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Santa Croce e San Bonaventura alla Pilotta

Churches of Rome (rione Trevi)Italy Roman Catholic church stubsNational churches in Rome
Trevi S. Croce e S. Bonaventura dei Lucchesi
Trevi S. Croce e S. Bonaventura dei Lucchesi

Santa Croce e San Bonaventura alla Pilotta or Santa Croce e di San Bonaventura dei Lucchesi is a church in Rome, sited on via dei Lucchesi in the Trevi district, between the Trevi Fountain and the Pontificia Università Gregoriana. It is Lucca's regional church in Rome.

Excerpt from the Wikipedia article Santa Croce e San Bonaventura alla Pilotta (License: CC BY-SA 3.0, Authors, Images).

Santa Croce e San Bonaventura alla Pilotta
Via de' Lucchesi, Rome Municipio Roma I

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N 41.8997 ° E 12.4845 °
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Santa Croce e San Bonaventura dei Lucchesi

Via de' Lucchesi
00187 Rome, Municipio Roma I
Lazio, Italy
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Trevi S. Croce e S. Bonaventura dei Lucchesi
Trevi S. Croce e S. Bonaventura dei Lucchesi
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Palazzo Muti Papazzurri
Palazzo Muti Papazzurri

Palazzo Muti Papazzurri is a Baroque palazzo in Rome, Italy. It was built in 1660 by the architect Mattia de' Rossi, a pupil of Gian Lorenzo Bernini. It is thought it was constructed for the newly married Pompeo Muti Papazzurri and Maria Isabella Massimo. A print of 1699 shows a large townhouse built around an open cour d'honneur, the court being entered through a triumphal arch at the centre of a Baroque screen linking the two flanking wings. The screen still remains but has today had rooms built above it, thus completely altering the open appearance of the palazzo to a plain closed façade. During the 18th century the palazzo formed the centre of a family complex of properties which were rented in their entirety to the Stuarts, pretenders to the British throne; thus for a time the palazzo was the home of a court in exile.In 1909 the palazzo was heavily restored which has changed de' Rossi's architectural concept of the original design by removing the pediments to the windows and the statuary decorating the roofline. The 17th and 18th century interior decoration of the palazzo has been preserved complete with their frescoed ceilings. The gallery, one of the principal reception rooms, has frescos depicting scenes from classical mythology attributed to Giovanni Francesco Grimaldi and Niccolò Berrettoni. Grimaldi was one of the most fashionable painters of his day having worked extensively for Cardinal Mazarin. Today the palazzo houses the Pontifical Biblical Institute.

Santi Vincenzo e Anastasio a Trevi
Santi Vincenzo e Anastasio a Trevi

Santi Vincenzo e Anastasio a Trevi ("Saints Vincent and Anastasius at Trevi") is a Baroque church in Rome, the capital of Italy. Built from 1646 to 1650 to the design of architect Martino Longhi the Younger and located in close proximity to the Trevi Fountain and the Quirinal Palace, for which it served as parish church, it is notable as the place where the precordia and embalmed hearts of 22 popes from Sixtus V to Leo XIII are preserved.Santi Vincenzo e Anastasio a Trevi lies on the location of a medieval church, mentioned in 962 in a bull by Pope John XII as a branch of the San Silvestro in Capite basilica as well as in 15th century records. Known as Santi Vincenzo e Anastasio since the 16th century, it was rebuilt in the Baroque style and completed in 1650. Two entablatures superimposed over the main one, all three with arched, angled or broken pediments, concentrate attention on the richly sculptural central bay of the façade's two storeys, in a theatrical composition "more curious than exemplary" that found few imitators. Its dense massing of Corinthian columns, ten in the lower order and six above make a total, with the columns flanking the finestrone of the upper tier, eighteen fully disengaged Corinthian columns, causing Roman wags to dub the façade il canneto, "the canebrake".The church was reconstructed on the order of Cardinal Mazarin, whose triumphantly presented coat of arms and cardinal's hat, supported by angels, is the focus of the façade composition. It is rumored that Mazarin's niece, Marie Mancini, a mistress of Louis XIV of France, is also portrayed on the facade, in the central female mascaron. The sculptural portrayal of a laywoman and the support of the cardinal's ecclesiastical coat of arms by the sculptures of two barechested women make the church unique among churches in Rome. Until the 1820s, Santi Vincenzo e Anastasio a Trevi was known as the "Pontifical Parish" (Parrocchia Pontificia). The church's interior features a single nave; the altar is decorated by the painting Martyrdom of Saints Vincent and Anastasius by Francesco Pascucci. Prolific Italian illustrator and engraver Bartolomeo Pinelli (1771–1835) was buried in Santi Vincenzo e Anastasio a Trevi as was Russian princess Zinaida Volkonskaya. Its travertine facade has proved porous; restoration with liquid hydraulic mortar and other materials was undertaken in 1989–90 to arrest deterioration.