Verona Porta Vescovo railway station

Santi Nazaro e Celso is a Romanesque-style, Roman Catholic church on the street that leads to the Porta Vescovo, in the Veronetta quartiere of Verona.

The Giusti Palace and Garden (Italian: Palazzo e giardino Giusti) are located in the east of Verona, Italy, a short distance from Piazza Isolo and near the city centre. The palace was built in the sixteenth century. The garden is considered one of the finest examples of an Italian garden. The palace is a 16th-century Mannerist structure with a tower added in 1701. The Italian Renaissance gardens were planted in 1580 and are regarded as some of the most beautiful Renaissance gardens in Europe, a splendid park of terraces climbing upon the hill. They include a parterre and hedge maze, and expansive vistas of the surrounding landscape from the terrace gardens. First, only two square parterres right and left hand of the cypress way were designed, and a maze behind the right one, as figured in Nürnbergische Hesperides in 1714. Some years later, four additional flower parterres were laid out left hand, as to be seen at a map in the Verona State Archives. The booklet, Il paradiso de' Fiori by Francesco Pona (1622) informs about the plants used in this time in Giardino Giusti as does also some planting sketches by Pona included in the new edition of this book, Milano 2006. The actual unifying layout of the garden parterres dates from early 20th century. The maze was reconstructed after 1945. The Giusti family, owner of the palace since the 16th century, was entitled by the Austro-Hungarian Emperor to change its original surname to "Giusti del Giardino" because of the importance of the gardens. In 2020, the garden was hit by a severe storm, causing severe damage to the plants and killing a lot of the trees, including the 600-year old Goethe cypress. The garden has since this incident been added to Europa Nostra's "7 Most Endangered" list of heritage sites at risk.

The University of Verona (Italian: Università degli Studi di Verona) is a university located in Verona, Italy. It was founded in 1982 and is organized in 12 Departments. According to business newspaper Il Sole 24 Ore, it is ranked as the best non-private university in Italy in 2014, 2015 and 2016.

The National Observatory of Outsider Art is a joint Department of the University of Verona, Faculty of Arts (Academy of Fine Arts, Verona). The Academy of Fine Arts of Verona (Italian name: Accademia di Belle Arti Gian Bettino Cignaroli di Verona) is a post-secondary school for studies in the visual arts, founded in 1764. One of the oldest Art Academy in the world, the Accademia Cignaroli is listed among the five Academie Storiche d'Italia (Italian Historic Academies).

Daniele Comboni (15 March 1831 – 10 October 1881) was an Italian Catholic bishop who served in the missions in Africa and was the founder of both the Comboni Missionaries of the Heart of Jesus and the Comboni Missionary Sisters. Comboni studied under Nicola Mazza in Verona where he became a multi-linguist and in 1849 vowed to join the missions in the African continent although this did not occur until 1857 when he travelled to Sudan. He continued to travel back and forth from his assignment to his native land in order to found his congregations and attend to other matters, and returned in 1870 for the First Vatican Council in Rome until its premature closing due to conflict. Comboni attempted to draw attention across Europe to the plight of the people living in poor-stricken areas in the African continent and from 1865 until mid-1865 travelled across Europe to places such as London and Paris to collect funds for a project he started to tend to the poor and ill. His mission to Africa was strengthened with his appointment as a bishop in 1877 for it allowed him greater freedom to establish branches of his order in Khartoum and Cairo amongst other locations. Comboni was beatified in Saint Peter's Basilica on 17 March 1996 and his canonization came on 5 October 2003.

