Federal Monuments Office

The Spanish Riding School (German: Spanische Hofreitschule) is an Austrian institution dedicated to the preservation of classical dressage and the training of Lipizzaner horses, based in Vienna, Austria, whose performances in the Hofburg are also a tourist attraction. The leading horses and riders of the school also periodically tour and perform worldwide. It is one of the "Big Four", the most prestigious classical riding academies in the world, alongside the Cadre Noir, the Portuguese School of Equestrian Art, and the Royal Andalusian School.

The Michaelerplatz (English: St. Michael's Square) is a major square in the center of Vienna. It is a baroque, star-shaped square that functions as the point of intersection of several inner-city streets – the Kohlmarkt, the Herrengasse, the Schauflergasse, and the Reitschulgasse – as well as the northeast entry point to the Hofburg. The square is named after St. Michael's Church, which lies on the eastern part of the Michaelerplatz.

Saint Michael's Church (German: Michaelerkirche) is one of the oldest churches in Vienna, Austria, and also one of its few remaining Romanesque buildings. Dedicated to the Archangel Michael, St. Michael's Church is located at Michaelerplatz across from St. Michael's Gate at the Hofburg Palace. St. Michael's used to be the parish church of the Imperial Court, when it was called Zum heiligen Michael. Over its long history, spanning more than eight centuries, the church has incorporated a medley of architectonic styles. The church is a late Romanesque, early Gothic building dating from about 1220–1240. There is a document giving 1221 as the foundation date of the church, but this is most probably a 14th-century forgery. Over time, there have been many alterations, resulting in its present-day aspect, unchanged since 1792.

The Stallburg is a renaissance-style building in the Vienna city center located between Josefsplatz and Michaelerplatz. It is part of the Hofburg Palace. Formerly the living quarters of Archduke Maximilian , later Emperor Maximilian II, it was built around 1558-1565 as a residence. From 1659 to 1776 it housed the art collection of Archduke Leopold Wilhelm, called the Stallburg gallery. This collection forms the core of the later Kunsthistorisches Museum from 1889. Later the building became the Imperial Stables used to house the imperial horses, and even today it is still used by the Spanish Riding School (Spanische Hofreitschule). Before moving to Vienna in 1659, Archduke Leopold Wilhelm formed his art collection of 1400 paintings in Brussels, where David Teniers the Younger painted views of his Brussels gallery, which are now spread among various collections. He made many miniatures of the paintings for use as models by engravers and published a catalog of the Italian paintings in the 1660s called Theatrum Pictorium.

The Looshaus is a commercial and residential building at Michaelerplatz 3, between Herrengasse and Kohlmarkt, in Vienna. Designed by Adolf Loos and completed in 1912, it is considered a major building of Viennese Modernism.

Café Griensteidl was a traditional Viennese café located at Michaelerplatz 2 across from St. Michael's Church and St. Michael's Gate at the Hofburg Palace in the Innere Stadt first district of Vienna, Austria. The cafe was founded in 1847 by former pharmacist Heinrich Griensteidl. In January 1897, the original building was demolished during the course of the renovation of Michaelerplatz. During the early twentieth century, the café was frequented by many artists, musicians, and writers, including Hugo von Hofmannsthal, Arthur Schnitzler, Arnold Schoenberg, Alexander Zemlinsky, Hermann Bahr, Friedrich Eckstein, Rudolf Steiner, Hugo Wolf, and Stefan Zweig.In 1990, the café was reopened and became a popular location among the Viennese coffeehouse culture. As they could not afford the rising rents any more, Griensteidl closed in June 2017.

