Gregorian Tower

The Vatican Apostolic Library (Latin: Bibliotheca Apostolica Vaticana, Italian: Biblioteca Apostolica Vaticana), more commonly known as the Vatican Library or informally as the Vat, is the library of the Holy See, located in Vatican City. It was formally established in 1475, although it is much older—it is one of the oldest libraries in the world and contains one of the most significant collections of historical texts. It has 75,000 codices from throughout history, as well as 1.1 million printed books, which include some 8,500 incunabula.The Vatican Library is a research library for history, law, philosophy, science, and theology. The Vatican Library is open to anyone who can document their qualifications and research needs. Photocopies for private study of pages from books published between 1801 and 1990 can be requested in person or by mail. Pope Nicholas V (1447–1455) envisioned a new Rome with extensive public works to lure pilgrims and scholars to the city to begin its transformation. Nicolas wanted to create a "public library" for Rome that was meant to be seen as an institution for humanist scholarship. His death prevented him from carrying out his plan, but his successor Pope Sixtus IV (1471–1484) established what is now known as the Vatican Library. In March 2014, the Vatican Library began an initial four-year project of digitising its collection of manuscripts, to be made available online. The Vatican Apostolic Archive was separated from the library at the beginning of the 17th century; it contains another 150,000 items.

Minuscule 151 (in the Gregory-Aland numbering), A17 (Soden), is a Greek minuscule manuscript of the New Testament, on parchment leaves. Palaeographically it has been assigned to the 10th century. The manuscript has complex contents. It has marginalia.

The Vatican Apostolic Archive (Latin: Archivum Apostolicum Vaticanum; Italian: Archivio Apostolico Vaticano), formerly known as the Vatican Secret Archive, is the central repository in the Vatican City of all acts promulgated by the Holy See. The pope, as the sovereign of Vatican City, owns the material held in the archive until his death or resignation, with ownership passing to his successor. The archive also contains state papers, correspondence, account books, and many other documents that the church has accumulated over the centuries. Pope Paul V separated the Secret Archive from the Vatican Library, where scholars had some very limited access, and the archive remained closed to outsiders until the late 19th century, when Pope Leo XIII opened the archive to researchers, more than a thousand of whom now examine some of its documents each year.

The statue of Laocoön and His Sons, also called the Laocoön Group (Italian: Gruppo del Laocoonte), has been one of the most famous ancient sculptures since it was excavated in Rome in 1506 and put on public display in the Vatican Museums, where it remains today. The statue is very likely the same one that was praised in the highest terms by Pliny the Elder, the main Roman writer on art. The figures in the statue are nearly life-sized, with the entire group measuring just over 2 m (6 ft 7 in) in height. The sculpture depicts the Trojan priest Laocoön and his sons Antiphantes and Thymbraeus being attacked by sea serpents.The Laocoön Group has been called "the prototypical icon of human agony" in Western art. Unlike the agony often portrayed in Christian art depicting the Passion of Jesus and martyrs, the suffering shown in this statue offers no redemptive power or reward. The agony is conveyed through the contorted expressions on the faces, particularly Laocoön's bulging eyebrows, which were noted by Guillaume-Benjamin Duchenne as physiologically impossible. These expressions are mirrored in the struggling bodies, especially Laocoön's, with every part of his body shown straining.Pliny attributed the work, then in the palace of Emperor Titus, to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros, and Polydorus, but he did not mention the date or patron. In style it is considered "one of the finest examples of the Hellenistic baroque" and certainly in the Greek tradition. However, its origin is uncertain, as it is not known if it is an original work or a copy of an earlier bronze sculpture. Some believe it to be a copy of a work from the early Imperial period, while others think it to be an original work from the later period, continuing the Pergamene style of some two centuries earlier. Regardless, it was probably commissioned for a wealthy Roman's home, possibly from the Imperial family. The dates suggested for the statue range from 200 BC to the 70s AD, with a Julio-Claudian date (27 BC to 68 AD) now being the preferred option. Despite being in mostly excellent condition for an excavated sculpture, the group is missing several parts and has undergone several ancient modifications and restorations since its excavation. The statue is currently on display in the Museo Pio-Clementino, which is part of the Vatican Museums.

The Cortile del Belvedere (Belvedere Courtyard or Belvedere Court) was a major architectural work of the High Renaissance at the Vatican Palace in Rome. Designed by Donato Bramante from 1505 onward, its concept and details reverberated in courtyard design, formalized piazzas and garden plans throughout Western Europe. Conceived as a single enclosed space, the long Belvedere court connected the Vatican Palace with the Villa Belvedere in a series of terraces connected by stairs, and was contained on its sides by narrow wings. Bramante did not see the work completed, and before the end of the sixteenth century it had been irretrievably altered by a building across the court, dividing it into two separate courtyards.

The Gallery of Maps (Italian: Galleria delle carte geografiche) is a gallery located on the west side of the Belvedere Courtyard in the Vatican containing a series of painted topographical maps of Italy based on drawings by friar and geographer Ignazio Danti.The gallery was commissioned in 1580 by Pope Gregory XIII as part of other artistic works commissioned by the Pope to decorate the Vatican. It took Danti three years (1580–1583) to complete the 40 panels of the 120 m long gallery.

Anima Mundi (previously known as the Vatican Ethnological Museum) is a museum of ethnological art and artefacts in the Vatican City. It is part of the Vatican Museums.

The Vatican Museums (Italian: Musei Vaticani; Latin: Musea Vaticana) are the public museums of the Vatican City. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of the most well-known Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employ 640 people who work in 40 different administrative, scholarly, and restoration departments.Pope Julius II founded the museums in the early 16th century. The Sistine Chapel, with its ceiling and altar wall decorated by Michelangelo, and the Stanze di Raffaello (decorated by Raphael) are on the visitor route through the Vatican Museums.In 2020, due to the COVID-19 pandemic, the Vatican Museums were visited by only 1,300,000 persons, a drop of 81 percent from the number of visitors in 2019, but still enough to rank the museums fourth among the most-visited art museums in the world.There are 24 galleries, or rooms, in total, with the Sistine Chapel, notably, being the last room visited within the Museum.

The Fontana della Pigna or simply Pigna ([ˈpiɲɲa], "pinecone") is a former Roman fountain which now decorates a vast niche in the wall of the Vatican facing the Cortile della Pigna, located in Vatican City, in Rome, Italy.

Charity with Four Children is a sculpture by the Italian artist Gian Lorenzo Bernini. Executed between 1627 and 1628, the work is housed in the Vatican Museums in Vatican City. The small terracotta sculpture represents Charity breast-feeding a child, with three other children playing. There is an imprint of Bernini's thumbprint in the clay.

The Apollo Belvedere (also called the Belvedere Apollo, Apollo of the Belvedere, or Pythian Apollo) is a celebrated marble sculpture from classical antiquity. The Apollo is now thought to be an original Roman creation of Hadrianic date (c. 120–140 AD), though in a Hellenistic style. The distinctively Roman footwear is one reason scholars believe it is not a copy of an original Greek statue. It was rediscovered in central Italy in the late 15th century during the Italian Renaissance and was placed on semi-public display in the Vatican Palace in 1511, where it remains. It is now in the Cortile del Belvedere of the Pio-Clementine Museum of the Vatican Museums complex. From the mid-18th century it was considered the greatest ancient sculpture by ardent neoclassicists, and for centuries it epitomized the ideals of aesthetic perfection for Europeans and westernized parts of the world.

Bramante Staircase is the name given to two staircases in the Vatican Museums in the Vatican City State: the original stair, built in 1505, and a modern equivalent from 1932.