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Centro Cultural de España

Arts in Mexico CityContemporary art galleries in MexicoCultural centers in MexicoHistoric center of Mexico CityMexico–Spain relations
Museums in Mexico CityTourist attractions in Mexico City
Centro cultural España en México DF
Centro cultural España en México DF

The Centro Cultural de España (Cultural Center of Spain in Mexico) is located at 18 Guatemala Street in the historic center of Mexico City. In the late 1990s, this old mansion just behind the Cathedral was in ruins when the Mexico City government ceded it to the Spanish government. When restoration work was finished, the new Centro Cultural de España was inaugurated by the king of Spain with the President of Mexico in 2002.The land in this area used to belong to Hernán Cortés, who ceded it to one of his fellow conquistadors. Over the years, it was modified as it passed it was used as law offices, workshops and various types of stores. In 1985, it was severely damaged by the earthquake and was abandoned until the Spanish government acquired it in 1997. The site was chosen due to a commitment by the Spanish government to save an historical monument in this city. The Spanish undertook a careful restoration of the building.In 2012 the center was expanded to an include lot facing Donceles street and on this space a completely new 4000 sq m wing including a rooftop terrace. Javier Sánchez was the architect.This center promotes art exposition of various Mexican and Spanish artists, and include works by younger, more experimental artists as well as established ones. It also contains a small café upstairs and a gift shop downstairs.

Excerpt from the Wikipedia article Centro Cultural de España (License: CC BY-SA 3.0, Authors, Images).

Centro Cultural de España
República de Guatemala, Mexico City

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N 19.434997222222 ° E -99.132633333333 °
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mexiqui

República de Guatemala
06020 Mexico City
Mexico
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Centro cultural España en México DF
Centro cultural España en México DF
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Mexico City Metropolitan Cathedral
Mexico City Metropolitan Cathedral

The Metropolitan Cathedral of the Assumption of the Most Blessed Virgin Mary into Heaven (Spanish: Catedral Metropolitana de la Asunción de la Santísima Virgen María a los cielos) is the cathedral church of the Roman Catholic Archdiocese of Mexico. It is situated atop the former Aztec sacred precinct near the Templo Mayor on the northern side of the Plaza de la Constitución (Zócalo) in the historic center of Mexico City. The cathedral was built in sections from 1573 to 1813 around the original church that was constructed soon after the Spanish conquest of Tenochtitlan, eventually replacing it entirely. Spanish architect Claudio de Arciniega planned the construction, drawing inspiration from Gothic cathedrals in Spain.Due to the long time it took to build it, just under 250 years, virtually all the main architects, painters, sculptors, gilding masters and other plastic artists of the viceroyalty worked at some point in the construction of the enclosure. The long construction time also led to the integration of a number of architectural styles in its design, including the Gothic, Baroque, Churrigueresque, Neoclassical styles, as they came into vogue over the centuries. It furthermore allowed the cathedral to include different ornaments, paintings, sculptures and furniture in its interior. The project was a point of social cohesion, because it involved so many generations and social classes, including ecclesiastical authorities, government authorities, and different religious orders.The influence of the Catholic Church on public life has meant that the building was often the scene of historically significant events in New Spain and independent Mexico. These include the coronation of Agustín de Iturbide and Ana María Huarte as emperors of Mexico by the President of the Congress; the preservation of the funeral remains of the aforementioned emperor; burial, until 1925, of several of the independence heroes, such as Miguel Hidalgo y Costilla and José María Morelos; the disputes between liberals and conservatives caused by the separation of the church and the state in the Reform; the closure of the building in the days of the Cristero War; and the celebrations of the bicentennial of independence, among others.The cathedral faces south. It is approximately 59 metres (194 ft) wide by 128 metres (420 ft) long, with a height of 67 metres (220 ft) to the tip of the towers. It consists of two bell towers, a central dome, and three main portals. It has four façades which contain portals flanked with columns and statues. It has five naves consisting of 51 vaults, 74 arches and 40 columns. The two bell towers contain 25 bells. The tabernacle, adjacent to the cathedral, contains the baptistery and serves to register the parishioners. There are five large, ornate altars, a sacristy, a choir, a choir area, a corridor and a capitulary room. Fourteen of the cathedral's sixteen chapels are open to the public. Each chapel is dedicated to a different saint or saints, and each was sponsored by a religious guild. The chapels contain ornate altars, altarpieces, retablos, paintings, furniture and sculptures. The cathedral is home to two of the largest 18th-century organs in the Americas. There is a crypt underneath the cathedral that holds the remains of many former archbishops. The cathedral has approximately 150 windows.Over the centuries, the cathedral has suffered damage. A fire in 1967 destroyed a significant part of the cathedral's interior. The restoration work that followed uncovered a number of important documents and artwork that had previously been hidden. Although a solid foundation was built for the cathedral, the soft clay soil it is built on has been a threat to its structural integrity. Dropping water tables and accelerated sinking caused the structure to be added to the World Monuments Fund list of the 100 Most Endangered Sites. Restoration working beginning in the 1990s stabilized the cathedral and it was removed from the endangered list in 2000.

Massacre in the Great Temple of Tenochtitlan

The Massacre in the Great Temple, also called the Alvarado Massacre, was an event on May 22, 1520, in the Aztec capital Tenochtitlan during the Spanish conquest of Mexico, in which the celebration of the Feast of Toxcatl ended in a massacre of Aztec elites. While Hernán Cortés was in Tenochtitlan, he heard about other Spaniards arriving on the coast – Pánfilo de Narváez had come from Cuba with orders to arrest him – and Cortés was forced to leave the city to fight them. During his absence, Moctezuma asked deputy governor Pedro de Alvarado for permission to celebrate Toxcatl (an Aztec festivity in honor of Tezcatlipoca, one of their main gods, which, as popular in Aztec culture, included human sacrifice, in this case of a young man). But after the festivities had started, Alvarado interrupted the celebration, killing all the warriors and noblemen who were celebrating inside the Great Temple. The few who managed to escape the massacre by climbing over the walls informed the community of the Spaniards' atrocity.The Spanish version of the incident claims the conquistadors intervened to prevent a ritual of human sacrifice in the Templo Mayor; the Aztec version says the Spaniards were enticed into action by the gold the Aztecs were wearing, prompting an Aztec rebellion against the orders of Moctezuma. While differing so on Alvarado's specific motive, both accounts are in basic agreement that the celebrants were unarmed and that the massacre was without warning and unprovoked. The Aztecs were already antagonistic towards the Spaniards for being inside their city and for holding Moctezuma under house arrest. When Cortés and his men, including those who had come under Narváez, returned, the Aztecs began full scale hostilities against the Spaniards. The Spaniards had no choice but to retreat from the city, which they did on what is called the Sad Night (La Noche Triste), losing most of their men, who were either killed in the battle or were captured and sacrificed.