Palais Pallavicini is a palace in Vienna, Austria. It is located in the Josefsplatz square at number 5. It has been owned by the noble Pallavicini family. It was previously built and owned by the Fries banking family (Swiss-Austrian) and is therefore also known as Palais Fries as house of Count Johann von Fries (and later of his son Count Moritz von Fries that sold it). It was built upon a monastery, erected by Elisabeth of Austria, Queen of France (widow of King Charles IX of France), closed in 1782 (the former monastic church is now the Lutheran City Church)

Palais Wilczek is a palace in Vienna, Austria. It was owned by the noble Wilczek family. The palace, as it stands now, was built on the site of the former Brassican family palace between 1722 and 1737 (exact date unknown). The construction is attributed to Anton Johann Ospel. What is known is that in 1728 the palace came into the possession of Lower Austrian Landmarschall Carl Ignaz Lempruch. The Wilczek family came into possession of the palace in 1825. The palace is located between Palais Herberstein and Palais Modena. Franz Grillparzer and Joseph Freiherr von Eichendorff have both resided in Palais Wilczek.

The Imperial Sword (Latin: Gladius Imperatoria, German: Reichsschwert) is one of the four most important parts of the Imperial Regalia (Reichskleinodien) of the Holy Roman Empire. During a coronation, it was given to the emperor along with the Imperial Crown (Reichskrone), Imperial Sceptre (Reichszepter), and the Imperial Orb (Reichsapfel). All four parts of the Imperial Regalia are displayed in the Imperial Treasury at the Hofburg Palace in Vienna, Austria. It is also known as Mauritiusschwert, or the sword of Saint Maurice.

The Vienna Coronation Gospels, also known simply as the Coronation Gospels (German: Krönungsevangeliar), is a late 8th century illuminated Gospel Book produced at the court of Charlemagne in Aachen. It was used by the future emperor at his coronation on Christmas Day 800, when he placed three fingers of his right hand on the first page of the Gospel of Saint John and took his oath. Traditionally, it is considered to be the same manuscript that was found in the tomb of Charlemagne when it was opened in the year 1000 by Emperor Otto III. The Coronation Evangeliar cover was created by Hans von Reutlingen, c. 1500. The Coronation Evangeliar is part of the Imperial Treasury (Schatzkammer) in the Hofburg Palace in Vienna, Austria (Schatzkammer, Inv. XIII 18).

The Imperial Treasury (German: Kaiserliche Schatzkammer) at the Hofburg Palace in Vienna, Austria contains a valuable collection of secular and ecclesiastical treasures covering over a thousand years of European history. The entrance to the treasury is at the Schweizerhof (Swiss Courtyard), the oldest part of the palace, which was rebuilt in the sixteenth century in the Renaissance style under Holy Roman Emperor Ferdinand I. The Imperial Treasury is affiliated with the Kunsthistorisches Museum, and houses in 21 rooms a collection of rare treasures that were compiled by the Imperial House of Habsburg over the course of centuries, including the Imperial Crown, Orb, and Sceptre of Austria, and the Imperial Regalia of the Emperors and Kings of the Holy Roman Empire, including the Imperial Crown of the Holy Roman Empire.The Imperial Treasury is divided into two collections: the secular collection and the ecclesiastical collection. The secular collection contains numerous imperial artifacts from the House of Habsburg, including jewels and precious stones that due to their unique size could not be fitted into the imperial crowns. Like all secular treasuries, it was designed to attest to the political power and geographical reach of their owners. The ecclesiastical collection contains numerous religious treasures, including relics and objects ascribed to the private ownership of saints.

The Agate Bowl (German: Achatschale) is a hardstone carving in the shape of a bowl cut out of a single piece of agate, possibly in the fourth century at the court of Constantine, and now displayed in the Imperial Treasury at the Hofburg Palace in Vienna, Austria. For centuries it was widely regarded as the "greatest masterpiece" and the "best and most important piece" in the collection. In 1564, Holy Roman Emperor Maximillian II and his brothers declared it by deed to be an "inalienable heirloom of the house of Austria". They valued this ancient precious stone carving, not just for its craftsmanship, but for a "natural miracle" in the stone itself that reveals a mysterious inscription—the name XRISTO (Christ) at the bottom of the bowl within the grain of the stone. It is now generally believed that the inscription inspired the legend that the bowl was the Holy Grail. The Agate Bowl is the largest carved stone bowl in the world.