. It collapsed several times. The temple is last mentioned in 17 AD. If still in use by the 4th-century, it would have been closed during the persecution of pagans in the late Roman Empire. Remains found near the church of Sant'Omobono (including fragments of columns, part of a cement podium and a large female marble head, probably from a temple's acroterion) have previously been identified as fragments of the Temple of Ops. It is now thought, however, that these were from the Temple of Faith, due to the nearby discovery of bilingual inscriptions in Greek and Latin and fragments of treaties between Asia Minor and the Roman Senate - Faith was the goddess of diplomatic relations.

The Temple of Fides (Latin: aedes Fidei) was a minor temple on the Capitoline Hill in Rome. It was dedicated to Fides, the goddess of good faith, who was patron of diplomatic relations. The temple was founded between 254 BC or 250 BC. It was on the southern part of the Area Capitolina, slightly to the south of the Temple of Ops, in a vast piazza in front of the Temple of Jupiter Optimus Maximus. If still in use by the 4th-century, it would have been closed during the persecution of pagans in the late Roman Empire. Remains found near the church of Sant'Omobono (including fragments of columns, part of a cement podium and a large female marble head, probably from a temple's acroterion) were previously identified as fragments of the Temple of Ops, but are now thought to be linked to the Temple of Faith, due to the nearby discovery of bilingual inscriptions in Greek and Latin and fragments of treaties between Asia Minor and the Roman Senate.

The Temple of Jupiter Custos (Jupiter the Guardian) was a minor temple in Rome, probably on the Capitoline Hill. It was built by Domitian in memory of his narrow escape from the Capitol during Vitellius' siege. Its site is uncertain – some scholars place it on the rectangular podium in opus caementicium with basalt chips discovered in the 19th century during the construction of via del Tempio di Giove (this podium is now cut in two by the street). However, that rectangular plan does not seem compatible with a temple, which a relief in the Palazzo dei Conservatori places to the right of the Temple of Jupiter Optimus Maximus.

The Temple of Janus at the Forum Holitorium is the second known temple dedicated to Janus, besides the temple of the same name located in the Roman Forum. It is known that it stood "close to the Theatre of Marcellus" (ad theatrum Marcelli or iuxta theatrum Marcelli) and "outside Porta Carmentalis" (extra portam Carmentalem) and that feasts took place there in August and October. It is highly likely that it is one of the three contiguous temples from the Republican era in the area of the ancient Forum Holitorium – where now stands the church of S. Nicola in Carcere – and more specifically the northernmost one, to the right than the facade of the church. The remains of the temple are seven columns in tuff - a material typical of the original age of construction and of the Roman tradition - incorporated with their architrave in the right side of the church and two columns rising on the basement just near the Theatre of Marcellus.

Piazza d'Aracoeli is a square of Rome (Italy), placed at the base of the Capitoline Hill, in the Rione X Campitelli.