Alameda de Hércules

Monastery of San Clemente (Monasterio de San Clemente) is a Cistercian monastery with the Bien de Interés Cultural designation in the Spanish city of Seville. Architecturally, it is a heterogeneous set of buildings, built in different times and styles, from the 16th to the 17th century.

The Casco Antiguo (Spanish for Ancient District) is the city centre district of Seville, the capital of the Spanish region of Andalusia. The Casco Antiguo comprises Seville's old town, which lies on the east bank of the Guadalquivir river. It borders the districts of Macarena to the north, Nervión and San Pablo-Santa Justa to the east, and the Distrito Sur to the south. Bridges across the Guadalquivir link the Casco Antiguo to Los Remedios, Triana and La Cartuja.

Setas de Sevilla ("Mushrooms of Seville") or Las Setas ("The Mushrooms"), initially titled Metropol Parasol, is a wooden structure located at La Encarnación square in the old quarter of Seville, Spain. It was designed by the German architect Jürgen Mayer and completed in April 2011. It has dimensions of 150 by 70 metres (490 by 230 ft) and an approximate height of 26 metres (85 ft) and claims to be the largest wooden structure in the world. Its appearance, location, delays and cost overruns in construction resulted in much public controversy.

The Plaza de la Encarnación is a new square in Seville, Spain which used to be a car park but has been transformed by a new piece of architecture the Metropol Parasol.

The Puerta de la Macarena (in Arabic: Bab-al-Makrin), also known as Arco de la Macarena, stands alongside the Postigo del Aceite and the Puerta de Córdoba the only three city gates that remain today of the original walls of Seville. It is located in the calle Resolana, within of barrio de San Gil, which belongs to the district of Casco Antiguo of the city of Seville, in Andalusia, Spain. The gate faces the Basílica de La Macarena, which houses the image of the Our Lady of la Esperanza Macarena, one of the most characteristic images of the Holy Week in Seville.This is the entrance of the walls located further north of the city, and the biggest of the set, and is one of the few remnants that remain from the walls of the city, along with the cloth of the walls that it connects with the Puerta de Córdoba through a wall where seven towers are preserved. Although the enclosure walled of the city was built in time of Julius Caesar on the former Carthaginian defense, the gate corresponds to the extension made by the Sultan Ali ibn Yusuf in the 12th century, and its present appearance is the result of a remodeling carried out between the years 1723 and 1795, in which the Islamic architectural elements were replaced by the classicist air which presents today.It was the gate used by the kings who visited the city of the first time, and before its walls rose an altar in that performing their quarrel tribute, after which they were handed the keys of the city, and so did Alfonso XI of Castile (1327), Isabella I of Castile (1477), Ferdinand II of Aragon (1508), Charles V, Holy Roman Emperor and his fiancee Isabella of Portugal (1526), and finally Philip IV (1624).Crowns the set the ceramic altarpiece by painter Manuel Rodríguez representing the Virgin of Hope of Macarena, inaugurated in 1923 by the infanta Maria de la Esperanza of Bourbon-Two Sicilies.The remains of the walled city, which includes this gate, were declared Bien de Interés Cultural in 1985.

Macarena is one of the eleven districts into which the city of Seville, capital of the autonomous community of Andalucía, Spain, is divided for administrative purposes. It is located in the north of the city, bordered to the south by the Casco Antiguo and San Pablo-Santa Justa suburbs, to the east and north by Norte and to the west by Triana. It covers the area between the Guadalquivir River and the Carmona Highway and from the SE-30 ring-road in the north to the Ronda del Casco Antiguo. It contains smaller neighbourhoods such as León XIII, Miraflores, and the Polígono Norte as well as the Miraflores park along the SE-30. The district contains the Andalucian Parliament (former Hospital de las Cinco Llagas), the Torre de los Perdigones in the park of the same name, and the Hospital Universitario Virgen Macarena

The Lebrija Palace or Palacio de la Condesa de Lebrija is a house-museum in central Seville, Spain. Dating to the 16th century and remodeled between the 18th and 20th centuries, the palace is characterised by its collection of art, including Roman mosaics and other antiquities as well as Asian art, paintings by European masters and European decorative arts. The interior of the palace is decorated in a palette of architectural styles, with elements such as Moorish arches, Plateresque decoration, tilework retrieved from ruined convent, a coffered ceiling from a 16th-century palace and a Renaissance frieze, while its façade and layout reflect typical Andalusian style.

Alfalfa is a neighbourhood in the historical centre of Seville, the Casco Antiguo. It is located in the center of the district and bordered by Encarnación-Regina to the north, Santa Catalina and San Bartolomé to the east, Santa Cruz and El Arenal to the south and Museo to the west. In 2010, it had an estimated population of 4,197 inhabitants.

The Walls of Seville (Spanish: Murallas de Sevilla) are a series of defensive walls surrounding the Old Town of Seville. The city has been surrounded by walls since the Roman period, and they were maintained and modified throughout the subsequent Visigoth, Islamic and finally Castilian periods. The walls remained intact until the 19th century, when they were partially demolished after the revolution of 1868. Some parts of the walls still exist, especially around the Alcázar of Seville and some curtain walls in the barrio de la Macarena. The walls originally had eighteen gates or points of access, four of which survive today: Puerta de la Macarena, Puerta de Córdoba, Postigo del Aceite and Postigo del Alcázar. The extant parts of the walls maintain an Almohad appearance, mixed with Classicist air resulting from restorations carried out in the 18th century.

The Church of Santa Catalina (Spanish: Iglesia de Santa Catalina) is a church located in Sevilla, Spain, constructed in the fourteenth century. It was declared Bien de Interés Cultural in 1912.

The Museum of Fine Arts of Seville (Spanish: Museo de Bellas Artes de Sevilla) is a museum in Seville, Spain, a collection of mainly Spanish visual arts from the medieval period to the early 20th century, including a choice selection of works by artists from the so-called Golden Age of Sevillian painting during the 17th century, such as Murillo, Zurbarán, Francisco de Herrera the younger, and Valdés Leal. The building itself was built in 1594. The institution of the provincial museum of Seville was created in September 1835. Items were moved to the museum in the ensuing years. The building it is housed in was originally home to the convent of the Order of the Merced Calzada de la Asunción, founded by St. Peter Nolasco during the reign of Ferdinand III. Extensive remodeling in the early 17th century was led by the architect Juan de Oviedo y de la Bandera.

The Hospital de las Cinco Llagas (literally "Hospital of the Five Wounds") in Seville, Spain is the current seat of the Parliament of Andalusia.