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Santa Maria alla Porta, Milan

1652 establishments in Italy1652 establishments in the Holy Roman Empire17th-century Roman Catholic church buildings in ItalyBaroque architecture in MilanRoman Catholic churches completed in 1652
Roman Catholic churches in MilanTourist attractions in Milan
Facciata Santa Maria alla Porta, Milano
Facciata Santa Maria alla Porta, Milano

Santa Maria alla Porta is a church in Milan, Italy. Although a church already stood in the same Milanese location since before the year 1105, the present church was erected in 1652 under Spanish rule. It was designed by architect Francesco Maria Richini, and after his death in 1658, the project was completed by Francesco Castelli—the original architect and engineer from Mendrisiotto (not to be confused with Francesco Castelli, colloquially known as "il Borromini") responsible for the construction of the Baroque gate and of the towering tympanum. The church owes its toponym "alla porta" [at the gate] to its construction where the old Porta Vercellina stood, as part of the wall erected in the Republican era by Augustus. The road facing the church, via Santa Maria alla Porta, was part of the decumanus (the east/west oriented road) that led from San Sepolcro Square to Porta Vercellina. It is a parish church in the Archdiocese of Milan which serves the Polish-Milanese community.

Excerpt from the Wikipedia article Santa Maria alla Porta, Milan (License: CC BY-SA 3.0, Authors, Images).

Santa Maria alla Porta, Milan
Via Meravigli, Milan Municipio 1

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N 45.465555555556 ° E 9.1813888888889 °
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Melluso

Via Meravigli 15
20123 Milan, Municipio 1
Lombardy, Italy
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Facciata Santa Maria alla Porta, Milano
Facciata Santa Maria alla Porta, Milano
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Teatro Dal Verme
Teatro Dal Verme

The Teatro Dal Verme is a theatre in Milan, Italy located on the Via San Giovanni sul Muro, on the site of the former private theatre the Politeama Ciniselli. It was designed by Giuseppe Pestagalli to a commission from Count Francesco Dal Verme, and was used primarily for plays and opera performances throughout the 19th and early 20th centuries. Today, the theatre is no longer used for opera, but is a venue for concerts, plays and dance performances, as well as exhibitions and conferences. The original 3,000-seat theatre, surmounted by a large cupola, was constructed in the traditional horseshoe shape, with two tiers of boxes and a large gallery (or loggione) which alone contained more than 1000 seats. It opened on 14 September 1872 with a production of Meyerbeer's Les Huguenots and soon established itself as one of Italy's most important opera houses. During its "golden years", the theatre saw the world premieres of Puccini's Le Villi (31 May 1884), Leoncavallo's Pagliacci (21 May 1892), I Medici (9 November 1893) and Cowen's Signa (12 November 1893). It also saw the Italian premiere of Lehár's The Merry Widow (27 April 1907). By the 1930s, the theatre was mainly being used as a cinema. It was then severely damaged by American aerial bombardment during World War II, after which its magnificent central cupola, which had survived the bombing, was stripped of all its metal parts by the occupying German army. It was partially rebuilt in 1946, and for a period in the 1950s it was used for the performance of musicals. It then reverted to a cinema and a political conference hall. In 1991, the theatre's interior underwent a major restructuring and renovation project which was completed in 1998. It now has a large modern auditorium, the Sala Grande, with 1420 seats, a smaller performing space known as the Sala Piccola, with 200 seats, and a space for exhibitions and conferences, the Sala Terrazzo. Since September 2001, it has been administered by the Fondazione I Pomeriggi Musicali, whose orchestra (the Orchestra i Pomeriggi Musicali) is resident at the theatre.

Archaeological Museum, Milan
Archaeological Museum, Milan

The Archaeological Museum of Milan (Civico Museo Archeologico di Milano in Italian) is located in the ex-convent of the Monastero Maggiore, alongside the ancient church of San Maurizio al Monastero Maggiore, with entrance on Corso Magenta. The first part of the museum, sited in the original site of Corso Magenta, is dedicated to the history of Mediolanum (ancient Milan) founded in the 4th century BC and conquered by the ancient Romans in 222 BC. In the basement floor there is also a small section about Gandhara's arts. The inner cloister, where Roman remains (1st-3rd century AD) and two medieval towers are visible, connects the first part of the museum with the new building sited in via Nirone. In this part of the Archaeological Museum of Milan are sited, on four floors, the Early Middle Ages section, the Etruscan section, the Ancient Greek section and the temporary exhibition room. In the Middle Ages polygonal tower sited in the inner cloister are exposed a Domenico Paladino sculpture donated by the artist to the museum that fits in the frescoed medieval structure. Collections of the museum from prehistoric and Egyptian civilisations are housed at the Castello Sforzesco Museums.Statues and tombs from ancient Rome are displayed along the cloisters of the former monastery, and a path leads from the cloisters to a "polygonal tower (late third century) with early medieval frescoes (thirteenth century) and comes out in the new museum in Via Nirone where the early medieval section is on the first floor."