Padre Filippini, Verona

San Fermo Maggiore is a Romanesque and Gothic church in central Verona. It is dedicated to Saints Firmus and Rusticus, brothers who are local martyrs from the 3rd century. The exterior has a roofline with pinnacles, and the church once held the tomb of a member of the Scaligers. The interior has many medieval frescos, as well as later decoration, including the Brenzoni Monument (discussed below), an altarpiece of St Francis of Assisi by Giovanni Battista Belloti, whilst Veronese's Bevilacqua-Lazise Altarpiece was originally painted for a funerary chapel in the church. A crucifixion on the counter-façade is one of Turone's most significant works.

Porta Leoni (Gate of the Lions) is an ancient Roman gate in Verona, northern Italy. The gate was built during the Roman Republic by P. Valerius, Q. Caecilius, Q. Servilius and P. Cornelius, and restructured in imperial times. It was connected to the road which led to Bologna and Aquileia. The original Roman name is unknown. During the Middle Ages it was called Porta San Fermo, due to the nearby church, while in the Renaissance it was known as Arco di Valerio. The current name derives from a Roman tomb decorated with two lions (Italian: leoni), now moved near Ponte Navi.The gate has a square structures, with a double façade and two towers which looked towards the countryside. Now only half of the inner façade, covered with white stone in the imperial age, and the foundings are visible. The original decorations are all lost. The lower part is similar to that of Porta Borsari (also in Verona), while the upper part has an exedra with twisted columns.

The University of Verona (Italian: Università degli Studi di Verona) is a university located in Verona, Italy. It was founded in 1982 and is organized in 12 Departments. According to business newspaper Il Sole 24 Ore, it is ranked as the best non-private university in Italy in 2014, 2015 and 2016.

The National Observatory of Outsider Art is a joint Department of the University of Verona, Faculty of Arts (Academy of Fine Arts, Verona). The Academy of Fine Arts of Verona (Italian name: Accademia di Belle Arti Gian Bettino Cignaroli di Verona) is a post-secondary school for studies in the visual arts, founded in 1764. One of the oldest Art Academy in the world, the Accademia Cignaroli is listed among the five Academie Storiche d'Italia (Italian Historic Academies).

San Sebastiano was a Roman Catholic church in the historic centre of Verona, Italy dedicated to Saint Sebastian. It was founded as an oratory in the 10th century, and it eventually became a parish church and was rebuilt in the Romanesque style. Between the 16th and 19th centuries, the church intermittently belonged to the Jesuits. They renovated the building in the late 16th and early 17th centuries, but the façade was only completed in 1830. The church was deconsecrated following Italian unification in the 1860s, and it was subsequently used as a cinema and a library. The building was destroyed by aerial bombardment in World War II, and its remains were subsequently demolished. The bell tower and façade had survived the bombing, and the former was retained in situ while the latter was relocated to the church of San Nicolò all'Arena.

San Nicolò all'Arena is a Roman Catholic parish church in the historic centre of Verona, Italy dedicated to Saint Nicholas. It is located close to the Arena, a well-preserved 1st century AD Roman amphitheatre. The present Baroque building was constructed between 1627 and 1683 on the site of an earlier Romanesque church which had existed since the 12th century or earlier. The church's façade remained incomplete until the neoclassical façade of the church of San Sebastiano was relocated to San Nicolò in the 1950s, after the former church was destroyed during World War II.

The Verona Arena (Italian: Arena di Verona [aˈrɛːna di veˈroːna, aˈreːna -]) is a Roman amphitheatre in Piazza Bra in Verona, Italy built in 30 AD. It is still in use today and is internationally famous for the large-scale opera performances given there. It is one of the best preserved ancient structures of its kind. In ancient times, the arena's capacity was nearly 30,000 people. The stage for concerts and opera performances decreases the available places to a maximum of 22,000.

Palazzo Barbieri is a Neoclassical style palace located in Piazza Bra in Central Verona; it now serves as the town hall. The palace was originally named Palazzo della Gran Guardia Nuova, and housed staff associated with the occupying Austrian Army forces. It was designed by Giuseppe Barbieri and was later named in his honor. Construction began in 1836 and was completed by 1848. The interiors contain a large canvas (1595) by Felice Brusasorzi depicting the victory of the Veronese over Benacensi in the year 829. Others who worked in the studio or contributed were Alessandro Turchi, Pasquale Ottino, and Sante Creara. A 14th-century fresco depicting a Crucifixion and the Madonna from a private house was implated into the wall near the entrance. One room has tapestries from the 16th century. One designed by Paolo Farinati depicts the 1164 Victory of the Veronese against Frederick Barbarossa. Tha palace also contains various paintings by Carlo Ferrari and Eugenio Gignous.

Istituto Messedaglia, officially called "Liceo Scientifico Angelo Messedaglia", is one of the oldest schools in Verona, Veneto, North Italy. It is a scientific school, with students who focus on the scientific subjects and can choose different paths: traditional, PNI (Piano Nazionale Informatico, which is Information Technology) or languages.

Palazzo Ridolfi-Dalisca is a historical palace located on Via Bertoni in Verona, northern Italy; since 1952, it has housed the Liceo Scientifico Statale "Angelo Messedaglia".

The Congress of Verona met at Verona on 20 October 1822 as part of the series of international conferences or congresses that opened with the Congress of Vienna in 1814–15, which had instituted the Concert of Europe at the close of the Napoleonic Wars.

The siege of Verona in the winter of 541, was an engagement during the Gothic War (535–554).The Byzantine army almost took the city after taking over the city gate with the assistance of an insider, but a quarrel erupted among the Byzantines regarding the distribution of the booty. The Ostrogoths under Totila exploited the disarray and retook the city.