Walls of Seville

The Puerta de la Macarena (in Arabic: Bab-al-Makrin), also known as Arco de la Macarena, stands alongside the Postigo del Aceite and the Puerta de Córdoba the only three city gates that remain today of the original walls of Seville. It is located in the calle Resolana, within of barrio de San Gil, which belongs to the district of Casco Antiguo of the city of Seville, in Andalusia, Spain. The gate faces the Basílica de La Macarena, which houses the image of the Our Lady of la Esperanza Macarena, one of the most characteristic images of the Holy Week in Seville.This is the entrance of the walls located further north of the city, and the biggest of the set, and is one of the few remnants that remain from the walls of the city, along with the cloth of the walls that it connects with the Puerta de Córdoba through a wall where seven towers are preserved. Although the enclosure walled of the city was built in time of Julius Caesar on the former Carthaginian defense, the gate corresponds to the extension made by the Sultan Ali ibn Yusuf in the 12th century, and its present appearance is the result of a remodeling carried out between the years 1723 and 1795, in which the Islamic architectural elements were replaced by the classicist air which presents today.It was the gate used by the kings who visited the city of the first time, and before its walls rose an altar in that performing their quarrel tribute, after which they were handed the keys of the city, and so did Alfonso XI of Castile (1327), Isabella I of Castile (1477), Ferdinand II of Aragon (1508), Charles V, Holy Roman Emperor and his fiancee Isabella of Portugal (1526), and finally Philip IV (1624).Crowns the set the ceramic altarpiece by painter Manuel Rodríguez representing the Virgin of Hope of Macarena, inaugurated in 1923 by the infanta Maria de la Esperanza of Bourbon-Two Sicilies.The remains of the walled city, which includes this gate, were declared Bien de Interés Cultural in 1985.

The Parliament of Andalusia (Spanish: Parlamento de Andalucía) is the legislature of the Spanish autonomous community of Andalusia instituted by the Andalusian Charter of Autonomy of 1981. It is elected by the residents of Andalusia every four years.

The Hospital de las Cinco Llagas (literally "Hospital of the Five Wounds") in Seville, Spain is the current seat of the Parliament of Andalusia.

Macarena is one of the eleven districts into which the city of Seville, capital of the autonomous community of Andalucía, Spain, is divided for administrative purposes. It is located in the north of the city, bordered to the south by the Casco Antiguo and San Pablo-Santa Justa suburbs, to the east and north by Norte and to the west by Triana. It covers the area between the Guadalquivir River and the Carmona Highway and from the SE-30 ring-road in the north to the Ronda del Casco Antiguo. It contains smaller neighbourhoods such as León XIII, Miraflores, and the Polígono Norte as well as the Miraflores park along the SE-30. The district contains the Andalucian Parliament (former Hospital de las Cinco Llagas), the Torre de los Perdigones in the park of the same name, and the Hospital Universitario Virgen Macarena

The Alameda de Hércules (Hercules mall), or simply La Alameda, is a garden square or mall in Seville, southern Spain. Built in 1574, it was originally a promenaded public garden, named after the eight rows of white poplar trees (álamos in Spanish) that fill its central part. Located in the northern half of the city's casco antiguo (historic center), between the Guadalquivir River and the Macarena neighbourhood, it was the oldest public garden in Spain and Europe.

Monastery of San Clemente (Monasterio de San Clemente) is a Cistercian monastery with the Bien de Interés Cultural designation in the Spanish city of Seville. Architecturally, it is a heterogeneous set of buildings, built in different times and styles, from the 16th to the 17th century.

The Church of Santa Catalina (Spanish: Iglesia de Santa Catalina) is a church located in Sevilla, Spain, constructed in the fourteenth century. It was declared Bien de Interés Cultural in 1912.

Setas de Sevilla ("Mushrooms of Seville") or Las Setas ("The Mushrooms"), initially titled Metropol Parasol, is a wooden structure located at La Encarnación square in the old quarter of Seville, Spain. It was designed by the German architect Jürgen Mayer and completed in April 2011. It has dimensions of 150 by 70 metres (490 by 230 ft) and an approximate height of 26 metres (85 ft) and claims to be the largest wooden structure in the world. Its appearance, location, delays and cost overruns in construction resulted in much public controversy.

The Plaza de la Encarnación is a new square in Seville, Spain which used to be a car park but has been transformed by a new piece of architecture the Metropol Parasol.

The Casco Antiguo (Spanish for Ancient District) is the city centre district of Seville, the capital of the Spanish region of Andalusia. The Casco Antiguo comprises Seville's old town, which lies on the east bank of the Guadalquivir river. It borders the districts of Macarena to the north, Nervión and San Pablo-Santa Justa to the east, and the Distrito Sur to the south. Bridges across the Guadalquivir link the Casco Antiguo to Los Remedios, Triana and La Cartuja.

Alfalfa is a neighbourhood in the historical centre of Seville, the Casco Antiguo. It is located in the center of the district and bordered by Encarnación-Regina to the north, Santa Catalina and San Bartolomé to the east, Santa Cruz and El Arenal to the south and Museo to the west. In 2010, it had an estimated population of 4,197 inhabitants.

The Alamillo Bridge (Spanish: Puente del Alamillo) is a structure in Seville, Andalucia (Spain), which spans the Canal de Alfonso XIII, allowing access to La Cartuja, a peninsula located between the canal and the Guadalquivir River. The bridge was constructed as part of infrastructure improvements for Expo 92, which was held on large banana farms on the island. Construction of the bridge began in 1989 and was completed in 1992 from a design by Santiago Calatrava.