place

Bernheimer Fine Old Masters

German art dealers
Kauf & Wohnhaus am Maximiliansplatz, München, Architekten Fr. Thiersch Prof. u. M. Dülfer aus München, Tafel 11, Kick Jahrgang I
Kauf & Wohnhaus am Maximiliansplatz, München, Architekten Fr. Thiersch Prof. u. M. Dülfer aus München, Tafel 11, Kick Jahrgang I

Bernheimer Fine Old Masters was a German art gallery and dealership in Munich, owned by Konrad Bernheimer.

Excerpt from the Wikipedia article Bernheimer Fine Old Masters (License: CC BY-SA 3.0, Authors, Images).

Bernheimer Fine Old Masters
Brienner Straße, Munich Altstadt-Lehel

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Geographical coordinates (GPS)

Latitude Longitude
N 48.1427 ° E 11.5764 °
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Address

Odeonsplatz

Brienner Straße
Munich, Altstadt-Lehel
Bavaria, Germany
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Kauf & Wohnhaus am Maximiliansplatz, München, Architekten Fr. Thiersch Prof. u. M. Dülfer aus München, Tafel 11, Kick Jahrgang I
Kauf & Wohnhaus am Maximiliansplatz, München, Architekten Fr. Thiersch Prof. u. M. Dülfer aus München, Tafel 11, Kick Jahrgang I
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Nearby Places

Palais Ludwig Ferdinand
Palais Ludwig Ferdinand

The Palais Ludwig Ferdinand (also called the Alfons Palais and the Siemens Palais) is an early 19th-century palace in Munich, Germany, designed by Leo von Klenze. It is located on the Wittelsbacherplatz (at number 4) but forms part of an ensemble with the buildings on the west side of the Odeonsplatz. It was Klenze's own residence, then belonged to Princes Alfons and Ludwig Ferdinand of Bavaria. It is now the headquarters of Siemens. The palace was built in 1825–26 for Karl Anton Vogel, a manufacturer of gold and silver thread, to a plan by Franz Xaver Widmann and with façades by Leo von Klenze, who lived on the piano nobile for 25 years. Klenze had originally intended the site for the first Protestant church in Munich, but that was later built elsewhere by Johann Nepomuk Pertsch. The east front of the palace is at the head of a short unnamed street which branches off the Odeonsplatz, between the Odeon and the Palais Leuchtenberg, which Klenze had previously designed with identical exteriors, so that on that side the three form an ensemble. This was originally the main façade of the building, designed by Klenze with a projecting central bay and a balcony above the main entrance, and with details echoing his Bazar building directly across the Odeonsplatz. Around 1850, the building was extended to the west.From 1878 the building belonged to Princes Alfons and Ludwig Ferdinand of Bavaria, from whom its older names are derived. Ludwig Ferdinand had it remodelled, and around 1900 the façade on Wittelsbacherplatz was embellished with arched doorways and a balcony.The building was badly damaged in World War II. After reconstruction, it was rented in 1949 to Siemens & Halske, a predecessor of Siemens AG, who initially used it for their motor pool and casino business. After Prince Ludwig Ferdinand died in 1949, the cousins Hermann von Siemens and Ernst von Siemens, then chairman and CEO of their company, decided to buy it for the company's headquarters, as official seat of the management board and the supervisory board, and in 1957 finalized the sales contract with the prince's heirs. Those leading institutions of Siemens still today reside in this house. A staircase was added on the Wittelsbacherplatz side in 1968. The building and vast adjacent new wings, occupying the whole block between Finken Str., Kardinal Doepfner Str. and Oskar-von-Miller Ring, including the SiemensForum München, underwent thorough renovation until 2016.

Leuchtenberg Gallery
Leuchtenberg Gallery

The Leuchtenberg Gallery was the collection of artworks of the Dukes of Leuchtenberg, on public display in Munich. The collection was widely known in 19th-century Europe, due to being open to the public and having a high-quality illustrated catalogue in different languages, and was considered one of the most important private collections of the time. The collection was a heritage from Napoleonic times through Joséphine de Beauharnais, but with new additions by the subsequent Dukes, especially Eugène de Beauharnais. In 1810, Eugène de Beauharnais bought part of the collection of Giovanni Francesco Arese, including at least one painting by Peter Paul Rubens. By 1841, the collection was largely complete. The Gallery was located in the Palais Leuchtenberg, the house of the Leuchtenberg family in Munich, built by Leo von Klenze between 1817 and 1821. It was opened to the public from at least 1837 on. The collection was catalogued in French and German from 1825 on, with a new version in German from 1841 on, and in an illustrated catalogue in English in 1852. After the death of Duke Maximilian in 1852, the Gallery was closed, the collection divided between his children, and the Palace sold to Luitpold, Prince Regent of Bavaria. Part of the collection was transferred to Saint Petersburg in 1854, where it was displayed in the Mariinsky Palace, and from 1870 on was lent to the Imperial Academy of Arts. The remainder moved together with Eugen Maximilianovich, Duke of Leuchtenberg, from Munich to Saint Petersburg in 1863. While the collection was still growing in the 1860s with purchases by Grand Duchess Maria Nikolaevna of Russia, by the end of the century, some works were being sold off. The majority of the collection remained together until the Russian Revolution in 1917, when it was dispersed and a number of paintings sold in Sweden. Many works were acquired by the Hermitage and the Pushkin Museum, with others ending up in museums all over the world. For example, Parmigianino's Circumcision of Jesus is now housed at the Detroit Institute of Arts. The remaining works are either lost or in private collections.