Accademia di San Luca

The Istituto Nazionale per la Grafica (National Institute for the Graphic Design) is an Italian institute having the aim of preserving, protecting and promote a heritage of works providing documentary evidence of all types of graphic design: prints, drawings, photographs. The institute is located in Rome and is managed by the Directorate-General for Contemporary Landscape, Arts and Architecture of the Italian Ministry of Cultural Heritage and Activities. The institute is housed in the monumental complex of Trevi Fountain, consisting of Palazzo Poli and neighbouring Palazzo della Calcografia, built in 1837 by architect Giuseppe Valadier as headquarters of the Chamber Intaglio, directed by Valadier himself for decades. The historic Palazzo Poli was purchased in 1978 by the Italian State, with the very purpose of unifying the National Intaglio and the National Cabinet of Prints, which in 1975 were merged into the present institute.

The Palazzo Poli is a palace in Rome, Italy, that was altered to form the backdrop to the Trevi Fountain. The central portion of the palace was demolished to provide room for the large fountain in 1730. As a setting for the fountain, Luigi Vanvitelli gave the building a new monumental facade that contains the giant order of Corinthian pilasters linking the two main storeys of the palace.In the 1830s, Princess Zinaida Volkonskaya threw lavish parties in this palace. The Palazzo Poli houses a collection of copper engraving plates dated from the sixteenth century to the present. The Palazzo also houses the Istituto Nazionale per la Grafica.

The Trevi Fountain (Italian: Fontana di Trevi) is an 18th-century fountain in the Trevi district in Rome, Italy, designed by Italian architect Nicola Salvi and completed by Giuseppe Pannini and several others. Standing 26.3 metres (86 ft) high and 49.15 metres (161.3 ft) wide, it is the largest Baroque fountain in the city and one of the most famous fountains in the world. The fountain has appeared in several films, including Roman Holiday (1953), the eponymous Three Coins in the Fountain (1954), Federico Fellini's classic La Dolce Vita (1960), Sabrina Goes to Rome (1998), and The Lizzie McGuire Movie (2003).

Santi Vincenzo e Anastasio a Trevi ("Saints Vincent and Anastasius at Trevi") is a Baroque church in Rome, the capital of Italy. Built from 1646 to 1650 to the design of architect Martino Longhi the Younger and located in close proximity to the Trevi Fountain and the Quirinal Palace, for which it served as parish church, it is notable as the place where the precordia and embalmed hearts of 22 popes from Sixtus V to Leo XIII are preserved.Santi Vincenzo e Anastasio a Trevi lies on the location of a medieval church, mentioned in 962 in a bull by Pope John XII as a branch of the San Silvestro in Capite basilica as well as in 15th century records. Known as Santi Vincenzo e Anastasio since the 16th century, it was rebuilt in the Baroque style and completed in 1650. Two entablatures superimposed over the main one, all three with arched, angled or broken pediments, concentrate attention on the richly sculptural central bay of the façade's two storeys, in a theatrical composition "more curious than exemplary" that found few imitators. Its dense massing of Corinthian columns, ten in the lower order and six above make a total, with the columns flanking the finestrone of the upper tier, eighteen fully disengaged Corinthian columns, causing Roman wags to dub the façade il canneto, "the canebrake".The church was reconstructed on the order of Cardinal Mazarin, whose triumphantly presented coat of arms and cardinal's hat, supported by angels, is the focus of the façade composition. It is rumored that Mazarin's niece, Marie Mancini, a mistress of Louis XIV of France, is also portrayed on the facade, in the central female mascaron. The sculptural portrayal of a laywoman and the support of the cardinal's ecclesiastical coat of arms by the sculptures of two barechested women make the church unique among churches in Rome. Until the 1820s, Santi Vincenzo e Anastasio a Trevi was known as the "Pontifical Parish" (Parrocchia Pontificia). The church's interior features a single nave; the altar is decorated by the painting Martyrdom of Saints Vincent and Anastasius by Francesco Pascucci. Prolific Italian illustrator and engraver Bartolomeo Pinelli (1771–1835) was buried in Santi Vincenzo e Anastasio a Trevi as was Russian princess Zinaida Volkonskaya. Its travertine facade has proved porous; restoration with liquid hydraulic mortar and other materials was undertaken in 1989–90 to arrest deterioration.

