Porta Leoni

San Sebastiano was a Roman Catholic church in the historic centre of Verona, Italy dedicated to Saint Sebastian. It was founded as an oratory in the 10th century, and it eventually became a parish church and was rebuilt in the Romanesque style. Between the 16th and 19th centuries, the church intermittently belonged to the Jesuits. They renovated the building in the late 16th and early 17th centuries, but the façade was only completed in 1830. The church was deconsecrated following Italian unification in the 1860s, and it was subsequently used as a cinema and a library. The building was destroyed by aerial bombardment in World War II, and its remains were subsequently demolished. The bell tower and façade had survived the bombing, and the former was retained in situ while the latter was relocated to the church of San Nicolò all'Arena.

San Fermo Maggiore is a Romanesque and Gothic church in central Verona. It is dedicated to Saints Firmus and Rusticus, brothers who are local martyrs from the 3rd century. The exterior has a roofline with pinnacles, and the church once held the tomb of a member of the Scaligers. The interior has many medieval frescos, as well as later decoration, including the Brenzoni Monument (discussed below), an altarpiece of St Francis of Assisi by Giovanni Battista Belloti, whilst Veronese's Bevilacqua-Lazise Altarpiece was originally painted for a funerary chapel in the church. A crucifixion on the counter-façade is one of Turone's most significant works.

Santa Maria Antica is a Roman Catholic church in Verona, Italy. The current church is Romanesque in style and dates to 1185, rebuilt after the earthquake of 1117 destroyed the original building that dated back to the end of the period of Lombard domination in the 7th century. The only surviving remains of the 7th-century building is a fragment of black and white mosaic floor. The current building was dedicated by the patriarch of Aquileia and acted as the private chapel of Verona's ruling Scaligeri family, located beside their family cemetery (the site of the 13th-century Scaliger Tombs). The church has a small tuff bell tower (with three baroque bells) in a purely Romanesque style, with mullioned windows and a brick-covered spire. Around 1630 the three-nave interior was altered to the Baroque style, though a restoration at the end of the 19th century restored the original Romanesque interior, divided by columns with "sesto rialzato" arches, and with an "incavallature" roof supported by transverse arches, as at the basilica of San Zeno. There are two lateral apses in tuff and cotto, and a central apse with two early 14th-century frescoes. The exterior has alternate bands of tuff and cotto, with small windows. The side-door is dominated by the arch of Cangrande I della Scala, the soberest but most monumental of the family arches. Excavations have found a cemetery near the church, containing fifty 11th-century burials, some aligned north-south, some east-west. The belltower contains two bells cast during the 17th century and rung in the Veronese syle.

The Scaliger Tombs (Italian: Arche scaligere) is a group of five Gothic funerary monuments in Verona, Italy, celebrating the Scaliger family, who ruled in Verona from the 13th to the late 14th century. The tombs are located in a court outside the church of Santa Maria Antica, separated from the street by a wall with iron grilles. Built in Gothic style, they are a series of tombs, mostly freestanding open tabernacle-like structures rising high above the ground, with a sarcophagus surmounted by an elaborate baldachin, topped by a statue of the deceased, mounted and wearing armour. According to the French historian Georges Duby, they are one of the most outstanding examples of Gothic art.

The Torre dei Lamberti is an 84 m high tower in Verona, northern Italy. Construction of the tower was started in 1172. In May 1403 the top of the tower was struck by lightning, but the restoration works didn't start until 1448 and took 16 years. During that time, the tower was enlarged: The more recent sections can be recognized today by the use of different materials (such as marble). The large clock was added in 1779. The tower has two bells: the Marangona signals fires, work times, and the hours of the day, while the largest, called Rengo, is used to call the population to arms or to invoke the city's councils.

The Domus Mercatorum or Casa dei Mercanti is a medieval edifice at Piazza delle Erbe in Verona, northern Italy. During the Middle Ages it was home to the Casa dei Mercanti, the guild of the city's merchants, while today is home to the Banca Popolare di Verona.

The church of San Tomaso Becket, commonly known as the church of San Tomaso Cantuariense, is a church situated in the central Verona, near the Ponte Nuovo del Popolo. The present church was built by Carmelites to replace two 14th-century churches, one dedicated to St Thomas Becket (1316), the other to the Annunciation (1351). The architect Michele Sammicheli designed the plans during 1545-1550. The façade remains incomplete. The portal of the church was transferred here from Santa Maria Mater Domini in Valdonega. The bell tower, with ten bells, was completed in 1400. The church has artworks by Paolo Farinati, Francesco Torbido, Girolamo dai Libri, Antonio Balestra, and Alessandro Turchi. The organ is known to have been used on 27 December 1769, by a young Mozart. The bell tower has a ring of ten bells in D, rung with the Veronese bellringing art.

Piazza delle Erbe (Market's square) is a square in Verona, northern Italy. It was once the town's forum during the time of the Roman Empire.

The church of Padri Filippini, also known as the Church of the Filippini, is a Neoclassical style, Roman Catholic church in Verona, which like the older and neighboring church of San Fermo Maggiore is dedicated to the saints Fermo and Rustico.

Santa Maria in Chiavica is a former Roman Catholic church, now deconsecrated, in the Renaissance style, located on Via S. Maria in Chiavica number 7 in central Verona, region of Veneto, Italy. The building retains portions of its original Romanesque structure and original fresco and altar decoration, but is now used for theatrical and musical performances.

San Nicolò all'Arena is a Roman Catholic parish church in the historic centre of Verona, Italy dedicated to Saint Nicholas. It is located close to the Arena, a well-preserved 1st century AD Roman amphitheatre. The present Baroque building was constructed between 1627 and 1683 on the site of an earlier Romanesque church which had existed since the 12th century or earlier. The church's façade remained incomplete until the neoclassical façade of the church of San Sebastiano was relocated to San Nicolò in the 1950s, after the former church was destroyed during World War II.

Palazzo Maffei is a historical palace in Verona, northern Italy, on the north-western side of Piazza delle Erbe.