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Pacific Central Station

1919 establishments in British ColumbiaAmtrak stations in CanadaBuildings and structures in VancouverBus stations in British ColumbiaCanadian National Railway stations in British Columbia
Designated Heritage Railway Stations in British ColumbiaFormer Great Northern Railway (U.S.) stationsHeritage buildings in VancouverJuxtaposed border controlsNeoclassical architecture in CanadaRailway stations in Canada opened in 1919Transport in Greater VancouverTransport infrastructure completed in 1919Use mdy dates from May 2022Via Rail stations in British Columbia
Pacific Central 02
Pacific Central 02

Pacific Central Station is a railway station in Vancouver, British Columbia, Canada, which acts as the western terminus of Via Rail's cross-country The Canadian service to Toronto and the northern terminus of Amtrak's Cascades service to Seattle and Portland. The station also provides intercity bus service as the main Vancouver terminal for Greyhound Lines. The station is wheelchair accessible and is staffed with full Via services. The station is a candidate for the northern terminus of a possible future high-speed rail line being considered primarily by the US state of Washington.

Excerpt from the Wikipedia article Pacific Central Station (License: CC BY-SA 3.0, Authors, Images).

Pacific Central Station
Station Street, Vancouver

Geographical coordinates (GPS) Address Phone number Website External links Nearby Places
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Wikipedia: Pacific Central StationContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 49.273611111111 ° E -123.09805555556 °
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Address

Pacific Central Station

Station Street 1150
V6A 4C7 Vancouver
British Columbia, Canada
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Phone number
VIA Rail Canada

call+16048002601

Website
m.viarail.ca

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linkWikiData (Q1327751)
linkOpenStreetMap (32603955)

Pacific Central 02
Pacific Central 02
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Hogan's Alley, Vancouver
Hogan's Alley, Vancouver

Hogan's Alley was the local, unofficial name for Park Lane, an alley that ran through the southwestern corner of Strathcona in Vancouver, British Columbia. The alley was located between Union and Prior (North-South) and ran from approximately Main Street to Jackson Avenue (West-East). The area was ethnically diverse, populated by Black, Italian, Chinese, Japanese, Jewish, and Indigenous residents during the first six decades of the twentieth century. Home to a number of Black families, Black businesses, and the city's only Black church (the African Methodist Episcopal Fountain Chapel), Hogan's Alley has been referred to as the "first and last neighbourhood in Vancouver with a substantial concentrated black population". Hogan's Alley had a vibrant night life, with eateries and nightclubs that hosted local residents, railway porters, and touring musicians alike.Most of Hogan's Alley was destroyed circa 1970 by the Non-Partisan Association civic government's construction of the Georgia Viaduct, the first phase of a planned interurban freeway originally set to run through Hogan's Alley and much of Chinatown and Gastown. The subsequent freeway construction was stopped by the Strathcona Property Owners and Tenants Association, and Strathcona, Chinatown and Gastown were spared from razing, but not before Hogan's Alley was mostly demolished and the viaducts were built. The area where Hogan's Alley once was currently bears little mark of the Black community's historical presence. Since its destruction, Hogan's Alley has been referenced in several community-based cultural works and city projects. Groups such as Hogan's Alley Memorial Project, the Hogan's Alley Working Group, and the Hogan's Alley Society have worked to memorialize the area and advocate for Vancouver's Black community. In 2015, the City of Vancouver announced its plans to remove the viaducts and establish a cultural centre in the Hogan's Alley area.

Fountain Chapel
Fountain Chapel

The Fountain Chapel was a church located at 823 Jackson Avenue in Vancouver, British Columbia from 1918 until 1985. It was the local chapter of the African Methodist Episcopal Church (AME) and was co-founded by Nora Hendrix (grandmother of guitarist Jimi Hendrix) to serve Vancouver's black community. Although not officially designated a heritage structure, the building is one of a few markers of the black community that once flourished in this part of Vancouver. Prior to the establishment of the Fountain Chapel, black Christians held services in rented halls around town, and eventually a small group decided they should have a permanent church of their own. They set out to raise funds for the project and arranged for the AME to match the amount raised locally. Once financing was secured, they purchased the building on Jackson Avenue that was built in 1910 and had served as a Lutheran church for German and Scandinavian immigrants.The AME is a well-established Christian denomination that was founded in 1816 by African Americans in response to the racism they encountered in non-segregated churches. As such, the AME was an important institution for black opposition to antebellum slavery and anti-black racism generally. The AME's activist tradition continued in Vancouver. The church was the locus for organizing against racism on more than one occasion. In the 1922-1923 trial of Fred Deal, a railroad porter charged with murdering Vancouver police constable and Victoria Cross recipient Robert McBeath, the congregation of the Fountain Chapel mobilized to ensure that the likelihood Deal was racially targeted by police was accounted for in the verdict. Consequently, the case was re-tried and Deal's original death sentence was reduced to life in prison. In another case in the 1950s, the Fountain Chapel was used to voice the black community's demands for an inquiry into the police beating of Clarence Clemons, a black longshoreman, who died shortly after the incident in question.The black community that had geographically coalesced around the Fountain Chapel in the city's East End was displaced during the city's slum clearance programs of the 1950s and 1960s. In 1985, not long after Nora Hendrix's death, the AME sold the building, which housed the Basel Hakka Lutheran Church from then until 2008, when the building was officially decommissioned as a church and became a private residence. The building is situated at the eastern edge of what was once Hogan's Alley. On January 30, 2014, Canada Post issued a stamp commemorating Hogan's Alley and the Official First Day Cover depicts an illustration of the Fountain Chapel.

Kissa Tanto
Kissa Tanto

Kissa Tanto is an Italian-Japanese fusion restaurant in the Chinatown neighborhood of Vancouver, British Columbia, Canada. The 80-seat restaurant, which opened in June 2016, is on the second floor of 263 E Pender St. Its name comes from the Japanese word kissa, referring to the jazz cafes of 1960s Tokyo, and the Italian word tanto, meaning "a lot" or "so much". Kissa Tanto is co-owned by restaurateur Tannis Ling, executive chef Joël Watanabe, and sous chef Alain Chow, who collectively envisioned it as an escapist, anachronistic concept. The restaurant's visual design was as central to its development as the menu. The unobtrusive exterior was left in a state of slight disrepair, and is marked only by a small awning and neon sign. The restaurant's interior is inspired by the mid-century modern design movement, with curved banquettes, banker's lamps, extensive use of maple and walnut, and polished brass fixtures. It references the jazz cafes which inspired its name with a glossy coved ceiling and stacks of vinyl records behind the bar in place of the traditional bar mirror. Kissa Tanto serves a modern fusion of Italian and Japanese cuisine, a pairing that appears unusual, but has some historical and culinary basis. Both cuisines focus on simplicity, umami flavors, and local ingredients. The fusion style is flexible and intuitive; traditional ingredients from each cuisine are added to dishes from the other as required rather than attempting to follow a strict formula. The whole fried fish has been singled out by reviewers as the restaurant's signature dish. Since its launch, Kissa Tanto has garnered positive reviews for its romantic, retro-style design philosophy and innovative menu. It has been highly ranked on several Canadian "best restaurant" lists, including the Canada's 100 Best list. In its first year, several critics named it "best new restaurant".