Roma Porta San Paolo railway station

Piramide is a station on Line B of the Rome Metro. It was opened on 10 February 1955 and is sited on Piazzale Ostiense (across which is the Pyramid of Cestius that gives the station its name) just outside Porta San Paolo, in the Ostiense quarter. Its atrium houses mosaics that have won the Artemetro Roma by Enrico Castellani (Italy) and Beverly Pepper (United States). The station has escalators.

The Porta San Paolo (San Paolo Gate) is one of the southern gates in the 3rd-century Aurelian Walls of Rome, Italy. The Via Ostiense Museum (museo della Via Ostiense) is housed within the gatehouse. It is in the Ostiense quarter; just to the west is the Roman Pyramid of Cestius, an Egyptian-style pyramid, and beyond that is the Protestant Cemetery.

The pyramid of Cestius (in Italian, Piramide di Caio Cestio or Piramide Cestia) is a Roman Era pyramid in Rome, Italy, near the Porta San Paolo and the Protestant Cemetery. It was built as a tomb for Gaius Cestius, a member of the Epulones religious corporation. It stands at a fork between two ancient roads, the Via Ostiensis and another road that ran west to the Tiber along the approximate line of the modern Via Marmorata. Due to its incorporation into the city's fortifications, it is today one of the best-preserved ancient buildings in Rome.

The Rome Porta San Paolo Railway Park Museum is a museum in Rome (Italy), concerned with railway and tram transportation. It is housed next to the Roma Porta San Paolo railway station and the Piramide station of the metro (line B).

Ruth Milles (19 April 1873 – 11 February 1941) was a Swedish sculptor and writer. She is mainly known for her figurines and reliefs.

The Cimitero Acattolico (Non-Catholic Cemetery) of Rome, often referred to as the Cimitero dei protestanti (Protestant Cemetery) or Cimitero degli Inglesi (English Cemetery), is a private cemetery in the rione of Testaccio in Rome. It is near Porta San Paolo and adjacent to the Pyramid of Cestius, a small-scale Egyptian-style pyramid built between 18 and 12 BC as a tomb and later incorporated into the section of the Aurelian Walls that borders the cemetery. It has Mediterranean cypress, pomegranate and other trees, and a grassy meadow. It is the final resting place of non-Catholics including but not exclusive to Protestants or British people. The earliest known burial is that of a Dr Arthur, a Protestant medical doctor hailing from Edinburgh, in 1716. The English poets John Keats and Percy Bysshe Shelley are buried there.

Angel of Grief or the Weeping Angel is an 1894 sculpture by William Wetmore Story for the grave of his wife Emelyn Story at the Protestant Cemetery in Rome. Its full title bestowed by the creator was The Angel of Grief Weeping Over the Dismantled Altar of Life.This was Story's last major work prior to his death, dying a year after his wife. The statue's creation was documented in an 1896 issue of Cosmopolitan Magazine: according to this account, his wife's death so devastated Story that he lost interest in sculpture, but was inspired to create the monument by his children, who recommended it as a means of memorializing the woman. Unlike the typical angelic grave art, "this dramatic life-size winged figure speaks more of the pain of those left behind" by appearing "collapsed, weeping and draped over the tomb".The term is now used to describe multiple grave stones throughout the world erected in the style of the Story stone. A feature in The Guardian called the design "one of the most copied images in the world". Story himself wrote that "It represents the angel of Grief, in utter abandonment, throwing herself with drooping wings and hidden face over a funeral altar. It represents what I feel. It represents Prostration. Yet to do it helps me."Prominent replicas of the Angel of Grief sculpture include the Henry Lathrop monument, located in the Stanford University Arboretum. Lathrop was the brother of Jane Stanford, the co-founder of the university. The original replica was built in 1901, but was severely damaged in the San Francisco earthquake of 1906, leading to its replacement in 1908. After years of neglect, the 1908 replacement was fully restored in 2001. Another example is the Cassard angel, erected around 1908 in the Green-Wood Cemetery in Brooklyn, New York.The image has also been used in popular culture, such as in an album covers for The Tea Party's The Edges of Twilight (1995), Evanescence’s EP (1998) and Nightwish's Once (2004) and in the 2012 film The Woman in Black.

A nasone (plural nasoni), also called a fontanella (plural fontanelle, lit. "little fountains"), is a type of drinking fountain found in Rome, Italy. Literally meaning "large nose", they got their name from their characteristic design first introduced in the 1870s. There are approximately 2,500–2,800 nasoni in Rome, supplying people with free drinking water.

Campo Testaccio was a multi-use stadium in Rome, Italy. It was initially used as the stadium of A.S. Roma matches, before the team moves to Stadio Nazionale PNF, located in Flaminio quarter in 1940. The capacity of the stadium was 20,000 spectators. The stadium was rebuilt for use by a local team in 2000, but demolished in 2011.

Roma Ostiense is a railway station in Piazza dei Partigiani serving the Ostiense district of Rome, Italy, a short distance from the Porta San Paolo. It is run by the Rete Ferroviaria Italiana arm of the Ferrovie dello Stato Italiane group and the urban rail lines FR1, FR3, and FR5 run through the station. It is linked with the Piramide Metro B station and the Roma Porta San Paolo station on the Rome-Lido railway line.

San Saba is an ancient basilica church in Rome, Italy. It lies on the so-called Piccolo Aventino, which is an area close to the ancient Aurelian Walls next to the Aventine Hill and Caelian Hill. The current Cardinal Deacon of the Titulus S. Sabae is Arthur Roche, succeeding Jorge Medina. Both served as prefects of the Dicastery of Divine Worship and the Discipline of the Sacraments at the time of their elevation. The titulus was established in 1959.

Piazza Albania is a square of Rome (Italy), placed along Viale Aventino, not far from Porta San Paolo, at the footsteps of the Aventine Hill.