Bavarian Ministry of the Interior

The Odeonsplatz is a large square in central Munich which was developed in the early 19th century by Leo von Klenze and is at the southern end of the Ludwigstraße, developed at the same time. The square is named for the former concert hall, the Odeon, on its northwestern side. The name Odeonsplatz has come to be extended to the parvis (forecourt) of the Residenz, in front of the Theatine Church and terminated by the Feldherrnhalle, which lies to the south of it. The square was the scene of a fatal gun battle which ended the march on the Feldherrnhalle during the 1923 Beer Hall Putsch.

Odeonsplatz is an important U-Bahn interchange station on the northern edge of Munich's Old Town. It is serviced by the , and , lines of the Munich U-Bahn system, with U 4 and U 5 running in an east-west direction and U3, U6 running perpendicular in a north-south direction. It is one of the Old Town's principal U-Bahn interchanges, the others being Sendlinger Tor on the southern periphery, Karlsplatz in the west and Marienplatz in the city centre. The station is also serviced by the Museumsline 100, a bus line that calls at several important museums throughout town. Moreover, the night service N40 calls at Odeonsplatz.

The Palais Preysing is a late-Baroque mansion in Munich, southern Germany, which served as residence for the Counts of Preysing. To distinguish it from the nearby Palais Neuhaus-Preysing, it is also called the Elder Palais Preysing. Joseph Effner built the mansion between 1723 and 1728 for the Count Johann Maximilian of Preysing opposite to the Residenz. It is Munich's first Rococo style palace. The exterior walls were embellished with stucco. Since its restoration after the destructions of World War II, the building houses shops and offices but the decorated stairway is open for the public.

The Feldherrnhalle (Field Marshals' Hall) is a monumental loggia on the Odeonsplatz in Munich, Germany. Modelled after the Loggia dei Lanzi in Florence, it was commissioned in 1841 by King Ludwig I of Bavaria to honour the tradition of the Bavarian Army. In 1923, it was the site of the brief battle that ended Hitler's Beer Hall Putsch. During the Nazi era, it served as a monument commemorating the death of 16 members of the Nazi party.

Drückebergergasse (English: "Shirker's Alley") is the popular name for Viscardigasse, a narrow, curbless pedestrian street, just over fifty metres long and paved with cobblestones throughout, in Munich, Germany. The street is officially named after the Swiss Baroque architect Giovanni Antonio Viscardi, but took its nickname from the 1930s, when locals could circumvent the nearby Nazi memorial to the martyrs of the 1923 Beer Hall Putsch, thus avoiding the requirement to render a Hitler salute to the guarded structure. The alley has a memorial to those who resisted such Nazi tyranny, installed in 1995, in the form of a line of bronze cobbles, "Argumente" (English: "Arguments"). It was designed by the artist Bruno Wank.

The Staatliches Museum Ägyptischer Kunst (German: [ˈʃtaːtlɪçəs muˈzeːʊm ʔɛˈɡʏptɪʃɐ ˈkʊnst], State Museum of Egyptian Art) is an archaeological museum in Munich. It contains the Bavarian state collection of ancient Egyptian art and displays exhibits from both the predynastic and dynastic periods. The associated small Middle East section displays objects from the areas of Assyrian and Babylonian culture. For decades, the Egyptian museum was located in the Munich Residenz, but it was moved to the Kunstareal in June 2013.

The Theatine Church of St. Cajetan (German: Theatinerkirche St. Kajetan) is a Catholic church in Munich, southern Germany. Built from 1663 to 1690, it was founded by Elector Ferdinand Maria and his wife, Henriette Adelaide of Savoy, as a gesture of thanks for the birth of the long-awaited heir to the Bavarian crown, Prince Max Emanuel, in 1662. Now administered by the Dominican Friars, it is also known as the Dominican Priory of St. Cajetan. The church was built in Italian high-Baroque style, inspired by Sant'Andrea della Valle in Rome, designed by the Italian architect Agostino Barelli. His successor, Enrico Zuccalli, added two 66 meters high towers, originally not planned, and then finished the 71-metre-high (233 ft) dome in 1690. The church is 72 metres (236 ft) long and 15.5 metres (51 ft) wide. The facade in Rococo style was completed only in 1768 by François de Cuvilliés. Its Mediterranean appearance and yellow coloring became a well known symbol for the city and had much influence on Southern German Baroque architecture.

Bernheimer Fine Old Masters was a German art gallery and dealership in Munich, owned by Konrad Bernheimer.

The Residenz (German: [ʁesiˈdɛnts], Residence) in central Munich is the former royal palace of the Wittelsbach monarchs of Bavaria. The Residenz is the largest city palace in Germany and is today open to visitors for its architecture, room decorations, and displays from the former royal collections. The complex of buildings contains ten courtyards and displays 130 rooms. The three main parts are the Königsbau (near the Max-Joseph-Platz), the Alte Residenz (Old Residenz; towards the Residenzstraße) and the Festsaalbau (towards the Hofgarten). A wing of the Festsaalbau contains the Cuvilliés Theatre since the reconstruction of the Residenz after World War II. It also houses the Herkulessaal (Hercules Hall), the primary concert venue for the Bavarian Radio Symphony Orchestra. The Byzantine Court Church of All Saints (Allerheiligen-Hofkirche) at the east side is facing the Marstall, the building for the former Court Riding School and the royal stables.

Eduard Meier GmbH (known as "Ed Meier") is a German shoemaking company. Founded in Munich in 1596, it is the oldest existing shoemaking company in the world.

Franke-Schenk is an art dealership and art gallery in Munich, Germany, which presents works of art from the 16th to the 20th centuries. The Kunstsalon came into being in 2009, after the merger of two companies.

The Odeon is a former concert hall in the Odeonsplatz in Munich, Bavaria, Germany, which is named after it. Built in the early 19th century to a design by Leo von Klenze and forming a counterpoint to the externally identical Palais Leuchtenberg, it was rebuilt after being almost totally destroyed in World War II and now houses the Bavarian Ministry of the Interior.