Santa Maria in Trivio is a church in Rome. It is dedicated to Mary, mother of Jesus, and is located on Piazza dei Crociferi in rione Trevi. It is near the Fountain of Trevi. In Mariano Vasi's 19th-century guidebook, the church is referred to as Santa Maria a Trevi. According to tradition, the church was founded by the Byzantine general Belisarius in the 6th century. Allegedly, he found the church to expiate for deposing Pope Silverius in 537. Previously the church had been known as Santa Maria in Fornica. This was recorded in an 11th-century inscription on the wall of the church.In 1571 the church was given to the Order of the Crociferi. Between 1573 and 1575 the architect Giacomo del Duca rebuilt the church, designing e.g. the innovative pediment above the entrance door. The crucifix in the chapel was decorated by Giovanni Francesco Bolognese. The altarpiece of St Camillo de Lellis was painted by Gasparo Serenari. The main altarpiece was painted by Bartolommeo Morelli. Other altarpieces in side altars were by the studio of Palma il Giovane, Luigi Scaramuccia, and Pietro Perugino. The ceiling was painted by Antonio Gherardi.

Piazza Scanderbeg is a square in Rome, Italy located on the junction of Vicolo Scanderbeg and Via della Panetteria. It is named after the Albanian national hero Skanderbeg, who once lived in Palazzo Skanderbeg located on the square.It was inaugurated by Benito Mussolini.

Palazzo Scanderbeg or Palazzetto Scanderbeg is a Roman palazzo, located on the Piazza Scanderbeg (Num. 117) near the Trevi Fountain. It takes its name from its fifteenth-century host, the Albanian national hero Skanderbeg. The Palazzo was host of the National Museum of Pasta Foods (Museo Nazionale delle Paste Alimentari). Recently re-opened it is the host of a residence - Palazzo Scanderbeg Townhouse and Palazzo Scanderbeg Suites.

Pigna [ˈpiɲɲa] is the 9th rione of Rome, identified by the initials R. IX, and belongs to the Municipio I. The name means "pine cone" in Italian, and the symbol of the rione is the colossal bronze pine cone, that stand above the Pigna. The fountain, that was initially located in the Baths of Agrippa, now decorates a vast niche in the wall of the Vatican facing the Cortile della Pigna, located in Vatican City.

The Via Salaria was an ancient Roman road in Italy. It eventually ran from Rome (from Porta Salaria of the Aurelian Walls) to Castrum Truentinum (Porto d'Ascoli) on the Adriatic coast, a distance of 242 km. The road also passed through Reate (Rieti) and Asculum (Ascoli Piceno). Strada statale 4 Via Salaria (SS4) is the modern state highway that maintains the old road's name and runs on the same path from Rome to the Adriatic sea.

This Church is not to be confused with the Church of Santa Maria in Via Lata, a Deaconry.Santa Maria in Via is a basilica church in Rome. The church or a chapel existed in the 9th century, but was rebuilt following reports of a miracle. In 1165, it is recorded as Santa Maria in Via, whose appellative means "on the Way", with a reference to the nearby Via Flaminia.

Sant'Andrea delle Fratte ("Saint Andrew of the Thickets") is a 17th-century basilica church in Rome, Italy, dedicated to St. Andrew. The Cardinal Priest of the Titulus S. Andreae Apostoli de Hortis is Ennio Antonelli.

Angel with the Superscription is a statue by Italian artist Gian Lorenzo Bernini. Originally commissioned by Pope Clement IX for the Ponte Sant'Angelo project, the statue was replaced with a copy and the original was moved to Sant'Andrea delle Fratte in Rome, Italy. The statue was started in 1667 and completed in 1669. It might seem that in this late work Bernini is not inspired by ancient works, instead the body (not the drapery) derives from Belvedere Antinoo (now Ermes): a figure studied by many other artists such as Algardi, Duquesnoy and Poussin. Bernini will say the students of the Academy of France in Paris that he was inspired many times by this statue, from his youth, considering it an "oracle".