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Cork gunpowder explosion

EngvarB from April 2018Explosions in IrelandHistory of Cork (city)

The Cork gunpowder explosion was a large explosion that took place in Cork, Ireland on 3 November 1810.Twenty two people were killed and over forty injured when gunpowder stored in a labourer's house in Brandy Lane, Cork, exploded. A subsequent inquiry revealed that several employees of the Ballincollig Royal Gunpowder Mills (then the largest gunpowder manufacturing plant in the world), had been systematically stealing the material which was then sold on to quarrymen for rock blasting.Figures compiled by the Gunpowder Works authorities showed that almost half a ton was unaccounted for in the nine-month period preceding the disaster. During the course of the inquiry it was discovered that the illicit gunpowder had to be dried when brought to the house on Brandy Lane in the St Finbarr's area of the city. The method of drying reportedly involved a lit candle. In addition, one of the men involved on the night of the explosion, was seen drinking heavily in a local tavern. A disaster fund was opened for the victims and their dependents to which over £12,000 was subscribed within two weeks.

Excerpt from the Wikipedia article Cork gunpowder explosion (License: CC BY-SA 3.0, Authors).

Cork gunpowder explosion
Saint Finn Barr's Road, Cork

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N 51.893 ° E -8.4845 °
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Jehovah's Witnesses Cork

Saint Finn Barr's Road 52
T12 KPN3 Cork (Gillabbey B)
Ireland
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Saint Fin Barre's Cathedral
Saint Fin Barre's Cathedral

Saint Fin Barre's Cathedral (Irish: Ardeaglais Naomh Fionnbarra) is a Gothic Revival three-spire Church of Ireland cathedral in the city of Cork. It is located on the south bank of the River Lee and dedicated to Finbarr of Cork, patron saint of the city. Formerly the sole cathedral of the Diocese of Cork, it is now one of three co-cathedrals in the United Dioceses of Cork, Cloyne and Ross in the ecclesiastical province of Dublin. Christian use of the site dates back 7th-century AD when, according to local lore, Finbarr of Cork founded a monastery. The original building survived until the 12th century, when it either fell into disuse or was destroyed during the Norman invasion of Ireland. Around 1536, during the Protestant Reformation, the cathedral became part of the established church, later known as the Church of Ireland. The previous building was constructed in the 1730s, but was widely regarded as plain and featureless. The cathedral's demolition and rebuild was commissioned in the mid-19th century by an Anglican church intent on strengthening its hand after the reforms of penal law. Work began in 1863, and resulted in the first major commissioned project for the Victorian architect William Burges, who designed most of the cathedral's architecture, sculpture, stained glass, mosaics and interior furniture. Saint Fin Barre's foundation stone was laid in 1865. The cathedral was consecrated in 1870 and the limestone spires completed by October 1879. Saint Fin Barre's is mostly built from local stone sourced from Little Island and Fermoy. The exterior is capped by three spires: two on the west front and above where the transept crosses the nave. Many of the external sculptures, including the gargoyles, were modelled by Thomas Nicholls. The entrances contain the figures of over a dozen biblical figures, capped by a tympanum showing a Resurrection scene.

Honan Chapel
Honan Chapel

The Honan Chapel (Irish: Séipéal Uí Eonáin, formally Saint Finbarr's Collegiate Chapel and The Honan Hostel Chapel) is a small Catholic church built in the Hiberno-Romanesque revival style on the grounds of University College Cork, Ireland. Designed in 1914, the building was completed in 1916 and furnished by 1917. Its architecture and fittings are representative of the Celtic Revival movement and evoke the Insular art style prevalent in Ireland and Britain between the 7th and 12th centuries.Its construction was initiated and supervised by the Dublin solicitor John O'Connell, a leading member of the Celtic Revival and Arts and Crafts movements. He was funded by Isabella Honan (1861–1913), the last member of a wealthy Cork family, who made a significant donation towards the construction of the chapel. O'Connell oversaw both the design and the commissioning of its building and furnishings. He guided the architect James F. McMullen and the builders John Sisk and Sons, and the craftsmen and artists involved in its artwork. The Honan Chapel is known for its interior which is designed and fitted in a traditional Irish style, but with an appreciation of contemporary trends in international art. Its furnishings include a mosaic flooring, altar plate, metalwork and enamels, liturgical textiles and sanctuary furnishings, and especially its nineteen stained glass windows. Of these, fifteen depict Irish saints, the remainder show Jesus, Mary, St. Joseph and St. John. Eleven were designed and installed by Harry Clarke, while the other eight are by A. E. Child, Catherine O'Brien and Ethel Rhind of An Túr Gloine cooperative studio. In 1986, the sculptor Imogen Stuart was commissioned to oversee the installation of a new altar and other carvings, furnishings and fittings.