Casa Santa Maria

Santa Rita da Cascia alle Vergini is a Roman Catholic church in Rome, sited at the corner of Via delle Vergini and Via dell’Umiltà. Diagonal from the church on Via delle Vergini is the Teatro Quirino.

The Via Salaria was an ancient Roman road in Italy. It eventually ran from Rome (from Porta Salaria of the Aurelian Walls) to Castrum Truentinum (Porto d'Ascoli) on the Adriatic coast, a distance of 242 km. The road also passed through Reate (Rieti) and Asculum (Ascoli Piceno). Strada statale 4 Via Salaria (SS4) is the modern state highway that maintains the old road's name and runs on the same path from Rome to the Adriatic sea.

The Church of the Madonna dell'Archetto (English: Our Lady of the Little Arch) is a small oratory in Rome, Italy, in the Trevi rione. The official title of the church is Santa Maria Causa Nostrae Laetitiae (English: Holy Mary, Cause of Our Joy). It is often cited as being the smallest church in Rome.

Pigna [ˈpiɲɲa] is the 9th rione of Rome, identified by the initials R. IX, and belongs to the Municipio I. The name means "pine cone" in Italian, and the symbol of the rione is the colossal bronze pine cone, that stand above the Pigna. The fountain, that was initially located in the Baths of Agrippa, now decorates a vast niche in the wall of the Vatican facing the Cortile della Pigna, located in Vatican City.

The Teatro Quirino is an opera house in Rome opened in 1871. It hosted the premiere of Pietro Mascagni's operetta Sì. Its historical name has been joined by the recognition for one of the most acclaimed Italian theatrical actors of the twentieth century, Vittorio Gassman. The full name of the theater is, in fact, Teatro Quirino - Vittorio Gassman. It is located in the Trevi district. From July 2014, management passed to a private company made up of sector operators whose CEO is Rosario Coppolino; Artistic consultants are Geppy Gleijeses and Guglielmo Ferro.

The Pontifical Biblical Institute Library serves the scholars, faculty, and students of the Pontifical Biblical Institute (PBI). It is located in Piazza della Pilotta 35, Rome. The building was the former Palazzo Muti Papazzurri. The Library and the PBI have been part of the Gregorian Consortium since 1928 and have been included in the URBE network (Roman Union of Ecclesiastical Libraries; Italian: Unione Romana Biblioteche Ecclesiastiche) since 1991.

The Forum Suarium was the pork forum venalium of ancient Rome during the empire, mentioned first in two inscriptions dating c. AD 200. This market was near the barracks of the cohortes urbanae in the northern part of the Campus Martius, probably close to the present Via di Propaganda, and its administration was in the hands of the prefect or of one of his officers.

The Pontifical Biblical Institute (also known as Biblicum) is a research and postgraduate teaching institution specialised in biblical and ancient Near Eastern studies. It is an institution of the Holy See entrusted to the Society of Jesus.

The Palazzo Muti (officially the Palazzo Muti e Santuario della Madonna dell' Archetto) is a large townhouse in the Piazza dei Santi Apostoli, Rome, Italy, built in 1644. Together with the neighboring Palazzo Muti Papazzurri, it originally formed part of a complex of adjoining palazzi and other houses owned by the Muti Papazzurri family. During the 18th century this entire range of buildings was, by courtesy of the Pope, the residence of the exiled Stuart dynasty while in exile in Rome. They were recognised by the Catholic Church as the rightful kings of Great Britain and Ireland. The Palazzo Muti should not be confused with the Palazzo Muti Papazzurri in the Piazza della Pilotta which was designed by Mattia de' Rossi in 1660.

Palazzo Muti Papazzurri is a Baroque palazzo in Rome, Italy. It was built in 1660 by the architect Mattia de' Rossi, a pupil of Gian Lorenzo Bernini. It is thought it was constructed for the newly married Pompeo Muti Papazzurri and Maria Isabella Massimo. A print of 1699 shows a large townhouse built around an open cour d'honneur, the court being entered through a triumphal arch at the centre of a Baroque screen linking the two flanking wings. The screen still remains but has today had rooms built above it, thus completely altering the open appearance of the palazzo to a plain closed façade. During the 18th century the palazzo formed the centre of a family complex of properties which were rented in their entirety to the Stuarts, pretenders to the British throne; thus for a time the palazzo was the home of a court in exile.In 1909 the palazzo was heavily restored which has changed de' Rossi's architectural concept of the original design by removing the pediments to the windows and the statuary decorating the roofline. The 17th and 18th century interior decoration of the palazzo has been preserved complete with their frescoed ceilings. The gallery, one of the principal reception rooms, has frescos depicting scenes from classical mythology attributed to Giovanni Francesco Grimaldi and Niccolò Berrettoni. Grimaldi was one of the most fashionable painters of his day having worked extensively for Cardinal Mazarin. Today the palazzo houses the Pontifical Biblical Institute.

The Italian National Anti-Corruption Authority (Italian: Autorità Nazionale AntiCorruzione) is an Italian independent administrative authority tasked with combating corruption in the country.

The Oratorio del Santissimo Crocifisso or the Oratory of the Most Holy Crucifix is a building in central Rome, Italy. Located next to the church of San Marcello al Corso, it served as a prayer hall and meeting house for the Archconfraternity of the Most Holy Crucifix (Arciconfraternita del Santissimo Crocifisso in Urbe). It is best known, like the Oratorio del Gonfalone, which shares the same artists, for its Mannerist decorations. The structure was built by Giacomo Della Porta in 1568, near the church of San Marcello, for the Confraternity of Crucifix, founded to venerate the Crucifix (crocefisso) from the nearby church. The confraternity was composed of some of the richest men in Rome, including the cardinals Ranuccio and Alessandro Farnese, nephews of the Pope. The theme of the interior decoration is the Triumph of the Cross. It employed Giovanni de' Vecchi, Cesare Nebbia, Niccolò Circignani, and Cristoforo Roncalli. It was also host of musical concerts, starting in 1639, when the first performances of fifteen musical oratorios [oratories] by Giacomo Carissimi and Emilio de' Cavalieri occurred here.