The church of San Giovanni in Valle is a Catholic place of worship located on the street of the same name in Verona. One of the oldest churches in Verona, it arose on the site of a pagan necropolis and a Roman temple. Little or nothing is known about the early building, however some elements, such as its location in the area where the castrum of Theodoric the Great stood (in the vallum of the castle, hence the name), suggest that in the beginning it may have been the Arian cathedral of Verona, as opposed to the Catholic church of Santo Stefano. In any case, only part of the present crypt remains of this early church, as the rest of the building was severely damaged in the earthquake that struck Verona in 1117. As early as 1120 the reconstruction of what would later be the present building in the Romanesque style began, while in 1164 its consecration took place at the hands of the bishop of Verona Ognibene. During the Middle Ages a collegiate church of clerics also resided there. In 1300 it was decided to enlarge the hall of the building by lengthening the nave by one bay, the pre-existing narthex was then incorporated into the church and the facade rebuilt from scratch. During the following centuries the building did not undergo any other major transformations, however, it was deeply damaged during a World War II bombing raid; at the end of the conflict, therefore, it underwent extensive restoration. The church building, which is one of the masterpieces of Veronese Romanesque style, is characterized by a basilica plan divided into three naves by the alternation of pillars and columns, while the vertical development is on three levels: a raised presbytery, the hall and the lower crypt. Of notable value are the elegant carved capitals placed to crown the columns. The walls, once entirely frescoed, now show only a few fragments of paintings ruined by time and moisture. In the crypt, next to the high altar, are kept two valuable sarcophagi: one dating from the 4th century features a bas-relief sculpture on three sides in two overlapping orders with stories from the Old and New Testaments narrated and in which tradition holds the relics of the apostles Simon the Canaanite and Judas Thaddeus; the other, which is older (2nd or 3rd century), is a strigilated sarcophagus from the pagan period with depictions in the center of two spouses in a shell above a rural scene and with two figures of philosophers later transformed into Christian saints on either side. The complex is completed by a bell tower, Romanesque in its lower part and of Renaissance style in its upper part, a cloister of which only one wing remains, and the rectory that was once the seat of the collegiate church and is now one of the oldest civil buildings to be found in the city.

The church of San Tomaso Becket, commonly known as the church of San Tomaso Cantuariense, is a church situated in the central Verona, near the Ponte Nuovo del Popolo. The present church was built by Carmelites to replace two 14th-century churches, one dedicated to St Thomas Becket (1316), the other to the Annunciation (1351). The architect Michele Sammicheli designed the plans during 1545-1550. The façade remains incomplete. The portal of the church was transferred here from Santa Maria Mater Domini in Valdonega. The bell tower, with ten bells, was completed in 1400. The church has artworks by Paolo Farinati, Francesco Torbido, Girolamo dai Libri, Antonio Balestra, and Alessandro Turchi. The organ is known to have been used on 27 December 1769, by a young Mozart. The bell tower has a ring of ten bells in D, rung with the Veronese bellringing art.

San Fermo Maggiore is a Romanesque and Gothic church in central Verona. It is dedicated to Saints Firmus and Rusticus, brothers who are local martyrs from the 3rd century. The exterior has a roofline with pinnacles, and the church once held the tomb of a member of the Scaligers. The interior has many medieval frescos, as well as later decoration, including the Brenzoni Monument (discussed below), an altarpiece of St Francis of Assisi by Giovanni Battista Belloti, whilst Veronese's Bevilacqua-Lazise Altarpiece was originally painted for a funerary chapel in the church. A crucifixion on the counter-façade is one of Turone's most significant works.

Santa Maria in Organo is a Roman Catholic church in Verona, Northern Italy.

The church of Padri Filippini, also known as the Church of the Filippini, is a Neoclassical style, Roman Catholic church in Verona, which like the older and neighboring church of San Fermo Maggiore is dedicated to the saints Fermo and Rustico.

Porta Leoni (Gate of the Lions) is an ancient Roman gate in Verona, northern Italy. The gate was built during the Roman Republic by P. Valerius, Q. Caecilius, Q. Servilius and P. Cornelius, and restructured in imperial times. It was connected to the road which led to Bologna and Aquileia. The original Roman name is unknown. During the Middle Ages it was called Porta San Fermo, due to the nearby church, while in the Renaissance it was known as Arco di Valerio. The current name derives from a Roman tomb decorated with two lions (Italian: leoni), now moved near Ponte Navi.The gate has a square structures, with a double façade and two towers which looked towards the countryside. Now only half of the inner façade, covered with white stone in the imperial age, and the foundings are visible. The original decorations are all lost. The lower part is similar to that of Porta Borsari (also in Verona), while the upper part has an exedra with twisted columns.

San Sebastiano was a Roman Catholic church in the historic centre of Verona, Italy dedicated to Saint Sebastian. It was founded as an oratory in the 10th century, and it eventually became a parish church and was rebuilt in the Romanesque style. Between the 16th and 19th centuries, the church intermittently belonged to the Jesuits. They renovated the building in the late 16th and early 17th centuries, but the façade was only completed in 1830. The church was deconsecrated following Italian unification in the 1860s, and it was subsequently used as a cinema and a library. The building was destroyed by aerial bombardment in World War II, and its remains were subsequently demolished. The bell tower and façade had survived the bombing, and the former was retained in situ while the latter was relocated to the church of San Nicolò all'Arena.