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Villa Belgiojoso Bonaparte

Italian building and structure stubsNeoclassical architecture in MilanPalaces in MilanRoyal residences in ItalyTourist attractions in Milan
Villas in Lombardy
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Milan Royal Villa improved version

The Villa Belgiojoso Bonaparte, also known as Villa Reale and formerly called Villa Comunale, is a palace in Milan, in Lombardy in northern Italy. It was built between 1790 and 1796 as the residence of Count Ludovico Barbiano di Belgiojoso. The villa is in Neoclassical style, and was designed by Leopoldo Pollack. The main entrance is on via Palestro, facing the Giardini Pubblici of Porta Venezia, the eastern gate of the city. During the Kingdom of Italy it became the residence of Viceroy Eugene de Beuharnais and his family In 1920 the villa came under the ownership of the Comune of Milan; in 1921 it became the home of the Galleria d'Arte Moderna.Beside the villa is the Padiglione d'Arte Contemporanea, an exhibition space for contemporary art, which was built in 1955 on the site of the former stables of the palace, destroyed by wartime bombing.The gardens of the villa, in English style with an artificial lake, were laid out by Leopoldo Pollack.

Excerpt from the Wikipedia article Villa Belgiojoso Bonaparte (License: CC BY-SA 3.0, Authors, Images).

Villa Belgiojoso Bonaparte
Via Palestro, Milan Municipio 1

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N 45.4725 ° E 9.1997222222222 °
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Villa Reale (Villa Belgiojoso Bonaparte)

Via Palestro
20219 Milan, Municipio 1
Lombardy, Italy
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State Archives of Milan
State Archives of Milan

The State Archives of Milan (abbreviated by the acronym ASMi), based at the Palazzo del Senato, Via Senato n. 10, is the state institution responsible, by law, for the preservation of records from the offices of state bodies, as well as public bodies and private producers. Slowly formed through the agglomeration of the various archival poles spread throughout Austrian Milan between the end of the 18th and the first half of the 19th century, the State Archives finally found its home in the former Palazzo del Senato under the direction of Cesare Cantù in 1886. Having become a research and training center of excellence under the directorships of Luigi Fumi and Giovanni Vittani, the State Archives of Milan since 1945 continued its role as a preservation institution, adapting to the needs of the times and developing the School of Archival Studies, Palaeography and Diplomatics attached to the Institute. The Milan State Archives, which currently covers 45 km of shelves and a storage space of 6,460 m², preserves archives and collections containing records of political and religious institutions prior to Unification, such as the acts produced by the Sforza chancery or under the Spanish and Austrian governments. Following the outline prepared by the General Directorate of Archives, in addition to the documents produced before 1861, the State Archives collects and preserves the acts produced by the Italian state agencies reporting to Milan, such as the prefecture, the court and the Milanese police headquarters, as well as notarial acts from the local district notarial archives (after a hundred years since the notary in question ceased activity) and those from the archives of the military districts. Finally, there is the miscellaneous archives subdivision, not falling under the previous chronological subdivision and consisting mainly of private or public archives. Some of the most famous documents that the Archives preserve include the Cartola de accepto mundio, the oldest Italian parchment preserved in any Italian State Archives (dating back to 721); the Codicetto di Lodi; autographed letters from Leonardo da Vinci, Charles V, Ludovico il Moro and Alessandro Volta; a valuable copy of the Napoleonic Code autographed by the emperor himself; and the minutes of the trial against Gaetano Bresci.

Monument to Felice Cavallotti, Milan
Monument to Felice Cavallotti, Milan

The Monument to the Felice Cavallotti is a marble sculpture on a plinth located Via Marina #2 in Milan, Italy. It is located just north of the facade of the Palazzo del Senato in Milan, in a pocket park that emerges south of the gardens of the Villa Belgiojoso Bonaparte. The monument was created by Italian sculptor Ernesto Bazzaro and is dedicated to tempestuous patriot, politician, journalist, and poet, Felice Cavallotti. The statue celebrates Cavallotti with idiosyncratic iconography, and it's placement also has migrated across the city since its initial inauguration in 1905. The monument was commissioned three years after his death by duel in 1898 by a committee led by Giuseppe Missori, a former fellow-follower of Garibaldi. Atop the plinth is a naked recumbent statue between two sculpted pillows depicting Leonidas, the King of Spartans, and subject of one of Cavallotti's poems. Leondias lays partly on his shield, the long spear once leaning over the side of the sculpture has broken and has not been repaired. He gazes towards the distance. In the plinth below is a raised relief, with rough unfinished sections, depicting with three scenes from the life of Cavallotti, unfolding from the right front clockwise to the back of the statue, depicting Cavallotti haranguing the masses; Cavallotti tending to the children with cholera in Naples; and in the back, crowd attending Cavallotti's funeral. The statue was initially placed in 1906 in Piazza della Rosa, later renamed piazza Pio XI, in front of the Biblioteca Ambrosiana, but putatively this displeased the monks associated with the library. It was moved in 1933 elsewhere, and then in 1943 moved to this spot to replace the statue of another Garibaldini patriot, Giacomo Medici, which had been destroyed by Allied bombardments of World War II.