Piazzale Cadorna

Cadorna FN is an underground interchange station in Milan, Italy, serving Lines 1 and 2 of the Milan Metro. The Line 1 station was opened on 1 November 1964 as part of the inaugural section of the Metro, between Sesto Marelli and Lotto. The Line 2 station was opened on 3 March 1978 as the southern terminus of the extension from Garibaldi FS. It served as the southern terminus of Line 2 until the extension of the line to Porta Genova on 30 October 1983.The station is located at Piazzale Luigi Cadorna, opposite to Milano Cadorna railway station, within the municipal area of Milan. It is close to Sforzesco Castle, the Triennale and Parco Sempione.

The Chiesa di San Nicolao is a church in Milan, Italy. It was originally built in 1259.

The Castello Sforzesco (Italian for "Sforza's Castle") is a medieval fortification located in Milan, northern Italy. It was built in the 15th century by Francesco Sforza, Duke of Milan, on the remnants of a 14th-century fortification. Later renovated and enlarged, in the 16th and 17th centuries it was one of the largest citadels in Europe. Extensively rebuilt by Luca Beltrami in 1891–1905, it now houses several of the city's museums and art collections.

The Museo Egizio is a museum sited in the Sforza Castle of Milan, Italy. The Castle is one of the most famous monuments in Milan and is home to several museums including the Egyptian Section of the Milan Archaeological Museum, the Museum of Ancient Art, the Pinacoteca and the Museum of Musical Instruments. The Egyptian Museum, situated in the underground level of the ducal courtyard, is divided into seven different sections: ABOUT ANCIENT EGYPTIAN WRITING ABOUT PHARAOHS ABOUT DEITIES AND CULTS ABOUT EVERYDAY LIFE FOR THE EGYPTIANS ABOUT FUNERARY CULT EXCAVATIONS CONDUCTED BY ACHILLE VOGLIANO MUMMIES, SARCOPHAGI AND FUNERARY MASKSA mummy dating from the Greco-Roman period, from Thebes, and ancient Egyptian sarcophagi are exposed in the "mummies, sarcophagi and funerary mask" section, while some papyri of the Book of the Dead are exposed in the Funerary Cult section.

The Museo d'Arte Antica ('Museum of Ancient Art') is an art museum in the Castello Sforzesco in Milan, in Lombardy in northern Italy. It has a large collection of sculpture from late antiquity and the medieval and Renaissance periods. The various frescoed rooms of the museum house an armoury, a tapestry room, some funerary monuments, Michelangelo's Rondanini Pietà and two medieval portals. The Sala Verde ('green room') displays 15th- and 16th-century sculptures, the collection of arms of the Castello Sforzesco and the Portale del Banco Mediceo, a gate removed from Via Bossi. The collection of arms, in the second part of the room, displays sculptures, armour, swords and firearms in chronological sequence from the Middle Ages to the 18th century. The Sala delle Asse, designed and frescoed by Leonardo da Vinci at the request of Lodovico il Moro, represents the Sforza period of Milan.

The Museum of Musical Instruments of Milan exhibits over 700 musical instruments from the fifteenth to twentieth centuries with particular attention to Lombard instruments. The collection contains plucked instruments, Lombard and Cremonese violins, hunting horns, numerous wood instruments (e.g. flutes, oboes, clarinets, English horns), bassoons, pianos and some ancient organs. In particular the Cremonese lutherie (from Cremona in low Lombardy) is appreciated all over the world for the high quality of its musical instruments. The museum also displays the equipment of the former Studio di fonologia musicale di Radio Milano. In 2000 a donation by the Fondazione Antonio Monzino added 79 musical instruments, made between the 18th and 20th century, to the civic collection; they had been collected by the Monzino family. These musical instruments represent the strong tradition of Lombard lutherie. The museum is situated in the Sforza Castle complex that also includes The Museum of Ancient Art, the Pinacotheca, the Applied Arts Collection and the Egyptian Museum (that includes the prehistoric sections of the Archaeological Museum of Milan).

The Archaeological Museum of Milan (Civico Museo Archeologico di Milano in Italian) is located in the ex-convent of the Monastero Maggiore, alongside the ancient church of San Maurizio al Monastero Maggiore, with entrance on Corso Magenta. The first part of the museum, sited in the original site of Corso Magenta, is dedicated to the history of Mediolanum (ancient Milan) founded in the 4th century BC and conquered by the ancient Romans in 222 BC. In the basement floor there is also a small section about Gandhara's arts. The inner cloister, where Roman remains (1st-3rd century AD) and two medieval towers are visible, connects the first part of the museum with the new building sited in via Nirone. In this part of the Archaeological Museum of Milan are sited, on four floors, the Early Middle Ages section, the Etruscan section, the Ancient Greek section and the temporary exhibition room. In the Middle Ages polygonal tower sited in the inner cloister are exposed a Domenico Paladino sculpture donated by the artist to the museum that fits in the frescoed medieval structure. Collections of the museum from prehistoric and Egyptian civilisations are housed at the Castello Sforzesco Museums.Statues and tombs from ancient Rome are displayed along the cloisters of the former monastery, and a path leads from the cloisters to a "polygonal tower (late third century) with early medieval frescoes (thirteenth century) and comes out in the new museum in Via Nirone where the early medieval section is on the first floor."

San Maurizio al Monastero Maggiore is a church in Milan, Northern Italy. It was originally attached to the most important female convent of the Benedictines in the city, Monastero Maggiore, which is now in use as the Civic Archaeological Museum. The church today is used every Sunday from October to June to celebrate in the Byzantine Rite, in Greek according to the Italo-Albanian tradition. It is also used as concert hall.

Soncino Castle (Italian: Rocca di Soncino) is a military fortress in Soncino, northern Italy. It was built in the 10th century, and it was active since the years around 1500.

The Antique Furnishings & Wooden Sculpture Museum of Milan is located on the first floor of the Sforza Castle ducal courtyard and it is part of the Sforza Castle's Civic Museum complex. The itinerary is chronologically arranged from the 14th century to the modern times with a particular attention for the Italian and lombardic furniture history. One of the most important artifacts exposed in the museum is the Chamber of Griselda: a wooden room reconstructed with fifteenth century detached frescoes to create a scale replica of how it looked in its original location in the Roccabianca Castle near Parma. The Italian 20th century furniture and the italian design are well represented by furniture signed Alberto Issel, Carlo Bugatti and Ettore Sottsass, while the 18th-century Italian school of cabinetmakers are well represented by several cabinets signed Giuseppe Maggiolini. Are also exposed religious furnishing from 16th–18th century and furniture of the noble families of Milan. Several wooden sculptures and various decorative items, such pottery or tableware including a tea set designed by Gio Ponti, are also displayed in the museum.

The Pinacoteca del Castello Sforzesco is an art gallery in the museum complex of the Castello Sforzesco in Milan, northern Italy.

The Applied Arts Collection of Milan (Raccolte d’Arte Applicata di Milano in Italian) is located in the Sforza Castle museum complex under the management of the municipality of Milan, Italy. The museum is divided into several sections with particular emphasis on jewelry, ivories, pottery and art glass. The ceramic collection includes medieval, Renaissance and Baroque pottery, a maiolica group with pieces from 17th-century Lodi and Milan, and a collection of European chinaware and earthenware. The collection of artistic glass includes the Gonzaga Cup, made of crystal clear glass and decorated with a pattern of small golden flowers and the Gonzaga coat of arm with a quadripartite black eagle on a white background. In the Sala Della Balla is the Arazzi Trivulzio, a series of twelve tapestries representing the different months of the years. Their design is based on drawings by the Italian painter Bramantino.